Roundup: World-rhythm hymns, the Hillbilly Thomists, 19th-century gameboards, and more

CALL FOR APPLICATIONS: 2025 Artist Residency at Village Church, Beaverton, Oregon:Village Church is seeking an Artist in Residence for 11 months of 2025, February to December, to create a lasting, creative impact on the wider community and church. The artist will create original work, lead art showcases, inspire future generations, and use art as a bridge between the tech culture surrounding the church, with the spiritual and theological. This residency offers the chance to create art that reflects God’s beauty, promotes worship, and connects people in meaningful ways.”

Applicants must have a minimum of five years of experience. If chosen, you will receive a monthly stipend, free housing, and studio space and will have the cost of all art supplies covered. The pastor tells me that the original application deadline of January 15 is being extended.

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NEW(ISH) ALBUM: The Hymnal by Life in Grooveland: Released last April. From World Music Central: “Life in Grooveland’s The Hymnal reimagines traditional hymns with dynamic, world music-influenced rhythms, creating an album that brings together spirituality and groove. Produced and arranged by Nashville session drummer and percussionist Justin Amaral, this fascinating instrumental collection features ten exquisitely crafted duets presenting some of Nashville’s most talented and inventive musicians, including Jeff Coffin (Dave Matthews Band, Béla Fleck), Fats Kaplin (Mitski, Jack White), Paul Niehaus (Lambchop), and Billy Contreras (Ricky Skaggs). Amaral’s versatile drumming, which ranges from subtle to explosive, provides the backbone for each track, layering rhythm to amplify each hymn.” Thanks to blog reader Ted Olsen for bringing this to my attention!

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PODCAST EPISODE: “The Hillbilly Thomists: Bourbon, Bluegrass, and the Bible,” No Small Endeavor: I really enjoyed this! “There aren’t many Billboard-charting bluegrass bands made up entirely of Dominican friars, who play their shows clad in white tunics and rosaries. In fact, there is precisely one such band: the Hillbilly Thomists. ‘A Thomist is someone who follows the thought and theological teaching of Saint Thomas Aquinas,’ they explain. ‘We combine it with a little bit of humor about our human condition.’ In this episode, they talk about their theology and vocation, as well as how they manage life on the road as priests who have taken a vow of poverty. Plus, they give live performances of some of their finest songs.”

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NEW POEM: “Jesus, Son of Gop” by Sarah M. Wells: Exposing the ridiculousness of followers of the nonviolent Christ sanctioning violence, this satirical poem is a response to a politician’s egregious misappropriation of the apostle Paul’s “armor of God” language. It’s an alternate history that rewrites how Jesus’s arrest in the garden went down. Listen to Wells discuss the poem on The Reformed Journal Podcast.

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EXHIBITION: Playing with Design: Gameboards, Art, and Culture, September 13, 2024–January 26, 2025, American Folk Art Museum, New York City: I saw this show last weekend and was absolutely delighted by it! Curated by Emelie Gevalt with Austin Losada, it features over one hundred handmade gameboards, mostly nineteenth century, from the exuberant collection of Bruce and Doranna Wendel. Many are of familiar games I used to play as a child—Parcheesi (which I learned originated in India, its name an adaptation of the Hindi word for “twenty-five”), checkers, Chutes and Ladders—and others are creative variations on the typical racing board game. There is also a fortune-telling game, in the vein of the Magic 8 Ball! The objects on display—hand-carved and hand-painted and from the imaginations of common folk—are interesting both culturally and aesthetically.

Gameboards exhibition

Two that made me chuckle contain religious references. “Gameplay, especially cards, was sometimes thought to encourage vice, in particular gambling or idleness,” the gallery label reads. So board makers sometimes incorporated spiritual aphorisms or precepts into the design to counteract the corrupting influence and remind players to uphold Christian virtues even in moments of leisure. A Parcheesi board instructs players to “Love God by loving each other”—and I can’t make out what the Chinese checkers board says, other than “The Lord . . . your . . . God . . .”

Parcheesi Board
Possibly Ira M. Countryman or Jimmy Hall, Parcheesi Board, late 19th century. Paint on wood, 21 × 21 in. American Folk Art Museum, Gift of Doranna and Bruce Wendel, 2024.7.3. Photo: Victoria Emily Jones.

Chinese Checkers Board
Possibly George Clark, Chinese Checkers Board, late 19th or early 20th century. Paint on wood, 17 1/2 × 15 in. Collection of Doranna and Bruce Wendel. Photo: Victoria Emily Jones.

