Prayer-poems by George MacDonald

George MacDonald (1824–1905) was a Scottish preacher, poet, essayist, and writer of both realist and fantasy fiction. He was a great influence on J. R. R. Tolkien and C. S. Lewis, the latter of whom published, in 1946, a compilation of MacDonald’s theological writings excerpted from his sermons, novels, and other sources. “I know of hardly any other writer who seems to be closer, or more continually close, to the Spirit of Christ Himself,” Lewis wrote in the preface to George MacDonald: An Anthology.

MacDonald is best known for his fairy tales, such as The Princess and the Goblin (my entrée to the author as a child, via a 1991 animated film adaptation from Wales) and Phantastes. But more recently I have been appreciating his devotional poetry.

George MacDonald
George MacDonald, as photographed by his friend and fellow writer Lewis Carroll, 1863

While in his fifties, MacDonald published A Book of Strife in the Form of the Diary of an Old Soul (1880), a collection of 366 short, original, untitled devotional poems, one for each day of the year. (Read it for free online.) Addressed to God, these poems voice discouragement, weariness, restlessness, desire, doubt, and trust. MacDonald asks God for healing and refreshment; for a vulnerable, stripped-down soul, clothed anew in Christ; for salvation from his stubbornness and folly; for guidance through his dark night of the soul; for rightly ordered loves; for Christian growth. He searches for God, confesses his sinful tendencies, praises God for God’s love and faithfulness, and prays for words when words fail him.

Below are my favorite selections—some full poems, some just single lines or excerpts—from MacDonald’s Diary of an Old Soul, which is in the public domain. The headings are my own, to aid in navigating more easily to different topics, and the trifold dividers mark separate entries.

When the book was printed privately in 1880, all the left-hand pages were left blank to encourage thoughtful reader responses; “Let your white page be ground, my print be seed,” MacDonald wrote in the dedication. I’d encourage you, too, to grab a journal and record your own prayers and reflections prompted by any of these verses, or simply to copy out the lines that resonate. And songwriters and composers: I can see potential for musical settings here!

A New Song

Barb thou my words with light, make my song new.

Seeing with the Inner Eye

That thou art nowhere to be found, agree
Wise men, whose eyes are but for surfaces;
Men with eyes opened by the second birth,
To whom the seen, husk of the unseen is,
Descry thee soul of everything on earth.
Who know thy ends, thy means and motions see:
Eyes made for glory soon discover thee.

+++

Lord, in the land of things that swell and seem,
Help me to walk by the other light supreme,
Which shows thy facts behind man’s vaguely hinting dream.

God Transcends All Imagining

What the heart’s dear imagination dares,
Thou dost transcend in measureless majesty
All prayers in one—my God, be unto me
Thy own eternal self, absolutely.

+++

Oh, let me live in thy realities,
Nor substitute my notions for thy facts,
Notion with notion making leagues and pacts;
They are to truth but as dream-deeds to acts,
And questioned, make me doubt of everything.—
“O Lord, my God,” my heart gets up and cries,
“Come thy own self, and with thee my faith bring.”

Be My All

Be thou the well by which I lie and rest;
Be thou my tree of life, my garden ground;
Be thou my home, my fire, my chamber blest,
My book of wisdom, loved of all the best;
Oh, be my friend, each day still newer found,
As the eternal days and nights go round!
Nay, nay—thou art my God, in whom all loves are bound!

In Him and by Him All Things Consist

Thy fishes breathe but where thy waters roll;
Thy birds fly but within thy airy sea;
My soul breathes only in thy infinite soul;
I breathe, I think, I love, I live but thee.
Oh breathe, oh think,—O Love, live into me;
Unworthy is my life till all divine,
Till thou see in me only what is thine.

Practicing the Presence of God at Work

Two things at once, thou know’st I cannot think.
When busy with the work thou givest me,
I cannot consciously think then of thee.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Therefore I make provision, ere I begin
To do the thing thou givest me to do,
Praying,—Lord, wake me oftener, lest I sin.
Amidst my work, open thine eyes on me,
That I may wake and laugh, and know and see,
Then with healed heart afresh catch up the clue,
And singing drop into my work anew.

