Roundup: Imagination; inclusive dance; art theft; singing through divorce; and more

JOHN PIPER ON IMAGINATION: “Obey God with Your Creativity: The Christian Duty of Imagination”: Within evangelicalism (the tradition I belong to), the imagination is often deemed more of a liability than a virtue, something to be distrusted, at the very least, and at most, to be rejected as evil. So I was thrilled earlier this month to hear John Piper, one of America’s leading evangelicals, speak out in strong affirmation of imagination, which he calls “one of the great duties of the Christian mind.” It can be used destructively, he cautions, but it’s a God-given capacity that God wants us to exercise and strengthen, like a muscle, so that we can see more clearly what is and what could or what will be.

“The imagination,” Piper writes, “calls up new words, new images, new analogies, new metaphors, new illustrations, new connections to say old, glorious truth—whether from the world or from the word of God. Imagination is the faculty of the mind that God has given us to make the communication of his beauty beautiful.” To communicate breathtaking truth in a boring way is “probably a sin,” he says, for God is “infinitely worthy of ever-new verbal, musical, and visual expressions.”

“A college—or a church, or a family—which is committed to the supremacy of God in the life of the mind will cultivate many fertile, and a few great, imaginations. And oh, how the world needs God-besotted minds that can say the great things of God and sing the great things of God and play the great things of God in ways that have never been said or sung or played before.”

+++

Wheelchair dancing (Infinite Flow)

INCLUSIVE DANCE: Founded by Marisa Hamamoto in 2015, Infinite Flow is a professional dance company and nonprofit whose mission is “to use dance as a vehicle to create an inclusive world and eliminate the stigma and inequality associated with disability,” especially wheelchair use. Artistic excellence, social innovation, empowerment, community, and integration are among its values, which are played out through dance classes, workshops, and outreach events that incorporate people with and without disabilities. You can view snippets from classes and rehearsals as well as polished, artfully filmed choreographed routines on their Facebook page—like this most recent one, in which Hamamoto dances with Piotr Iwanicki, a multiple wheelchair World Latin Champion.

After twenty years of training in ballet and contemporary dance, Hamamoto suffered a spinal cord infarction, which left her temporarily paralyzed from the neck down. Upon recovery, she developed an interest in and pursued ballroom dancing, which led her to imagine what an inclusive form of the genre might look like. To learn more about Infinite Flow, see these two promo videos, and follow them on Facebook. You’ll also want to check out “Gravity.”

+++

PODCAST: Speaking with Joy: Lately I’ve been devouring this podcast by Joy Clarkson, a doctoral candidate at the Institute for Theology, Imagination, and the Arts at St. Andrew’s University in Scotland (she’s studying the role of the affections and the arts in moral formation). Though it was launched last November, I first discovered it in July at the tail-end of her summer book series on The Great Divorce, an allegorical tale by C. S. Lewis, in which she discusses themes such as desire, grace, the real, incurvatus in se (St. Augustine), self-choice, being seen and known, and need-love versus gift-love. I was hooked! Now I’m a Patreon supporter.

Speaking with Joy

Speaking with Joy is such a bright corner of the Internet, full of hope, wisdom, and delight. The standard episode format is an exploration of a given theme through three pieces of art: one literary, one visual, and one musical. I really enjoyed the last three I listened to: “The Army of Emotions,” featuring St. Macrina, Mister Rogers’s ditty “What Do You Do with the Mad That You Feel?,” and the Irish animated film The Song of the Sea; “The Wisdom of Whimsy,” featuring Manalive by G. K. Chesterton, the illustrations of Beatrix Potter and Breezy Brookshire, and “On the Radio” by singer-songwriter Regina Spektor; and “Decent Men in Indecent Times,” which explores why and how we tell stories of the two world wars by looking at the contrasting poetry of Wilfred Owen and Laurence Binyon, the movie Dunkirk, and John Williams’s score for Schindler’s List.

+++

NEW IMAGE STAFF: Last week Image journal announced that James K. A. Smith, a professor of philosophy at Calvin College, will be taking the helm of Image as the journal’s new editor in chief. What a perfect choice! I’ve been hearing a lot of Smith since the publication of his book You Are What You Love: The Spiritual Power of Habit in 2016 and have appreciated his recognition of the important role of artists. “If you want to change how the world thinks, you first have to change how they imagine,” he once said. “That’s why, today, artists are our apologists.” More recently, in a letter to the Image search committee, he wrote,

The arts speak to aspects of human nature ignored or denied by a culture captivated by brutal notions of “efficiency” or quasi-scientific narratives that reduce us to animality. It’s in literature, poetry, film, and so many other art forms that we hear echoes of a biblical understanding of humanity—that we are created in God’s image, animated by hungers and hopes, made to delight and play. In other words, the arts are evidence of what I’ve called “cracks in the secular”—the recalcitrant mystery at the heart of the human that refuses to be eviscerated. Art continues to shout Nein! to our disenchantment.

I’m looking forward to this next chapter of Image.

+++

ART HEIST: “Police back on the trail of ‘world’s most wanted’ stolen Caravaggio painting”: On October 15, nearly fifty years after Caravaggio’s Nativity with San Lorenzo and San Francesco was stolen from the Oratory of San Lorenzo in Palermo, Sicily, experts met at the Vatican to discuss reinstating an active search. Speculation of mafia collusion and espionage have circulated around the case, which ranks second on the FBI’s list of top ten unsolved art crimes.

