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“Mary Magdalene announces the resurrection to the apostles,” page 51 from the St. Albans Psalter, made in England, 1120–30. Owned by the church of St. Godehard in Hildesheim, Germany, but stored at and administered by the nearby Dombibliothek (Cathedral Library). Photo via abdn.ac.uk/stalbanspsalter. #resurrection #marymagdalene #apostletotheapostles #illuminatedmanuscript

“Saint Mary Magdalene(?) Kneeling before the Risen Christ,” made in France (possibly Champagne), ca. 1260–90. Limestone with traces of paint, 10 × 14 × 10 in. (25.4 × 35.6 × 25.4 cm). Philadelphia Museum of Art (@philamuseum). Photo: Victoria Emily Jones.

Nathan Simpson (Australian, 1973–), “Large Resurrection,” 1999. Oil on canvas. Photo via nathansimpson.com.au.

Ovide Bighetty (Cree, 1969–2014), “Hallelujah, Christ Has Risen,” 2002. Acrylic on canvas. From the Kisemanito Pakitinasuwin (The Creator’s Sacrifice) cycle, commissioned by @indigenouschristianfellowship (formerly Indian Metis Christian Fellowship). Photo via icfregina.ca. #easter #resurrection #emptytomb

Peter Paul Rubens (Flemish, 1577–1640), “The Entombment,” ca. 1612. Oil on canvas, 51 5/8 × 51 1/4 in. (131.1 × 130.2 cm). J. Paul Getty Museum (@gettymuseum), Los Angeles. Photo via getty.edu.

Enrico Pinardi (American, 1934–2021), “Crucifixion with Thorns,” 2002. Oil on canvas. B/W photo scanned from “The Crucifixion in American Art” by Robert Henkes (2003), posted with permission of the artist. #crucifixion #goodfriday #holyweek #cryofdereliction #psalm22

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Header image: Section of sidewalk from Paradise Garden by Howard Finster, 1981.
High Museum of Art, Atlanta. Photo: Victoria Emily Jones.

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