“The life is more than meat, the body more than raiment”

Thy will be done. I yield up everything.
“The life is more than meat”—then more than health;
“The body more than raiment”—then than wealth;
The hairs I made not, thou art numbering.
Thou art my life—I the brook, thou the spring.
Because thine eyes are open, I can see;
Because thou art thyself, ’tis therefore I am me.

On Prayer

Sometimes, hard-trying, it seems I cannot pray—
For doubt, and pain, and anger, and all strife.
Yet some poor half-fledged prayer-bird from the nest
May fall, flit, fly, perch—crouch in the bowery breast
Of the large, nation-healing tree of life;—
Moveless there sit through all the burning day,
And on my heart at night a fresh leaf cooling lay.

+++

In my dead moments, master, stir the prayers.

+++

My prayer-bird was cold—would not away,
Although I set it on the edge of the nest.
Then I bethought me of the story old—
Love-fact or loving fable, thou know’st best—
How, when the children had made sparrows of clay,
Thou mad’st them birds, with wings to flutter and fold:
Take, Lord, my prayer in thy hand, and make it pray.

Prayers in Times of Spiritual Destitution

When I no more can stir my soul to move, 
And life is but the ashes of a fire;
When I can but remember that my heart
Once used to live and love, long and aspire,—
Oh, be thou then the first, the one thou art;
Be thou the calling, before all answering love,
And in me wake hope, fear, boundless desire.

+++

There is a misty twilight of the soul,
A sickly eclipse, low brooding o’er a man,
When the poor brain is as an empty bowl,
And the thought-spirit, weariful and wan,
Turning from that which yet it loves the best,
Sinks moveless, with life-poverty opprest:—
Watch then, O Lord, thy feebly glimmering coal.

A Prayer for Joy in All Circumstances

Do thou, my God, my spirit’s weather control;
And as I do not gloom though the day be dun,
Let me not gloom when earth-born vapours roll
Across the infinite zenith of my soul.
Should sudden brain-frost through the heart’s summer run,
Cold, weary, joyless, waste of air and sun,
Thou art my south, my summer-wind, my all, my one.

A Prayer for Victory over Temptation

Haste to me, Lord, when this fool-heart of mine
Begins to gnaw itself with selfish craving;
Or, like a foul thing scarcely worth the saving,
Swoln up with wrath, desireth vengeance fine.
Haste, Lord, to help, when reason favours wrong;
Haste when thy soul, the high-born thing divine,
Is torn by passion’s raving, maniac throng.

Fair freshness of the God-breathed spirit air,
Pass through my soul, and make it strong to love;
Wither with gracious cold what demons dare
Shoot from my hell into my world above;
Let them drop down, like leaves the sun doth sear,
And flutter far into the inane and bare,
Leaving my middle-earth calm, wise, and clear.

A Prayer for Endurance through Trials

Thou wouldst not have thy man crushed back to clay;
It must be, God, thou hast a strength to give
To him that fain would do what thou dost say;
Else how shall any soul repentant live,
Old griefs and new fears hurrying on dismay?
Let pain be what thou wilt, kind and degree,
Only in pain calm thou my heart with thee.

A Prayer for Sanctification

Lord, in my silver is much metal base,
Else should my being by this time have shown
Thee thy own self therein. Therefore do I
Wake in the furnace. I know thou sittest by,
Refining—look, keep looking in to try
Thy silver; master, look and see thy face,
Else here I lie for ever, blank as any stone.

But when in the dim silver thou dost look,
I do behold thy face, though blurred and faint.
Oh joy! no flaw in me thy grace will brook,
But still refine: slow shall the silver pass
From bright to brighter, till, sans spot or taint,
Love, well content, shall see no speck of brass,
And I his perfect face shall hold as in a glass.

A Prayer against Workaholism

Help me to yield my will, in labour even,
Nor toil on toil, greedy of doing, heap.

“My yoke is easy, and my burden is light”

I cannot see, my God, a reason why
From morn to night I go not gladsome, free;
For, if thou art what my soul thinketh thee,
There is no burden but should lightly lie,
No duty but a joy at heart must be:
Love’s perfect will can be nor sore nor small,
For God is light—in him no darkness is at all.

God Our Mother

. . . Weary and worn,
Why not to thee run straight, and be at rest?
Motherward, with toy new, or garment torn,
The child that late forsook her changeless breast,
Runs to home’s heart, the heaven that’s heavenliest . . .

