When wandering around the Duke Divinity School campus this summer, waiting for a conference talk to start, I inadvertently encountered a stunning seven-work cycle of metal panels depicting scenes from the biblical narratives of Christ’s birth. They were designed and hand-carved from discarded steel oil drums by Haitian artist Jean Sylvestre, who lives in the village of Croix-des-Bouquets, ten miles outside Port-au-Prince.
Steel drum sculpting is an art form unique to Haiti, and Croix-des-Bouquets is the center of production, home to dozens of workshops. Once acquiring a drum, the artist first removes the round ends and places them inside the cylinder along with dried banana or sugar cane leaves, then sets the leaves on fire to burn off any paint or residue. When the drum cools, the artist makes a cut from top to bottom, then climbs inside and pushes with his legs and arms to open up the metal, which he then pounds into a flat sheet. Next he draws a design onto the metal using chalk, then uses a hammer, chisel, and ice picks to actualize it. To see photos of this process and learn more about it, visit www.haitimetalart.com.
In Sylvestre’s nativity cycle at Duke—a gift from Drs. Richard and Judith Hays—the characters are depicted as native Haitians. Each scene unfolds against a backdrop of curvilinear greenery that is typical of Haitian metalwork.
My favorite of the seven has got to be the Annunciation to the Shepherds; I love the angel’s wild hair and the one shepherd who jumps backward in fear and surprise. I’m also tickled by the smiling sun in the Nativity panel!
Duke Divinity School also owns a fourteen-piece Stations of the Cross cycle by Jean Sylvestre, which is often displayed in the nave of Duke University Chapel during Lent.