There are just two weeks left to see the exhibition. (And as I mentioned in November, there’s also an exhibition of Shaker gift drawings on view, also through January 26.) View more photos at the AFAM link above, and also here.

The American Folk Art Museum is one of the few FREE museums in New York, and I’ve enjoyed it so much every time I’ve been there. (See the blog post “The biblical imagination of folk sculptor Annie Hooper,” documenting one of my previous visits.) It’s small—only three galleries. It’s on the Upper West Side of Manhattan, right off the Lincoln Center subway stop.

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Interested to see what books I read in 2024? Goodreads has put together a “My Year in Books” page! Follow me on Goodreads if you want to stay apprised of my latest reads, want-to-reads, and star ratings.

My Year in Books

Roundup: Virtual artist residency, song for All Saints’ Day, Sliman Mansour, and more

VIRTUAL ARTIST RESIDENCY: 2023 Inbreak Residency: Led by Dea Jenkins, the organization Inbreak, which promotes social healing through the arts, is hosting its third annual (virtual) residency, open to US-based artists of any discipline interested in exploring the intersections of art, faith, and race in the United States. The residency provides a collaborative environment and opportunities for artistic development and creative leadership growth, with group workshops, group feedback sessions, studio visits, and a curriculum featuring a curated selection of viewings, readings, and dialogue prompts. It culminates in a live or virtual exhibition.

Applications are due by November 20, 2022; you are required to submit work samples, an artist statement and/or short bio, and a community-focused project proposal. Four applicants will be selected for the 2023 cohort, which runs from January to May, and each given a $500 stipend.

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SONG: “Lux Aeterna”: “Lux Aeterna” (Eternal Light) is the Communion antiphon for the Roman Catholic Requiem Mass. The traditional Latin text has been set to music by many composers. Recorded at All Hallows’ Gospel Oak in London in May 2021, this performance by the Gesualdo Six is of the setting by Spanish Renaissance composer Cristóbal de Morales. I share it in anticipation of All Saints’ Day on November 1.

The lyrics translate as follows:

May eternal light shine upon them, Lord,
with your saints forever, for you are good.

Grant them eternal rest, Lord,
and may light perpetual shine upon them,
with your saints forever, for you are good.

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VIDEO: “A priest, a rabbi, a curator and an artist look at The Finding of Moses: This ten-minute film from the National Gallery in London features interviews with the Rev. Ninus Khako, Rabbi Dr. Deborah Kahn-Harris, Foundling Museum Director Caro Howell MBE, and artist Ali Cherri on The Finding of Moses (early 1630s) by Orazio Gentileschi.

The video came out of the Interfaith Sacred Art Forum and the Sacred Art in Collections pre-1900 Network, both launched last year as part of the National Gallery’s Art and Religion research strand. In their inaugural 2021–22 season, the theme was “Crossing Borders,” and they have used two paintings in the museum’s collection as a foundation for wide-ranging events and activities. The theme for 2022–23 is “The Art of Creation,” and the two paintings around which conversations and activities are based are Rachel Ruysch’s Flowers in a Vase (1685) and Claude Monet’s Flood Waters (1896).

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VIDEO: “Introducing Annie Dillard” by Tish Harrison Warren: In this video from the Trinity Forum, Anglican priest and writer Tish Harrison Warren introduces the forum’s fall reading, the Pulitzer Prize–winning classic Pilgrim at Tinker Creek (1975) by Annie Dillard. The book comprises Dillard’s evocative reflections on her time spent wandering about and observing the lively woods, creeks, and natural world of Virginia’s Roanoke Valley while she convalesced from illness.

“She [Dillard] has taught me, in the words of Eugene Peterson, to pray with my eyes open,” Warren says. “She has taught me to notice God at work in the world in ways that I wouldn’t.”

I hear Dillard quoted all the time, but I’m embarrassed to say that I have not yet read this quintessential book of hers! Though I do own it. I have now pulled it off the shelf and put it in my “to read imminently” stack. 😊

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VISUAL MEDITATION: “The Taste of Palestine” by Meryl Doney, on the art of Sliman Mansour: Sliman Mansour is a Palestinian Christian artist whose work centers on the Palestinian struggle against the Israeli occupation. This ArtWay article is a great, concise introduction to his work, spotlighting four of his paintings: Picking Olives; The Flight to Egypt; Hagar; and The Holy Family in an Olive Grove.

Mansour, Sliman_Flight to Egypt
Sliman Mansour (Palestinian, 1947–), The Flight to Egypt, 1984. Oil on canvas.

On two related notes: