About the Blogger

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SHORT BIO

Victoria Emily Jones blogs at ArtandTheology.org, exploring ways in which the arts can stimulate renewed engagement with the Bible, support the church’s observance of the liturgical year, and function as a mode of theology. She is an artistic director of the Eliot Society, an Annapolis-based nonprofit that seeks to foster spiritual formation through the arts, and her writings appear in ArtWay, the Visual Commentary on Scripture, and the Encyclopedia of the Bible and Its Reception. Follow her on Instagram @art_and_theology.

LONG BIO

Victoria Emily Jones graduated from the University of North Carolina–Chapel Hill in 2010 with a BA in journalism and English literature and a minor in music, and she has done some postgraduate coursework in worship and the arts at Regent College in Vancouver. Now she works as an editorial freelancer (especially editing manuscripts for Eerdmans) and pursues independent research on Christianity and the arts, with a special interest in visual art that engages with biblical narratives, especially from the twentieth century onward and/or from non-Western cultures.

Victoria serves on the board of the Eliot Society, an Annapolis-based nonprofit that promotes spiritual formation through the arts. From 2015 to 2022 she was the assistant editor of ArtWay, an online publication that encourages Christian engagement with historical and contemporary art, and she was the curator for The Daily Prayer Project during the majority of its run, from 2020 to 2025, licensing images from artists around the world to support the church’s observance of the liturgical year. Her writings appear in ArtWay, the Visual Commentary on Scripture, and the Encyclopedia of the Bible and Its Reception.

Based on the work she had done through her blog The Jesus Question (the precursor to Art & Theology), Victoria was selected in 2016 to participate with a small group of scholars and artists in the two-week Calvin College (now Calvin University) seminar “Bodies of Christ: Visualizing Jesus Then and Now,” led by Ed Blum, coauthor of The Color of Christ. Racialized representations of Christ remains one of her ongoing topics of inquiry.

PUBLICATIONS

ArtWay.eu:

TALKS

  • “Picturing Jesus: A Case for Racially and Culturally Diverse Artistic Representations of Christ” (postgraduate seminar), Spurgeon’s College, London, May 19, 2021
  • “Saying Yes: The Annunciation in Contemporary Art,” The Breath and the Clay creative arts conference, March 18, 2021
  • “Seeing the Story: Visual Art for the Liturgical Year,” North Decatur Presbyterian Church, North Decatur, Georgia, September 15, 2019
  • “The Crucifixion in Global Art,” Christian Union, Brown University, April 13, 2017
  • “Art and the Church: Seeing the Sacred in Global Christian Art” (six-week Sunday School course), City of Hope Presbyterian Church, Columbia, Maryland, Spring 2017

INTERVIEWS / CONVERSATIONS