Roundup: Middle English summer song, Chasing Wonder Bingo, babies added to male statues, and more

ONLINE COURSE: The Christian Imagination with Dr. Mary McCampbell, July 9–August 22, 2026: Mary McCampbell is an independent scholar of the humanities with over twenty years’ teaching experience in higher education. Starting next month, she’s offering an online course on the Christian imagination for $100 (fee paid through Venmo). Classes will take place Thursdays from 7 to 8:30 p.m. ET and will be recorded for those who can’t attend live.

“In this interdisciplinary class, we will read fiction and poetry, listen to music, and look at visual art that encourages us to recognize the mystery of God and the paradoxical nature of the human condition. We will also read essays from artists and scholars to discuss what it means for the artist of faith to create meaningful things for which faith is, as O’Connor notes, ‘the light by which I see.’ Last of all, we will address why every Christian needs to value the imagination and what this might look like in practice.” Graham Greene, Flannery O’Connor, T. S. Eliot, Leif Enger, Sho Baraka, C. S. Lewis, Christian Wiman, and Frederick Douglass are among the artists and thinkers whom participants will engage. 

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ARTICLE: “Male Statues Are Transformed into Fathers Carrying Their Babies,” My Modern Met: On November 19, 2024, International Men’s Day, fathers around Sweden went out and adorned male statues with baby slings, carriers, and dolls as part of the #Kvantitetstidspappan (Quantity Time Dad) campaign conceived by the think tank Arena Idé. Its purpose was to challenge societal assumptions that women ought to be the primary caregivers to their children rather than sharing that responsibility equally with their male partner.

Dad statues
Photo compilation courtesy of @kickanwicksell

I believe that when it comes to work and childcare, families should do whatever works best for them but that both parents should be actively involved in their child’s upbringing and that fathers ought not to neglect the importance of bonding with their child beginning in early infancy.

Think of how many sculptures you’ve seen of a woman holding a baby. Now think of how many you’ve seen of a man holding a baby. That disparity shapes our imaginations and expectations.

That’s why the #Kvantitetstidspappan campaign was, in my estimation, a great success. By projecting images of men as active parents—models of fatherly engagement—it makes fatherhood more visible, normalizes paternal involvement in infant care and development, and hopefully encourages dads to spend more time at home with their kids.

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SONGS: Happy first day of summer!

>> “Sumer is icumen in” (Summer Is Come): “Sumer is icumen in,” also known as the Cuckoo Song or the Summer Song, is a medieval vocal composition written, most likely, by a monk in or around Reading, England, in the mid-thirteenth century, its (Middle English) lyrics and musical notation preserved in a manuscript at the British Library. The song celebrates the arrival of summer, with all its fecundity and animal movement. It’s the oldest known composition featuring six-part polyphony and, according to the Oxford English Dictionary, the earliest recorded instance of the impolite verb “to fart”: “Bulluc sterteth, / Bucke verteth” (Bull leaps, buck farts)! (The translation of the latter line is, however, debated, with some scholars favoring “cavorts.”)

Here’s a wonderful solo rendition by the Burundian British musician Muco (IG @bookofvoices), with self-accompaniment on the inanga, a traditional zither from Burundi and Rwanda. Muco’s work “combine[s] lyrics and influences from Old, Middle, and Modern English, as well as French, Swahili, and Kirundi, reflecting his deep interest in the interconnection of folk traditions across cultures.” (Thanks, Instagram algorithm, for introducing me to Muco!)

See also Elizabeth Mitchell’s rendition, sung in modern English, from her 2012 album Blue Clouds. But for the full effect, performing the six-part round, here’s the Exeter University Madrigals:

>> “Geh aus mein Herz und suche Freud” (Go Forth, My Heart, This Summer Day): “Go forth, my heart, this summer day / Go forth and seek your joyful way / With thanks for all these pleasures!” So opens this seventeenth-century German hymn by Paul Gerhardt (1607–1676), set to music by August Harder (1775–1813) and translated into English by Gracia Grindal (1943–). (See also an earlier translation by Catherine Winkworth.)

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PRINTABLE: Chasing Wonder: Photo Bingo Challenge: New from SALT: “Chasing Wonder: Photo Bingo Challenge is a simple, engaging way for families or congregations to slow down, notice the world around them, and reflect on God’s beauty, joy, justice, hope, humor, and inspiration all around. Participants take original photos inspired by the bingo prompts”—such as “something broken,” “something blue,” “water,” “something that makes you laugh”—“and mark off squares as they go.”

Chasing Wonder Bingo Board

It’s $15 to print the bingo board for individuals, families, or congregations. I love this idea!

Roundup: Doubting Thomas, practicing stillness, living with grief, and more

SPOTIFY PLAYLIST: October 2023 (Art & Theology): Each month I compile a nonthematic mix of thirty faith-inflected songs from a range of sources. October’s playlist is now live. One track I’ll draw your attention to, with a live performance video below, is the soul-baring prayer “Doubting Thomas” by Chris Thile of Nickel Creek; read the lyrics, with annotations, here. (Also, Paul Demer has a nice cover of this song on YouTube.)

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MEDITATION EXERCISE: “Stillness—Richard Rohr’s Daily Meditations”: From the Center for Action and Contemplation comes this one-minute video that takes the most memorable line from Psalm 46, progressively paring it down and creating meditative space around each subtraction.

Be still and know that I am God
Be still and know that I am
Be still and know
Be still
Be

Rev. Dr. Cynthia Bourgeault, an Episcopal priest, writer, and retreat leader, mentions this chant in her book Chanting the Psalms. “Each time the line is repeated,” she writes, “key words are taken away. The result is a funnel-like effect that leads straight down into silence. . . . Each phrase expresses its own unique meaning and understanding as the prayer moves toward utter simplicity” (185). Bourgeault recommends working with the recording “Be Still and Know” found on the album Songs of Presence: Contemplative Chants for the New Millennium from Praxis Publishing House; I couldn’t find the audio online, but I did find a song by The River’s Voice (Trish and Richard Bruxvoort Colligan) that’s also based on this exercise of Fr. Rohr’s: “Be (Still and Know That I Am God)”:

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PODCAST EPISODES: Here are two podcast episodes I caught up with recently and enjoyed. Both links include transcripts.

>> “Jan Richardson: Stubborn Hope,” Everything Happens with Kate Bowler, October 27, 2020: Kate Bowler, a historian and cancer survivor who has done much academic work on the prosperity gospel, talks with spiritual writer Jan Richardson [previously], whose husband died unexpectedly in 2013, about the hidden rooms of grief, being disciplined by hope, and how the concept of blessing in the Jewish and Christian traditions differs from the #blessed culture of social media. Don’t miss the three discussion questions in the show notes.

>> “Esau McCaulley: How Far to the Promised Land?,” No Small Endeavor, September 14, 2023: Lee C. Camp interviews public theologian Esau McCaulley, a professor of New Testament at Wheaton College and a New York Times opinion writer, about his new memoir, How Far to the Promised Land: One Black Family’s Story of Hope and Survival in the American South. I’ve heard rave reviews from multiple corners about this book, and this conversation has really whetted my appetite to read it!

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POEM COMMENTARY: “Learning about Constellations” by Saddiq Dzukogi, commentary by Pádraig Ó Tuama: On this episode of On Being’s Poetry Unbound podcast, host Pádraig Ó Tuama unpacks a poem written by Saddiq Dzukogi in the aftermath of his one-year-old daughter’s death. It’s from his 2021 collection Your Crib, My Qibla.