Faith and Doubt

Doubt swells and surges, with swelling doubt behind!
My soul in storm is but a tattered sail,
Streaming its ribbons on the torrent gale;
In calm, ’tis but a limp and flapping thing:
Oh! swell it with thy breath; make it a wing,—
To sweep through thee the ocean, with thee the wind
Nor rest until in thee its haven it shall find.

+++

Ever above my coldness and my doubt
Rises up something, reaching forth a hand:
This thing I know, but cannot understand.
Is it the God in me that rises out
Beyond my self, trailing it up with him,
Towards the spirit-home, the freedom-land,
Beyond my conscious ken, my near horizon’s brim?

New Life

If thou hadst closed my life in seed and husk,
And cast me into soft, warm, damp, dark mould,
All unaware of light come through the dusk,
I yet should feel the split of each shelly fold,
Should feel the growing of my prisoned heart,
And dully dream of being slow unrolled,
And in some other vagueness taking part.

And little as the world I should foreknow
Up into which I was about to rise—
Its rains, its radiance, airs, and warmth, and skies,
How it would greet me, how its wind would blow—
As little, it may be, I do know the good
Which I for years half darkling have pursued—
The second birth for which my nature cries.

+++

“Wake, thou that sleepest; rise up from the dead,
And Christ will give thee light.” I do not know
What sleep is, what is death, or what is light;
But I am waked enough to feel a woe,
To rise and leave death. Stumbling through the night,
To my dim lattice, O calling Christ! I go,
And out into the dark look for thy star-crowned head.

+++

Lord, wake me up; rend swift my coffin-planks;
I pray thee, let me live—alive and free.

Rooted in Christ

Thou in my heart hast planted, gardener divine,
A scion of the tree of life: it grows;
But not in every wind or weather it blows;
The leaves fall sometimes from the baby tree,
And the life-power seems melting into pine;
Yet still the sap keeps struggling to the shine,
And the unseen root clings cramplike unto thee.

Dying to Self

Lord, I have fallen again—a human clod!
Selfish I was, and heedless to offend;
Stood on my rights. Thy own child would not send
Away his shreds of nothing for the whole God!
Wretched, to thee who savest, low I bend:
Give me the power to let my rag-rights go
In the great wind that from thy gulf doth blow.

+++

Lord of essential life, help me to die.
To will to die is one with highest life,
The mightiest act that to Will’s hand doth lie—
Born of God’s essence, and of man’s hard strife:
God, give me strength my evil self to kill,
And die into the heaven of thy pure will.—
Then shall this body’s death be very tolerable.

+++

With every morn my life afresh must break
The crust of self, gathered about me fresh;
That thy wind-spirit may rush in and shake
The darkness out of me, and rend the mesh
The spider-devils spin out of the flesh—
Eager to net the soul before it wake,
That it may slumberous lie, and listen to the snake.

Lost Sheep

Things go not wrong when sudden I fall prone,
But when I snatch my upheld hand from thine,
And, proud or careless, think to walk alone.
Then things go wrong, when I, poor, silly sheep,
To shelves and pits from the good pasture creep;
Not when the shepherd leaves the ninety and nine,
And to the mountains goes, after the foolish one.

“Forgive us our debts, as we forgive our debtors”

Keep me from wrath, let it seem ever so right:
My wrath will never work thy righteousness.
Up, up the hill, to the whiter than snow-shine,
Help me to climb, and dwell in pardon’s light.
I must be pure as thou, or ever less
Than thy design of me—therefore incline
My heart to take men’s wrongs as thou tak’st mine.

Spiritual Riches

Lord, in thy spirit’s hurricane, I pray,
Strip my soul naked—dress it then thy way.
Change for me all my rags to cloth of gold.
Who would not poverty for riches yield?
A hovel sell to buy a treasure-field?
Who would a mess of porridge careful hold
Against the universe’s birthright old?

The Prodigal God

Gloriously wasteful, O my Lord, art thou!
Sunset faints after sunset into the night,
Splendorously dying from thy window-sill—
For ever. Sad our poverty doth bow
Before the riches of thy making might:
Sweep from thy space thy systems at thy will—
In thee the sun sets every sunset still.

