This December hundreds of churches around the world will no doubt bring to life onstage the unusual tale of Mary and Joseph’s baby. Most of the characters will be played by little kids dressed up in robes and star-tinsel garlands, and “Hark! The Herald Angels Sing” is sure to make the song list. A beloved tradition—but one that has perhaps made Jesus’s birth too familiar to us, rendered it not unusual or shocking at all.
Into this milieu comes Don Chaffer and Chris Cragin-Day’s new musical, The Unusual Tale of Mary and Joseph’s Baby, to shake things up. Running December 8–18 at River and Rail Theatre in Knoxville, Tennessee, the play retells Matthew and Luke’s nativity accounts with a modern imagination, focusing on the hopes and fears of the young couple chosen to bear God into the world. My husband and I attended its world premiere this August at the New York International Fringe Festival, produced by Firebone Theatre, and loved it. (We’re still singing “Hel-looo! Hel-looo!” to each other—the catchy angelic greeting.) Far from the tired, pious storytelling of many a Christian-penned pageant, The Unusual Tale bursts with energy and even surprises, inviting believers and nonbelievers alike to consider anew the meaning of the Incarnation.
The show has a cast of four: Mary, Joseph, and two multirole characters (one male, one female). Mary and Joseph are humanized and given dimension. They are at times angry, scared, hurt, frustrated, confused, happy, tired, skeptical, or insistent. Their personalities sometimes clash—Mary is plucky and passionate and refuses to accept the way things are, whereas Joseph is mostly content and prefers to play it safe. When they are confronted with the outrageous news that Mary is to give birth to the son of God, they are forced to exercise a degree of trust in God and in each other that they had not been required to previously, and it doesn’t come easy. But they grow together into God’s plan in their own different ways as they learn more and more how to do the work they’ve been called to.
One of the most enthralling possibilities that the play opens up is that the Incarnation was triggered not just by God’s feeling that “now’s the time” or by some generic devoutness on the part of Mary but by a spoken vow of hers. Fed up with how the Roman authorities have been roughing up her fiancé at work, Chaffer and Cragin-Day’s Mary starts sermonizing about how God raised up stuttering Moses to deliver their people from slavery in Egypt, and little ole David to conquer a Philistine giant, and why couldn’t he do the same today?
“You know what I think? I think God is just waiting for someone to step up and say, ‘I’ll do it. Choose me.’ Like David did. So you know what I’m gonna do?” Mary says, stepping onto a crate, despite Joseph’s objections.
“I’ll do it, God. I’ll slay Goliath. I am available and willing.”
“One of these days, God’s gonna call your bluff,” Joseph says.
“I’m not bluffing.” Continue reading “New folk musical: The Unusual Tale of Mary and Joseph’s Baby“