Roundup: Upcoming webinars and conferences

ONLINE LECTURES organized by the Centre for Marian Studies at St Mary’s University in Twickenham:

If you’d like to register for either of these (they’re free), email Catherine O’Brien at info@marianstudies.ac.uk. View additional online lecture offerings at https://www.marianstudies.ac.uk/post/research-seminar-schedule.

>> Annual Candlemas Lecture by Ayla Lepine, February 3, 2025, 7 p.m. GMT (2 p.m. ET): Rev. Dr. Ayla Lepine, who is the associate rector at St James’s Piccadilly in London and an art historian and theologian, “will explore two works of art featured in her forthcoming book, Women, Art, God. In the series entitled The Annunciation (A Study), Julia Margaret Cameron reimagined and reconfigured paintings by Renaissance artists including Perugino and Lippi. In her photography, blurred and hazy aspects of the image are suggestive of the Holy Spirit in this new technology.

“A century later, the American nun Sister Corita Kent produced a groundbreaking silkscreen print, The Juiciest Tomato of All. This artwork compared the Virgin Mary to a ripe fruit, with a title inspired by Del Monte tinned fruit and vegetable slogans from her local supermarket. By considering these two artworks by women from the nineteenth and twentieth centuries as a pair, new ways of encountering Mary in art history, theology, and prayer can emerge with unexpected resonance for the twenty-first century.”

Cameron, Julia Margaret_Annunciation
Julia Margaret Cameron (British, 1815–1879), After Perugino / The Annunciation, 1865. Albumen print from wet collodion glass negative, 19 1/2 × 15 in. Victoria and Albert Museum, London.

Kent, Corita_the juiciest tomato of all
Corita Kent (American, 1918–1986), the juiciest tomato of all, 1964. Serigraph, 29 3/4 × 36 in. © Estate of Corita Kent / Immaculate Heart Community.

>> “The Annunciation in Theology and Art: Shedding New Light on an Old Doctrine” by Tina Beattie, March 26, 2025, 3 p.m. GMT (10 a.m. ET): No details other than the title have been given about this lecture. But the speaker is a leading Marian theologian and writer whom I’ve been familiar with for some time, and an emerita professor of Catholic studies at the University of Roehampton. Her research is in the areas of gender, sexuality, and reproductive ethics; Catholic social teaching and women’s rights; theology and the visual arts, especially images of Mary; and the relationship between medieval mysticism, sacramental theology, and psychoanalytic theory.

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WEBINAR with Drew Jackson, Eugene Peterson Center for Christian Imagination, February 4, 2025, 7 p.m. ET: A conversation on the intersection of poetry, ministry, and Christian imagination. Registration is free. “Drew Jackson is a poet, speaker, and public theologian. He is author of God Speaks Through Wombs: Poems on God’s Unexpected Coming and Touch the Earth: Poems on the Way. . . . Drew received his B.A. in Political Science from the University of Chicago and his M.A. in Theology from Fuller Theological Seminary. He currently works as the Managing Director of Mission Integration for the Center for Action and Contemplation, and lives in Brooklyn, NY, with his wife and daughters.”

Webinar with Drew Jackson

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CONFERENCES/SYMPOSIA:

>> Calvin Symposium on Worship, Calvin University, Grand Rapids, Michigan, February 5–7, 2025: “An ecumenical conference dedicated to worship and learning, bringing together people in a variety of roles in worship and leadership from across the country and around the world.”

>> Contemporary Art as/in Pilgrimage, Columbia University, New York, February 11, 2025: Organized by the Association of Scholars of Christianity in the History of Art, this one-day symposium “will explore such questions as: Are galleries, museums, art expos, and art installations the new ‘slow spaces’ for spiritual sustenance and transcendent experiences? How are temples, churches and other ‘religious’ sites transformed by artist installations intended to invoke deep spiritual encounter and healing? And how is the art of contemporary artists working in a diversity of media and practice seen through the lens of pilgrimage?”