God’s Stability

Father of me, thou art my bliss secure.
Make of me, maker, whatsoe’er thou wilt.
Let fancy’s wings hang moulting, hope grow poor,
And doubt steam up from where a joy was spilt—
I lose no time to reason it plain and clear,
But fly to thee, my life’s perfection dear:—
Not what I think, but what thou art, makes sure.

God’s Universality

Where should the unknown treasures of the truth
Lie, but there whence the truth comes out the most—
In the Son of man, folded in love and ruth?
Fair shore we see, fair ocean; but behind
Lie infinite reaches bathing many a coast—
The human thought of the eternal mind,
Pulsed by a living tide, blown by a living wind.

Searching for Pleasure

Ah, me, my God! in thee lies every bliss
Whose shadow men go hunting wearily amiss.

+++

I see a little child whose eager hands
Search the thick stream that drains the crowded street
For possible things hid in its current slow.
Near by, behind him, a great palace stands,
Where kings might welcome nobles to their feet.
Soft sounds, sweet scents, fair sights there only go—
There the child’s father lives, but the child does not know.

Perfect Love

Thou dost demand our love, holy Lord Christ,
And batest nothing of thy modesty;—
Thou know’st no other way to bliss the highest
Than loving thee, the loving, perfectly.
Thou lovest perfectly—that is thy bliss:
We must love like thee, or our being miss—
So, to love perfectly, love perfect Love, love thee.

+++

Lord, with thy breath blow on my being’s fires,
Until, even to the soul with self-love wan,
I yield the primal love, that no return desires.

Surrender

O Christ, my life, possess me utterly.
Take me and make a little Christ of me.

+++

O Master, my desires to work, to know,
To be aware that I do live and grow—
All restless wish for anything not thee
I yield, and on thy altar offer me.
Let me no more from out thy presence go,
But keep me waiting watchful for thy will—
Even while I do it, waiting watchful still.

+++

My Lord, I have no clothes to come to thee;
My shoes are pierced and broken with the road;
I am torn and weathered, wounded with the goad,
And soiled with tugging at my weary load:
The more I need thee! A very prodigal
I stagger into thy presence, Lord of me:
One look, my Christ, and at thy feet I fall!

Freedom

So bound in selfishness am I, so chained,
I know it must be glorious to be free
But know not what, full-fraught, the word doth mean.
By loss on loss I have severely gained
Wisdom enough my slavery to see;
But liberty, pure, absolute, serene,
No freest-visioned slave has ever seen.

+++

So shall abundant entrance me be given
Into the truth, my life’s inheritance.
Lo! as the sun shoots straight from out his tomb,
God-floated, casting round a lordly glance
Into the corners of his endless room,
So, through the rent which thou, O Christ, hast riven,
I enter liberty’s divine expanse.

Receptivity to the Spirit

Faith opens all the windows to God’s wind.

Aging

O Life, why dost thou close me up in death?
O Health, why make me inhabit heaviness?—
I ask, yet know: the sum of this distress,
Pang-haunted body, sore-dismayed mind,
Is but the egg that rounds the winged faith;
When that its path into the air shall find,
My heart will follow, high above cold, rain, and wind.

+++

Thou, healthful Father, art the Ancient of Days,
And Jesus is the eternal youth of thee.
Our old age is the scorching of the bush
By life’s indwelling, incorruptible blaze.
O Life, burn at this feeble shell of me,
Till I the sore singed garment off shall push,
Flap out my Psyche wings, and to thee rush.

+++

My harvest withers. Health, my means to live—
All things seem rushing straight into the dark.
But the dark still is God. I would not give
The smallest silver-piece to turn the rush
Backward or sideways. Am I not a spark
Of him who is the light?—Fair hope doth flush
My east.—Divine success—Oh, hush and hark!

Death

God, thou from death dost lift me. As I rise,
Its Lethe from my garment drips and flows.
Ere long I shall be safe in upper air,
With thee, my life—with thee, my answered prayer,
Where thou art God in every wind that blows,
And self alone, and ever, softly dies,
There shall my being blossom, and I know it fair.

+++

I was like Peter when he began to sink.
To thee a new prayer therefore I have got—
That, when Death comes in earnest to my door,
Thou wouldst thyself go, when the latch doth clink,
And lead him to my room, up to my cot;
Then hold thy child’s hand, hold and leave him not,
Till Death has done with him for evermore.

