Roundup: Coventry Cathedral HENI Talk, dilapidated migrant boats transformed into musical instruments, and more

SONGS:

>> “Empty Grave” by Zach Williams: Some southern rock!

>> “Overcome with Light” by Bowerbirds, performed by Daniel Seavey and Liz Vice:

>> “Look Who I Found” by Harry Connick Jr., performed by the Good Shepherd Collective, feat. Charles Jones: This song cover premiered at Good Shepherd New York’s online Easter service last month. The original is from Harry Connick Jr.’s 2021 album Alone with My Faith, a mix of new songs he wrote (like this one) and classic hymns.

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ART VIDEO: “Coventry Cathedral: A Journey Through Art” (HENI Talks), written and presented by James Fox: While my husband was presenting at a science conference at Oxford in 2013, I took a train to Coventry and spent the whole day at the city’s cathedral, wandering through its chapels and grounds, sitting in front of its various artworks as the light changed, praying, and even talking with a few locals, including one man who had lived in Coventry since before its bombing in World War II. That bombing destroyed the original St. Michael’s from the fourteenth century, but when the cathedral was rebuilt after the war, it provided the occasion for new commissions from modern architects and artists. Here’s a wonderful video introduction to the history, art, and design of Coventry Cathedral:

In it the art historian and BAFTA-nominated broadcaster Dr. James Fox explores some of the cathedral’s modernist masterpieces: St. Michael’s Victory over the Devil by Jacob Epstein; the West Screen by John Hutton; the Tablets of the Word by Ralph Beyer; the stained glass windows in the nave by Lawrence Lee, Keith New, and Geoffrey Clarke; the lectern eagle by Elisabeth Frink; the high-altar cross of nails by Geoffrey Clarke; the monumental tapestry Christ in Glory in the Tetramorph by Graham Sutherland (which I wrote about for ArtWay); Angel of Agony by Steven Sykes; the Crown of Thorns by Geoffrey Clarke; the Chapel of Unity floor mosaics by Einar Forseth; and the Baptistery Window by John Piper. The latter Fox calls the pinnacle of the entire complex, and I agree—it’s extraordinary. Explore more at www.coventrycathedral.org.uk.

Coventry Cathedral interior
Coventry Cathedral in the West Midlands, England. Photo: David Iliff (CC BY-SA 3.0).

West Screen by John Hutton
Detail of the large glass “west” screen at Coventry Cathedral, designed and hand-engraved by John Hutton, 1962. This view looks out over the ruins of the Old Cathedral. Photo: Victoria Emily Jones.

For more HENI Talks, see heni.com/talks. See also a feature I ran about this video series back in 2021.

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SONG: “See What a Morning (Resurrection Hymn)” by Stuart Townend and Keith Getty, sung by the Coventry Cathedral choirs and congregation: Although Coventry Cathedral attracts tourists, it’s also an active church, home to a regular worshipping community! Here’s a video of the beginning of the entrance rite on Easter Day 2012, a procession carried out to the 2003 hymn “See What a Morning.” I appreciate the versatility of Stuart Townend and the Gettys’ hymns, which tend to work equally well if led by a contemporary worship band or a traditional choir with piano/organ accompaniment. I’m used to hearing their hymns sung in low-church contexts (“low church” refers to Christian traditions, such as evangelicalism, that place less emphasis on ritual and sacrament, as opposed to “high church”), so it was a delight to see one used as part of the Anglican liturgy and in such a majestic space!

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ARTICLE: “La Scala concert features violins that inmates made from battered migrant boats” by Colleen Barry, AP News, February 13, 2024: “The violins, violas and cellos played by the Orchestra of the Sea in its debut performance at Milan’s famed Teatro alla Scala carry with them tales of desperation and redemption. The wood that was bent, chiseled and gouged to form the instruments was recovered from dilapidated smugglers’ boats that brought migrants to Italy’s shores; the luthiers who created them are inmates in Italy’s largest prison. The project, dubbed Metamorphosis, focuses on transforming what otherwise might be discarded into something of value to society: rotten wood into fine instruments, inmates into craftsmen, all under the principle of rehabilitation . . .” This is a beautiful story of repurposing, of new life—for weathered wood that carried families out of danger zones, and for men who have been convicted of crimes but who seek to engage their hands and hearts in creative projects.

Reclaimed violin
February 9, 2024: A violin made from the wood of wrecked migrants’ boats lies in the instrument workshop at Opera maximum-security prison outside Milan. Photo: Antonio Calanni / Associated Press.

Reclaimed cellos
Two members of the Orchestra of the Sea play cellos made by inmates from reclaimed wood at the orchestra’s debut performance in Milan on February 12, 2024. Photo: Antonio Calanni / Associated Press.

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