More things are wrought by prayer . . .

Wrought by Prayer by Bill Hemmerling
Bill Hemmerling (American, 1943–2009), Wrought by Prayer. Oil on canvas, 20 × 30 in.

“. . . More things are wrought by prayer
Than this world dreams of. Wherefore, let thy voice
Rise like a fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?
For so the whole round earth is every way
Bound by gold chains about the feet of God.”

—King Arthur to Sir Bedivere, in “The Passing of Arthur,” from the twelve-poem narrative cycle Idylls of the King by Alfred, Lord Tennyson

“Confess your faults one to another, and pray one for another, that ye may be healed. The effectual fervent prayer of a righteous man availeth much.”

—James, the brother of Jesus, in a letter to Jewish Christians outside Palestine

Celtic manuscript illumination of Christ in Gethsemane

I wrote today’s visual meditation for ArtWay, on one of the full-page miniatures in the ninth-century Book of Kells from Ireland: http://www.artway.eu/content.php?id=2063&lang=en&action=show.

Christ on the Mount of Olives (Book of Kells)
Christ on the Mount of Olives, from the Book of Kells (fol. 114v), early 9th century.

The framed lunette above Christ’s head contains a Latin inscription of Matthew 26:30: Et hymo dicto exierunt in montem Oliveti (“After a hymn had been said they left for Mount Olivet”). But the artist gives us a very atypical depiction of that scene, one that cross-references the Old Testament story of Israel’s battle against the Amalekites—in particular, the figures Aaron, Moses, and Hur. Click on the link above to learn more.

As I prepared commentary on the painting, meditating on its significance, I thought of Wayne Forte’s Community of Prayer—a beautiful image that, like the one from Kells, invokes an ancient battle story as a metaphor for bearing one another up in prayer.

Community of Prayer by Wayne Forte
Wayne Forte (American, 1950–), Community of Prayer, 2009. Oil and acrylic on canvas, 24 × 30 in.

(This is a subject Forte has turned to often. See on his website, for example, And the Battle Was Won; Arms of Prayer; Exodus 17:12 MedallionMoses [Sun Radiating]; Moses on a Rock; Moses with Staff; Moses, Aaron, and Hur; Succour; and Until the Sun Set.)

Praying with pretzels

The salty, twisted treats that we call pretzels have their origin, it is thought, in a seventh-century European monastery—according to lore, either in southern France, northern Italy, or Germany. Allegedly a monk invented them by shaping scraps of leftover bread dough to resemble arms crossed in prayer over the chest. (Think upside-down pretzel.)

During the Middle Ages the church’s fasting requirements for Lent were stricter than they are today, forbidding the intake of all nonaquatic animal by-products, including eggs, lard, milk, and butter. Because pretzels could be made with a simple recipe that avoided these banned ingredients, they soon became associated with the season.

Lady Lent with pretzels
Detail from The Battle between Carnival and Lent by Pieter Bruegel, 1559, showing the gaunt Lady Lent (a man cross-dressed as a nun) riding a cart bearing traditional Lenten fare: pretzels, waffles, and mussels. He holds, like a lance, a baker’s peel topped with two herring.

The pretzel’s Lenten link, not to mention its popularity as a year-round snack both inside and outside monastic communities, led artists to sometimes paint pretzels into Last Supper images.

Pretzel at the Last Supper
The Last Supper, from a bishop’s benedictional made in Bavaria, Germany, ca. 1030–40. J. Paul Getty Museum, Los Angeles: MS Ludwig VII 1, fol. 38.

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