The keynote speaker is Kathryn R. Barush, author of Imaging Pilgrimage: Art as Embodied Experience (Bloomsbury, 2021). She will be joined by eleven other presenters. Plus, Elissa Yukiko Weichbrodt, author of Redeeming Vision: A Christian Guide to Looking at and Learning from Art, will lead attendees in the practice of intentional looking at the Cathedral of Saint John the Divine.

Our Lady of Ferguson
Mark Doox (American, 1958–), Our Lady, Mother of Ferguson and All Those Killed by Gun Violence, 2016. Acrylic and gold leaf on wood, 48 × 36 in. Cathedral of Saint John the Divine, New York. Photo: Victoria Emily Jones, 2022.

Bergmann, Meredith_September 11th
Meredith Bergmann (American, 1955–), September 11th: A Memorial, 2012. Bronze on pedestal of steel and glass, containing reinforced concrete and brick from the rubble of the World Trade Towers, 78 × 22 × 24 in. Cathedral of Saint John the Divine, New York. Photo: Victoria Emily Jones, 2022.

>> Square Halo Conference, Trust Performing Arts Center, Lancaster, Pennsylvania, March 7–8, 2025: “The Square Halo conferences have offered times not only of fascinating and inspiring ideas in a high caliber of wide and varied presentations, but also of rich, meaningful interactions, dialogue, and (in a deep sense of this word) fellowship. Creativity, collaboration, and community . . . an apt description of what [takes] place” (Matthew Dickerson).

The keynote speaker is Diana Pavlac Glyer, who teaches literature, history, theology, and philosophy in an integrated Great Books curriculum at Azusa Pacific University, and the Saturday-night concert will feature Thomas Austin and Skye Peterson.

>> The Breath and the Clay, Winston-Salem, North Carolina, March 21–23, 2025: “This year we will explore how the light gets in through the fragments of our stories, our lives and our art. We are each built of broken pieces, a mosaic of joys and sorrows, of mundane and miraculous happenings. When we surrender the full spectrum of our human experience, even our pain, doubts and sorrows can heal into art. Through our workshops, keynote talks, immersive gallery and performances, we will explore various facets of the creative life and how everything from inspiration to the everyday, from family to vocation and community coalesce to reveal a hidden wholeness.”

Presenters include Sho Baraka, Vesper Stamper, Justin McRoberts, Cheryl Bridges Johns, Elissa Yukiko Weichbrodt, and more.

>> Illuminate: Art and Faith, Southern Adventist University, Collegedale, Tennessee, March 31–April 1, 2025: “Author and theologian Frederick Buechner famously wrote, ‘Pay attention to the things that bring a tear to your eye or a lump in your throat because they are signs that the holy is drawing near.’ Paintings, poetry, music, and other creative mediums hold strong potential to do just that—to indirectly communicate powerful truths, many of which have eternal consequences. Are we open to what they’re telling us? Will we utilize these tools to share important stories (including The Story) with others? Join us for two rich days of education, inspiration, and community! . . .

“This year’s conference will include a variety of hands-on workshops (flash fiction, drawing, songwriting), as well as sessions exploring fascinating figures, including C. S. Lewis, Madeleine L’Engle, Eugene Peterson, Kurt Vonnegut, Dorothy Sayers, Vincent van Gogh, Norman Rockwell, Ludwig van Beethoven, Duke Ellington, and many more.”

Among the session leaders and performers are art historian Elissa Yukiko Weichbrodt (Redeeming Vision), writer Douglas McKelvey (Every Moment Holy), film and literature scholar Mary McCampbell (Imagining Our Neighbors as Ourselves), pastor Russ Ramsey (Van Gogh Has a Broken Heart; Rembrandt Is in the Wind), illustrator John Hendrix (The Mythmakers; Go and Do Likewise!), and singer-songwriter Andy Gullahorn.

>> Visible and Invisible: Surprising Encounters in Theology and the Arts (DITA 2025), Duke University, Durham, North Carolina, September 4–7, 2025: I’ll be attending this one! Organized by Duke Initiatives in Theology and the Arts. “How can the arts help us open up the very heart of the Christian faith, celebrated at the Council of Nicaea in 325, that Jesus Christ is ‘one in being’ with God? Featuring world-class academics, artists, musicians, and clergy from around the globe and a robust range of programming, DITA2025 is a four-day symposium at Duke University celebrating Nicaea and the myriad surprises the Creed holds in store for artists, academics, clergy, and parishioners today. . . .