The Diary of an Old Soul represents only a fraction of the poetry George MacDonald wrote. To explore more, see The Poetical Works of George MacDonald, vols. 1 and 2 (1893). Seeing as next year is the bicentenary of his birth, I expect to be hearing his name a lot more!

“Sursum Corda” by Christina Rossetti (poem)

“Lift up your hearts.” “We lift them up.” Ah me!
I cannot, Lord, lift up my heart to Thee:
Stoop, lift it up, that where Thou art I too may be.
“Give Me thy heart.” I would not say Thee nay,
But have no power to keep or give away
My heart: stoop, Lord, and take it to Thyself today.

Stoop, Lord, as once before, now once anew
Stoop, Lord, and hearken, hearken, Lord, and do,
And take my will, and take my heart, and take me too.

This poem was originally published in Time Flies: A Reading Diary (1885) and subsequently Verses (1893) and is in the public domain.


A devout Anglican from Victorian England and one of my favorite spiritual writers, Christina Rossetti (1830–1894) opens her poem “Sursum Corda” with a quotation from the ancient Eucharistic prayer compiled in the Book of Common Prayer: “Lift up your hearts . . .”

The Sursum corda, Latin for “Lift up your hearts,” is a Christian liturgical dialogue between priest/pastor and congregation that dates at least as far back as the third century (it’s mentioned in the Early Christian treatise Apostolic Tradition, as well as by Cyprian, Augustine, and Cyril of Jerusalem) and that is still used in Catholic, Orthodox, and Protestant churches today. Most, like my Presbyterian church, recite it as part of the celebration of the Eucharist, aka the Lord’s Supper, though some place it after the Call to Worship.

Here are the words used in the Roman Rite:

Priest: Dominus vobiscum.
People: Et cum spiritu tuo.
Priest: Sursum corda.
People: Habemus ad Dominum.
Priest: Gratias agamus Domino Deo nostro.
People: Dignum et iustum est.
Priest: The Lord be with you.
People: And with your spirit.
Priest: Lift up your hearts.
People: We lift them up to the Lord.
Priest: Let us give thanks to the Lord our God.
People: It is right and just.
Sursum corda (Cambrai Missal)
Folio 1r from the Cambrai Missal, made in northern France, ca. 1120. Collection of Notre-Dame Cathedral, Cambrai, France. This page starts mid-liturgy with “Per omnia saecula saeculorum, amen” (Forever and ever, amen; or World without end, amen)—the inhabited initial P has a lion and a fantastical bird inside!—and then proceeds to the Sursum corda. The tildes indicate omitted letters.

The following is what my church uses—you’ll see it concludes with the Memorial Acclamation:

Pastor: The Lord be with you.
People: And also with you.
Pastor: Lift up your hearts!
People: We lift them up to the Lord.
Pastor: Let us lift up our hearts to the Lord our God.
People: It is right to give him thanks and praise.
Pastor: Therefore we proclaim the mystery of faith:
All: Christ has died. Christ is risen. Christ will come again.

The phrase “Lift up your hearts” is taken from biblical passages such as Psalm 86:4—“Gladden the soul of your servant, for to you, O Lord, I lift up my soul”—and Lamentations 3:41, which says, in the context of confession and repentance, “Let us lift up our hearts as well as our hands to God in heaven.” The Sursum corda expresses an inclining of the whole self toward God in praise and offering.

Rossetti responds to this jubilant call with an admission of personal weakness. She lacks the power to lift up her heart, she says (perhaps because it’s so heavy); she needs God to lift it for her. She begs him four times to “stoop,” to condescend to her level, so that she might ascend to his throne. Line 4 contains a partial quotation of Proverbs 23:26: “My son, give me thine heart, and let thine eyes observe my ways.” She wants to give God her heart, but in her frail spiritual state, all she can do is bid him “take it.”

I often pray Rossetti’s poems, as I find her such a sensitive seeker, full of longing that so frequently reflects my own. You can find other Rossetti poems from the Art & Theology archives on my new Poetry Index tab. All her poems are accessible online, scattered across various volumes on Google Books, but if you want to read them all in one place and in physical book form, I recommend the Penguin Classics edition of her Complete Poems (which stands at a whopping 1221 pages!).