Nativity by Caravaggio
Caravaggio (Italian, 1571–1610), Nativity with San Lorenzo and San Francesco, 1609. Oil on canvas. The angel’s banderole reads, “Gloria in eccelsis Deo.”

+++

NEW ALBUM: Yesterday Moda Spira (the stage name of Latifah Alattas) released Divorce, an intimate musical chronicle of the unexpected end of her marriage and the journey of grief she’s been on since. “I hope it helps those of you that might feel alienated or lost in the throes of divorce or disconnection from someone you love,” she says. In response to a request, Alattas released a series of podcast episodes that discuss each song on the album in depth; listen here. I first learned about the project back in July when Stephen Roach interviewed Alattas on the Makers & Mystics podcast—such a rich and memorable conversation that deepened my empathy for the loved ones of mine who have had to endure the pain of divorce.

Below is a video promo Alattas made for the album’s Kickstarter campaign. Click here to view the variety of streaming and purchase options.

Roundup: Jewish mosaics; New Psalm Contest; revising hymns; tree-inspired chapel; and more

I will be going on vacation soon and will be mostly unplugged, so you will notice less frequent blog posts for a few weeks. I’ll cue up some Artful Devotions to be published automatically each Tuesday I’m gone but won’t be posting the links to the blog’s Twitter and Facebook pages as I usually do—so be sure to check the site instead! (Or subscribe by email by clicking the “Follow” link, located in the sidebar if viewing from your computer or at the bottom if viewing from your phone.) My regular publishing schedule will resume in September.

ARCHAEOLOGICAL FIND: “Discovery of Jewish Mosaics in Israel Bring Color to Biblical Accounts” by Sarah E. Bond: “At the ancient site of Huqoq, near the Sea of Galilee in modern Israel, a number of stunning mosaics depicting biblical, astrological, and historical narratives have been uncovered in a Jewish village that flourished during the late Roman empire. The colorful and large number of mosaics found in a synagogue challenge traditional views about Jewish art of the period as symbolic rather than representational of biblical texts, bland, and in decline during the period.”

Fish swallowing Pharoah's soldier
A giant Red Sea fish swallows one of Pharaoh’s soldiers in this mosaic detail from the late Roman (ca. 5th century) synagogue at Huqoq, Israel. Photo: Jim Haberman, via UNC-Chapel Hill.

+++

SONGWRITING CONTEST: “In an effort to encourage Psalm-singing, Church of the Servant [in Grand Rapids, Michigan] invites congregational songwriters to submit a Psalm-based song to its 2018 COS New Psalm Contest. The winner will receive a $500 award. There is no entry fee and the contest is open to all. Submissions must be emailed or postmarked by October 1, 2018. The song will be premiered in worship on January 27, 2019. Church of the Servant is a Christian Reformed Church with a rich history of encouraging the arts in worship. Its worship is Reformed, liturgical, participatory, eclectic, and open to creative new worship expressions.”   Continue reading “Roundup: Jewish mosaics; New Psalm Contest; revising hymns; tree-inspired chapel; and more”

John Berger on how to see

John Berger—essayist, novelist, poet, screenwriter, art critic—loves to help people see what is around them, teach them how to look at the world. His life’s work is dedicated to this endeavor.

One of his most celebrated achievements is the BAFTA Award–winning Ways of Seeing, a four-episode television program written and presented by Berger and originally airing in 1972 on the BBC. “A British arts broadcasting landmark” and “a key moment in the democratisation of art education,” The Guardian calls it. The script was adapted the same year into a book, a collaboration among Berger, Mike Dibb (BBC producer/director), Richard Hollis (graphic designer), Chris Fox (consultant), and Sven Blomberg (artist). It’s still in print!

Berger’s super-conversational style and his bucking against tradition no doubt contribute to his appeal. In the first episode, he establishes his aim: to get people to cut the mumbo-jumbo that always rises up around art and instead approach art directly, much like children.

Here it is:

The episode points out the ways in which photographic technology has changed the way we look at art—it has made it more accessible, but it can also manipulate. When a painting is reproduced in a textbook, for example, details may be cut out to force your focus somewhere, or arranged to form a narrative, or compared with other works, and words surround the painting that will influence your reading of it. If presented on film, camera movement and music also play a part. Berger gives examples using, among others, Pieter Bruegel’s The Procession to Calvary [14:03]; Vincent Van Gogh’s Wheatfield with Crows [16:12]; and Francisco Goya’s The Third of May 1808 [18:28].

He says,

The camera, by making the work of art transmittable, has multiplied its possible meanings and destroyed its unique original meaning. Have works of art gained anything by this? They have lost and gained.

Paintings (especially sacred ones) used to be an integral part of the buildings for which they were designed, says Berger, but now they are often experienced outside that context, rendering their meanings ambiguous. Of paintings in churches, he says, “Everything around the image is part of its meaning. Its uniqueness is part of the uniqueness of the single place where it is. Everything around it confirms and consolidates its meaning” [05:20]. He briefly addresses icons, which I know some Orthodox believers are averse to having displayed in museums, where they cannot even be touched and thus lose part of the function for which they were created.   Continue reading “John Berger on how to see”