“By pairing theologians with poets, clergy with novelists, dancers with liturgists, musicians with scholars, the symposium will generate a series of meetings rarely offered in academic and artistic settings. Including interactive keynotes, plenary presentations, seminar lectures, applied workshops, an evening concert, and more, DITA2025 is a unique opportunity to experience the arts and the academy in action.”

Leah Glenn
Dancer and choreographer Leah Glenn performs an original work, The Youngest of Nine, at DITA 2019.

Speakers include Rowan Williams, Chigozie Obioma, Natalie Carnes, Sandra McCracken, James K.A. Smith, Malcolm Guite, Amy Peeler, and Josh Rodriguez. Early-bird registration ends February 15.

Roundup: Guite-Bell live event, Sister Corita Kent, and more

FREE LIVE EVENT: “Faith and the Imagination: Poetry, Song, and Inspiration with Steve Bell and Malcolm Guite,” June 4–7, 2022, Greater Seattle area: Join hundreds of Seattle artists and ministry leaders for four days of poetry, vocal performances, and conversation about the gift of the human imagination for the flourishing of our world, hosted by Cambridge’s distinguished poet Malcolm Guite and award-winning Canadian musician Steve Bell.

Sessions are free and open to the public and will not be livestreamed (and the conversations require advance registration):

  • June 4, 7–9pm: Live Concert (Seattle, WA)
  • June 5, 9:45–11am: Worship Service (Normandy Park, WA)
  • June 5, 7–9:30pm: A Conversation on: Faith and the Arts (Seattle, WA)
  • June 6, 6:30–8:30pm: A Conversation on: Faith and Technology (Bellevue, WA)
  • June 7, 7–9pm: A Conversation on: Faith and Work (Seattle, WA)

Guite and Bell have been collaborating for years. Below are two snippets of them performing together. In the first video Guite comedically performs (to rhythmic accompaniment!) a villanelle he wrote in response to something a woman who worked at the venue of one of his poetry talks exasperatedly said to him when his hurried photocopying caused a paper jam. The second video showcases a sonnet by Guite on the baptism of Christ, from his collection Sounding the Seasons: Seventy Sonnets for the Christian Year, and the song that Bell adapted it into, released on Keening for the Dawn.

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ESSAY: “The Listening Heart: Corita Kent’s Reforming Vision” by Michael Wright: Corita Kent (1918–1986) [previously] was an American pop artist who was also, for over three decades, a nun. Michael Wright writes about how “she became interested not just in depicting scenes from the Bible but answering this: what might happen if a Christian imagination engaged the world around us through the arts? That art might look less like an illustration from a children’s Bible and more like exploring seeing the stuff of life—even a bread bag—as dialogue partners with mysteries of faith.” wonderbread is one of four works he discusses—“a playful meditation on sacred time, wonder, and communion.”

Kent, Corita_wonderbread
Corita Kent (American, 1918–1986), wonderbread, 1962. Serigraph, 25 1/2 × 30 1/2 in.

While I do think even Kent’s biblical artworks push the genre of religious art forward, I appreciate how Wright challenges Christians to give a chance to her works that are less straightforwardly religious, as these are often the most imaginative and profound. And they, too, are “deeply Christian work.” Let’s not think so narrowly about what “Christian art” must look like!

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LIVING PRAYER PERIODICAL: Pentecost 2022: One of the organizations I work for is the Daily Prayer Project [previously], which publishes seven ecumenical Christian prayer periodicals a year, structured around the liturgical calendar. I do the curation for the Gallery section, which comprises three art images with written reflections, and the editing. Our latest edition covers June 5 (the feast of Pentecost) through August 6, and it includes prayers from India, Japan, Korea, Algeria, Italy, the Choctow Nation, and more. I’m excited to feature on the cover Corita Kent’s word picture: gift of tongues! As many of her screenprints do, it integrates image and text—in this case Acts 2:1–2a, which sprawls out through the sky and onto a billowing banner, like a sail, over a crowd of people aflame with the fire of the newly descended Spirit of God.

