Next Wednesday, February 14, is the first day of Lent—a season of focused prayer and simple living. During this time I will continue publishing weekly “Artful Devotion” posts based on scripture readings from the Revised Common Lectionary, plus I have a few other posts planned. I’m especially excited about what I’ll be publishing this Sunday—the fruits of many months of labor; I hope you’ll check back!
“The Lent Project V” by Biola University: From Ash Wednesday through the first week of Easter, Biola University’s Center for Christianity, Culture, and the Arts will be publishing daily “aesthetic meditations” on Christ’s life, death, and resurrection. The scripture texts, art images, music, and poetry are curated by a CCCA team, and staff are invited to contribute written reflections that respond to them. “The mood of Lent can be beautifully captured through the arts, which are often cathartic expressions of longing, suffering, loneliness, love, death and rebirth,” says university president Barry H. Corey. “Art is a great chronicler both of the drama of human history and the aches of the human heart.” Here are some artworks Biola has featured in previous years; click on each to experience the full devotion:
Lenten Readings 2018 by Kevin Greene: For the seventh year in a row, Kevin Greene, a teaching elder at West End Presbyterian Church in Richmond, Virginia, is publishing short daily devotions, each one containing an art image and a piece of music. (Last year I learned of lots of new artists through him!) For the prayer component he has used various resources in the past—the Revised Common Lectionary, sermons on the cross of Christ across the centuries, Wesley’s Scripture Hymns, and excerpts from the early church fathers—but this year he will be using collects (pronounced COL-lects) from the Book of Common Prayer. Unfamiliar with the term? Click here to read how a collect works. Continue reading “Lent devotionals with arts component”→
Writing for the New Yorker, Ken Kalfus reviews the new novel Laurus by Russian medievalist Eugene Vodolazkin: “Medieval Russia was a land trembling with religious fervor. Mystics, pilgrims, prophets, and holy fools wandered the countryside. . . . [Laurus] recreates this fervent landscape and suggests why the era, its holy men, and the forests and fields of Muscovy retain such a grip on the Russian imagination.”
This year marks the five hundredth anniversary of the death of Dutch artist Hieronymus Bosch, known for his grotesque depictions of human depravity. To commemorate his life and work, the Noordbrabants Museum in ’s-Hertogenbosch, the city of Bosch’s birth, has brought together his panels and drawings from all over the world in what is the largest Bosch exhibition of all time. Bosch invented an entirely new religious iconography: landscapes filled with bizarre, nightmarish creatures doing freakish things to or with humans—meant not as a prediction of what will one day happen to the damned but as a lament for what is already happening. Jonathan Jones, reviewer for The Guardian, gives the retrospective five stars.
“Lumen Christi: In the Light of the Risen Christ—Easter Encounters with Art”: The monastic ecumenical Community of Jesus on Cape Cod will be hosting a five-day art retreat from April 5 to 9, led by art historian Timothy Verdon and artist Gabriele Wilpers. Focused on the theme of resurrection, the retreat will feature lectures and discussion, group workshops, studio mentoring, and daily worship services. For more information, follow the link above.