The low door to heaven

Mesa-Pelly, Deborah_Rosy
Deborah Mesa-Pelly (Cuban American, 1968–), Rosy, 1999. Chromogenic print mounted on aluminum, 30 × 40 in. National Museum of Women in the Arts, Washington, DC. [view artist’s website]

At that time the disciples came to Jesus and asked, “Who is the greatest in the kingdom of heaven?” He called a child, whom he put among them, and said, “Truly I tell you, unless you change and become like children, you will never enter the kingdom of heaven. Whoever becomes humble like this child is the greatest in the kingdom of heaven.”

—Matthew 18:1–4 (cf. Mark 9:33–37; 10:13–16; Luke 9:46–48)

The Architect of Love has built the door into heaven so low that no one but a small child can pass through it, unless, to get down to a child’s little height, they go in on their knees.

—Caryll Houselander, The Reed of God

You must become a child or you will never go
Where all God’s children are: the door is much too low.

—Angelus Silesius, Sacred Epigrams from the Cherubinic Pilgrim, trans. Anthony Mortimer

I saw the above photograph on display several years ago at the National Museum of Women in the Arts and was captivated. The artist, Deborah Mesa-Pelly, regularly features female subjects in her work, often on the verge of marvelous adventure. In Rosy, a girl breaks through a papered wall, entering another world on hands and knees.

The image of this child-size portal leading from a dark, dusty room into a bright and verdant landscape reminds me of Jesus’s teaching that we must receive the kingdom of heaven like little children. What is it about little ones that makes God more accessible to them? What quality or qualities of children ought we to emulate?

Matthew specifically names their humility, by which he may mean their lack of pretension or worldly ambition, their dependance and trust, and/or their openness and teachability (different from naivete). Children tend to be curious, exploratory, full of wonder, energetic, honest, and unselfconscious. These are all traits I want to embody in my life of faith as I press through walls to discover more and more of the “life more abundant” that Jesus offers.

“A Ballad of Wise Men” by George M. P. Baird

Three Wise Men by Tamas Galambos
Tamás Galambos (Hungarian, 1939–), The Adoration of the Magi, 1988. Oil on canvas.

When that our gentle Lord was born
And cradled in the hay,
There rode three wise men from the east—
Three rich wise men were they—
And in the starry night they came
Their homage gifts to pay.

They got them down from camel-back,
The cattle shed before,
And in the darkness vainly sought
A great latch on the door.
“Ho! this is strange,” quoth Balthazar,
“Aye, strange,” quoth Melchior.

Quoth Gaspar, “I can find no hasp;
Well hidden is the lock”;
“The door,” quoth Melchior, “is stout
And fast, our skill to mock”;
Quoth Balthazar, “The little King
Might wake, we dare not knock.”

The three wise men, they sat them down
To wait for morning dawn;
The cunning wards of that old door
They thought and marveled on;
Quoth they, “No gate in all the East
Hath bar-bolts tighter drawn.”

Anon there came a little lad
With lambskins for the King;
He had no key, he raised no latch,
He touched no hidden spring,
But gently pushed the silent door
And open it gan swing.

“A miracle! a miracle!”
Cried out the wise men three;
“A little child hath solved the locks
That could not opened be.”
In wonder spake the shepherd lad:
“It hath no locks,” quoth he.

This poem was originally published in Rune and Rann by George M. P. Baird (Pittsburgh: Al­dine Press, 1916) and is in the public domain.