“A Better Resurrection” by Christina Rossetti (poem)

Kringen, Aiden_Opulence 4 (detail)
Aiden Kringen (American, 1992–), Opulence 4 (detail), 2022. Oil and acrylic on canvas, 36 × 18 in. [for sale]

I have no wit, no words, no tears;
My heart within me like a stone
Is numbed too much for hopes or fears;
Look right, look left, I dwell alone;
I lift mine eyes, but dimmed with grief
No everlasting hills I see;
My life is in the falling leaf:
O Jesus, quicken me.

My life is like a faded leaf,
My harvest dwindled to a husk:
Truly my life is void and brief
And tedious in the barren dusk;
My life is like a frozen thing,
No bud nor greenness can I see:
Yet rise it shall—the sap of Spring;
O Jesus, rise in me.

My life is like a broken bowl, 
A broken bowl that cannot hold
One drop of water for my soul
Or cordial in the searching cold;
Cast in the fire the perished thing;
Melt and remould it, till it be
A royal cup for Him, my King:
O Jesus, drink of me.

This poem was originally published in Goblin Market and Other Poems (Macmillan, 1862) and is in the public domain.

One of the most celebrated poets of the Victorian era, Christina Georgina Rossetti (1830–1894) was an English writer of Romantic, devotional, and children’s poems. She was the youngest of four siblings, among them the Pre-Raphaelite artist Dante Gabriel Rossetti, several of whose paintings she sat for, famously modeling for the Virgin Mary. Her father was an Italian political exile to London and instilled in her a love of Dante Alighieri and the Italian language, which he taught at King’s College until being struck ill and rendered blind. He died when Christina was thirteen, and from then onward she suffered bouts of depression and physical illness. Loss and death, heaven, renunciation, the need for grace, and the perfection of divine love are recurring themes in her poetry. A devout Anglican whose verse gives vivid expression to the life of faith and to spiritual longing, she is recognized as a saint by the Church of England and the Episcopal Church, who celebrate April 27 as her feast day.

“What Love Is This” by Edward Taylor

Adams, Susan_Waiting for Something
Susan Adams (British, 1966–), Waiting for Something, 2002. Oil on panel, 36 × 58 cm. Gwynedd Museum and Art Gallery, Bangor, Wales.

What love is this of thine, that cannot be
In thine infinity, O Lord, confined,
Unless it in thy very person see
Infinity and finity conjoin’d?
What! hath thy Godhead, as not satisfied,
Married our manhood, making it its bride?

Oh matchless love! filling heaven to the brim!
O’errunning it: all running o’er beside
This world! Nay, overflowing hell, wherein,
For thine elect, there rose a mighty tide!
That there our veins might through thy person bleed,
To quench those flames that else would on us feed.

Oh! that thy love might overflow my heart!
To fire the same with love: for love I would.
But oh! my straight’ned breast! my lifeless spark!
My fireless flame! What chilly love, and cold?
In measure small! In manner chilly! See.
Lord, blow the coal: thy love enflame in me.

Edward Taylor (1642–1729) was an American Puritan poet and minister of the Congregational church in Westfield, Massachusetts, for over fifty years. This is Meditation 1 in his Preparatory Meditations, a collection of over two hundred poems divided into two series. A private spiritual diary written from 1682 to 1725, the collection was unpublished until the twentieth century.

“Matins” by George Herbert

Industrial Cottage (detail) by James Rosenquist
James Rosenquist (American, 1933–2017), Industrial Cottage (upper right detail), 1977. Oil on canvas, 80 × 182 in. (203.2 × 462.3 cm). Smithsonian American Art Museum, Washington, DC. Photo: Victoria Emily Jones.

I cannot ope mine eyes,
But thou art ready there to catch
My morning-soul and sacrifice:
Then we must needs for that day make a match.

My God, what is a heart?
Silver, or gold, or precious stone,
Or star, or rainbow, or a part
Of all these things, or all of them in one?

My God, what is a heart,
That thou shouldst it so eye, and woo,
Pouring upon it all thy art,
As if that thou hadst nothing else to do?

Indeed man’s whole estate
Amounts (and richly) to serve thee:
He did not heav’n and earth create,
Yet studies them, not him by whom they be.

Teach me thy love to know;
That this new light, which now I see,
May both the work and workman show:
Then by a sunbeam I will climb to thee.