Pentecost LPP 2022

On the website there are options for one-time purchase or group subscription, and for digital only or print and digital.

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PRAYER: “The Lord’s Prayer, Extended Dance Mix” by Nadia Bolz-Weber: In March, actor Jennifer Garner asked Lutheran pastor and author Nadia Bolz-Weber if she could offer a prayer and a benediction on her InstaLive. Bolz-Weber vamped on the traditional words of the Lord’s Prayer, the text of which you can read at the boldface link.

Such a beautiful prayer.

One of the things I appreciate about Bolz-Weber’s spiritual teaching is her avoidance of clichés. She gives fresh language to the experiences of faith and life in general and to theology, which often reawakens me to the beauty of God and of Christ’s gospel. Describing why she regularly turns to prayer, she says in the Instagram video:

When I don’t have enough—like if I don’t have enough patience, if I don’t have enough compassion for myself or other people, when I don’t have enough resources—prayer is this way in which I can remind myself that there is enough. That I have a connection to my own divine source. I have a connection to God. And in the heart of God there’s enough forgiveness when I don’t have enough. In the heart of God there’s enough compassion when I don’t have enough. And so for me, it’s about reminding myself of that connection.

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SONG: “Dry Bones” by Gregory Porter: From Gregory Porter’s 2021 album Still Rising, this song was inspired by Ezekiel 37. The official music video features dancing skeletons in yellow cowboy boots(!), animated by L’Incroyable Studio. The song’s bridge quotes the African American spiritual “Dem Bones.”

The first verse goes,

I won’t die, won’t bury, won’t sink
’Cause love is the spirit I drink
I’ll be free in the morning light
’Cause your touch is the medicine of life
There’s a dance to this beat, let’s shake
Every move—feel my body awake
There’s a sound—you and me are one
And your hope is the rhythm I drum

Advent, Day 21

LOOK: gloria by Corita Kent

Kent, Corita_gloria
Corita Kent (American, 1918–1986), gloria, 1960. Serigraph.

From the Corita Art Center:

Corita Kent (1918–1986) was an artist, educator, and advocate for social justice. At age 18 she entered the religious order Immaculate Heart of Mary, eventually teaching in and then heading up the art department at Immaculate Heart College. Her work evolved from figurative and religious to incorporating advertising images and slogans, popular song lyrics, biblical verses, and literature. Throughout the ’60s, her work became increasingly political, urging viewers to consider poverty, racism, and injustice. In 1968 she left the order and moved to Boston. After 1970, her work evolved into a sparser, introspective style, influenced by living in a new environment, a secular life, and her battles with cancer. She remained active in social causes until her death in 1986. At the time of her death, she had created almost 800 serigraph editions, thousands of watercolors, and innumerable public and private commissions.

LISTEN: “God in Flesh, Our Hope Divine” by The Brilliance (David Gungor and John Arndt), on Advent, vol. 2 (2012; reissued 2021)

God of heaven, Lord of earth
We beseech thee
Born of Mary, virgin birth
Lord, we greet thee
God in flesh, our hope divine
Alleluia
Babe of heaven, God’s own son
Alleluia

Star of David, Son of Man
God be with us
Suff’ring servant, wounded lamb
Bring peace to us
Broken flesh, our hope divine
Alleluia
Lifted up for all mankind
Alleluia

Gloria, gloria, gloria in excelsis Deo! (×2)

Root of Jesse which shall stand
Lord, we need thee
Banner o’er the nations
We receive thee
Glorious resting place for all
Alleluia
Jew and Gentile, welcome home
Alleluia

Gloria, gloria, gloria in excelsis Deo! (×2)

“Come, Lord Jesus,” people sing
We are yearning
Give us back the garden
We are longing
On that day we’ll see thy face
Alleluia
This whole realm in your embrace
Alleluia

Gloria, gloria, gloria in excelsis Deo! (×6)