Roundup: Guite-Bell live event, Sister Corita Kent, and more

FREE LIVE EVENT: “Faith and the Imagination: Poetry, Song, and Inspiration with Steve Bell and Malcolm Guite,” June 4–7, 2022, Greater Seattle area: Join hundreds of Seattle artists and ministry leaders for four days of poetry, vocal performances, and conversation about the gift of the human imagination for the flourishing of our world, hosted by Cambridge’s distinguished poet Malcolm Guite and award-winning Canadian musician Steve Bell.

Sessions are free and open to the public and will not be livestreamed (and the conversations require advance registration):

  • June 4, 7–9pm: Live Concert (Seattle, WA)
  • June 5, 9:45–11am: Worship Service (Normandy Park, WA)
  • June 5, 7–9:30pm: A Conversation on: Faith and the Arts (Seattle, WA)
  • June 6, 6:30–8:30pm: A Conversation on: Faith and Technology (Bellevue, WA)
  • June 7, 7–9pm: A Conversation on: Faith and Work (Seattle, WA)

Guite and Bell have been collaborating for years. Below are two snippets of them performing together. In the first video Guite comedically performs (to rhythmic accompaniment!) a villanelle he wrote in response to something a woman who worked at the venue of one of his poetry talks exasperatedly said to him when his hurried photocopying caused a paper jam. The second video showcases a sonnet by Guite on the baptism of Christ, from his collection Sounding the Seasons: Seventy Sonnets for the Christian Year, and the song that Bell adapted it into, released on Keening for the Dawn.

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ESSAY: “The Listening Heart: Corita Kent’s Reforming Vision” by Michael Wright: Corita Kent (1918–1986) [previously] was an American pop artist who was also, for over three decades, a nun. Michael Wright writes about how “she became interested not just in depicting scenes from the Bible but answering this: what might happen if a Christian imagination engaged the world around us through the arts? That art might look less like an illustration from a children’s Bible and more like exploring seeing the stuff of life—even a bread bag—as dialogue partners with mysteries of faith.” wonderbread is one of four works he discusses—“a playful meditation on sacred time, wonder, and communion.”

Kent, Corita_wonderbread
Corita Kent (American, 1918–1986), wonderbread, 1962. Serigraph, 25 1/2 × 30 1/2 in.

While I do think even Kent’s biblical artworks push the genre of religious art forward, I appreciate how Wright challenges Christians to give a chance to her works that are less straightforwardly religious, as these are often the most imaginative and profound. And they, too, are “deeply Christian work.” Let’s not think so narrowly about what “Christian art” must look like!

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LIVING PRAYER PERIODICAL: Pentecost 2022: One of the organizations I work for is the Daily Prayer Project [previously], which publishes seven ecumenical Christian prayer periodicals a year, structured around the liturgical calendar. I do the curation for the Gallery section, which comprises three art images with written reflections, and the editing. Our latest edition covers June 5 (the feast of Pentecost) through August 6, and it includes prayers from India, Japan, Korea, Algeria, Italy, the Choctow Nation, and more. I’m excited to feature on the cover Corita Kent’s word picture: gift of tongues! As many of her screenprints do, it integrates image and text—in this case Acts 2:1–2a, which sprawls out through the sky and onto a billowing banner, like a sail, over a crowd of people aflame with the fire of the newly descended Spirit of God.

Pentecost LPP 2022

On the website there are options for one-time purchase or group subscription, and for digital only or print and digital.

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PRAYER: “The Lord’s Prayer, Extended Dance Mix” by Nadia Bolz-Weber: In March, actor Jennifer Garner asked Lutheran pastor and author Nadia Bolz-Weber if she could offer a prayer and a benediction on her InstaLive. Bolz-Weber vamped on the traditional words of the Lord’s Prayer, the text of which you can read at the boldface link.

I haven’t always agreed with Bolz-Weber, but this prayer is beautiful. One of the things I appreciate about her spiritual teaching is her avoidance of clichés. She gives fresh language to the experiences of faith and life in general and to theology, which often reawakens me to the beauty of God and of Christ’s gospel. Describing why she regularly turns to prayer, she says in the Instagram video:

When I don’t have enough—like if I don’t have enough patience, if I don’t have enough compassion for myself or other people, when I don’t have enough resources—prayer is this way in which I can remind myself that there is enough. That I have a connection to my own divine source. I have a connection to God. And in the heart of God there’s enough forgiveness when I don’t have enough. In the heart of God there’s enough compassion when I don’t have enough. And so for me, it’s about reminding myself of that connection.

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SONG: “Dry Bones” by Gregory Porter: From Gregory Porter’s 2021 album Still Rising, this song was inspired by Ezekiel 37. The official music video features dancing skeletons in yellow cowboy boots(!), animated by L’Incroyable Studio. The song’s bridge quotes the African American spiritual “Dem Bones.”

The first verse goes,

I won’t die, won’t bury, won’t sink
’Cause love is the spirit I drink
I’ll be free in the morning light
’Cause your touch is the medicine of life
There’s a dance to this beat, let’s shake
Every move—feel my body awake
There’s a sound—you and me are one
And your hope is the rhythm I drum

Advent, Day 21

LOOK: gloria by Corita Kent

Kent, Corita_gloria
Corita Kent (American, 1918–1986), gloria, 1960. Serigraph.

From the Corita Art Center:

Corita Kent (1918–1986) was an artist, educator, and advocate for social justice. At age 18 she entered the religious order Immaculate Heart of Mary, eventually teaching in and then heading up the art department at Immaculate Heart College. Her work evolved from figurative and religious to incorporating advertising images and slogans, popular song lyrics, biblical verses, and literature. Throughout the ’60s, her work became increasingly political, urging viewers to consider poverty, racism, and injustice. In 1968 she left the order and moved to Boston. After 1970, her work evolved into a sparser, introspective style, influenced by living in a new environment, a secular life, and her battles with cancer. She remained active in social causes until her death in 1986. At the time of her death, she had created almost 800 serigraph editions, thousands of watercolors, and innumerable public and private commissions.

LISTEN: “God in Flesh, Our Hope Divine” by The Brilliance (David Gungor and John Arndt), on Advent, vol. 2 (2012; reissued 2021)

God of heaven, Lord of earth
We beseech thee
Born of Mary, virgin birth
Lord, we greet thee
God in flesh, our hope divine
Alleluia
Babe of heaven, God’s own son
Alleluia

Star of David, Son of Man
God be with us
Suff’ring servant, wounded lamb
Bring peace to us
Broken flesh, our hope divine
Alleluia
Lifted up for all mankind
Alleluia

Gloria, gloria, gloria in excelsis Deo! (×2)

Root of Jesse which shall stand
Lord, we need thee
Banner o’er the nations
We receive thee
Glorious resting place for all
Alleluia
Jew and Gentile, welcome home
Alleluia

Gloria, gloria, gloria in excelsis Deo! (×2)

“Come, Lord Jesus,” people sing
We are yearning
Give us back the garden
We are longing
On that day we’ll see thy face
Alleluia
This whole realm in your embrace
Alleluia

Gloria, gloria, gloria in excelsis Deo! (×6)