PODCAST EPISODE: “Incarnation and Imagination (with Malcolm Guite),” Imagination Redeemed: On March 28, 2015, the Anglican poet-priest Malcolm Guite from Cambridge, England, gave a talk in Colorado Springs for the Anselm Society, an ecumenical Christian organization whose mission is a renaissance of the Christian imagination. They have just released it on their podcast.
Guite discusses how the job of the arts is to link earth and heaven, heaven and earth; where a poem or other work of art stays on only one of those planes, it typically fails. He unpacks Theseus’s monologue from Act 5, scene 1 of Shakespeare’s A Midsummer Night’s Dream, focusing on these six lines: “The poet’s eye, in fine frenzy rolling, / Doth glance from heaven to earth, from earth to heaven. / And as imagination bodies forth / The forms of things unknown, the poet’s pen / Turns them to shapes and gives to airy nothing / A local habitation and a name.”
Shakespeare, Guite says, is riffing on the prologue to John’s Gospel.
The Logos . . . is bodied forth perfectly and beautifully in the living, walking poem of Jesus Christ, in whom everything eternal is made particular, and who invites everybody to come towards him . . . because he is a habitation with open doors. So of course in John’s Gospel he says, ‘I am the door’! . . . Open up, walk in! (48:51)
And one more quote from Guite!
The church . . . is founded by one who is himself artistically embodied meaning—meaning made visible, meaning made beautiful, meaning made habitable and hospitable and welcoming in the touch of the body and in the physical event, which is then transfigured, because it is also a meaningful event, because earth and heaven meet. (55:34)
It’s a brilliant and inspiring talk, and it integrates other poetic verse besides Shakespeare’s.
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MUSIC:
>> “More Love, More Power” by Paul Livingstone and Benny Prasad: This sitar-guitar duet is performed by Paul Livingstone (a multi-instrumentalist and composer of “ragajazz chamber music” who was one of the few American disciples of the late Ravi Shankar) and gospel musician Benny Prasad [previously]. The performance took place June 11 at Chai 3:16, a four-hundred-seat café and community space that Prasad founded in Bengaluru to reach out to college students. (Chai is Hebrew for “life,” and “3:16” refers to the famous verse in the Gospel of John about God’s love.) [HT: Global Christian Worship]
>> “King Clave” by Planet Drum: In 1991 Mickey Hart (best known as a drummer of the Grateful Dead) and Zakir Hussain (a classical tabla virtuoso from Mumbai) formed the Grammy-winning global percussion ensemble Planet Drum, bringing together the world’s greatest rhythm masters into a one-of-a-kind improvisational supergroup. Prompted by ongoing international strife, Planet Drum reconvened over the past two years to record their third album, In the Groove, which released August 5. It features six unique compositions led by Hart, Hussain, Sikiru Adepoju of Nigeria, and Giovanni Hidalgo of Puerto Rico.
The centerpiece of the album is “King Clave” (the clave is a rhythmic pattern), created in partnership with Playing for Change and with funding from the United Nations Population Fund. The four core musicians mentioned above are joined by other percussionists and dancers from around the world. The music video uses the “Alternate Version” of the performance, released separately as a single.
Learn more about the Planet Drum project in this six-minute video:
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STILL LIFE EDITION: “The History of the Peace Symbol” by Michael Wright: Did you know that the peace symbol that spread worldwide during the 1960s was designed by a Christian from the UK? (Christian pacifism was one of the underappreciated drivers of the nuclear disarmament and antiwar movements.) Learn more about the symbol’s history and art historical and nautical influences in the August 15, 2022, edition of Michael Wright’s weekly letter on art and spirit, Still Life. Also included is the poem “Wildpeace” by Yehuda Amichai, and four weblinks of interest, such as an article on how the patristic tradition agrees with cognitive neuroscience, and a video of FKA Twigs performing in a church!
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VIDEO LECTURE: “Symbolism and Sacramentality in Art: Medieval and Postmodern Representations of the Little Garden of Paradise” (Religion and Art Talks) by Tina Beattie: Dr. Tina Beattie is a professor emerita of Catholic Studies at the University of Roehampton whose research is at the intersections of art, gender, and theology. In this talk she explores the sacramental imagination of the medieval world through a Late Gothic painting from the Rhineland known as The Little Garden of Paradise. (You can zoom in in tremendous detail on the Städel Museum’s website.) It shows Mary reading in an enclosed garden in the company of saints, her little boy Jesus playing a psaltery at her feet. “Christ retunes the cosmos,” Beattie says. “The harmonies of creation were disrupted by sin. But all of creation is brought back into harmony through the Incarnation.”
Symbolism and allegory abound in medieval religious paintings, encoding profound meanings that can be discerned if we would but take the time to look and to meditate and to understand the world from which these images arose. “The visual image can say things that the theological text can’t,” Beattie asserts. “It can play with the doctrinal truth in ways that allow other meanings to emerge discreetly.”
Though many interpretations of hortus conclusus imagery focus on Mary’s virginity, and indeed that was a primary aspect motivating the creatives who developed such imagery, Beattie draws out themes of new creation and discusses the garden as the human soul.
The other artworks she glosses are:
- Resurrection XI by Edward Armitage Robinson (1963)
- Convent Thoughts by Charles Allston Collins (1851)
- The Little Garden of Paradise by Stuart Ridley (2010)
- Die Heilige Sippe (The Holy Kinship) from the Lower Rhine (ca. 1470–90)
The last half hour of the video features audience engagement.
Art & Theology 