O give thanks to the LORD, for he is good; his steadfast love endures forever!
Let Israel say, “His steadfast love endures forever.”
. . .
Open to me the gates of righteousness, that I may enter through them and give thanks to the LORD.
This is the gate of the LORD; the righteous shall enter through it.
I thank you that you have answered me and have become my salvation. The stone that the builders rejected has become the chief cornerstone. This is the LORD’s doing; it is marvelous in our eyes. This is the day that the LORD has made; let us rejoice and be glad in it. Save us, we beseech you, O LORD! O LORD, we beseech you, give us success!
Blessed is the one who comes in the name of the LORD. We bless you from the house of the LORD. The LORD is God, and he has given us light. Bind the festal procession with branches, up to the horns of the altar.
You are my God, and I will give thanks to you; you are my God, I will extol you.
O give thanks to the LORD, for he is good, for his steadfast love endures forever.
—Psalm 118:1–2, 19–29
The crowds that went ahead of [Jesus] and that followed were shouting,
“Hosanna to the Son of David! Blessed is the one who comes in the name of the Lord! Hosanna in the highest heaven!”
LOOK: Palm Sunday, Home Depot Parking Lot by Gary Bergel
Remember me, O LORD, with the favour that thou bearest unto thy people: O visit me with thy salvation.
—Psalm 106:4 (KJV)
SONG: “Sing Your Song Over Me / Do Lord, Remember” by Tim Coons, on Potomac (2012)
In his Potomac album, Tim Coons combines American folk songs—mostly African American spirituals, blues, and gospel—with originals in the same track. Track 4 is based on “Do Lord,” Roud 11971. I actually learned this spiritual not in church but in Girl Scouts! Notable recordings include those by Mississippi John Hurt [previously] and Johnny Cash.
The Art Institute of Chicago, which owns Picasso’s The Old Guitarist, writes,
Pablo Picasso made The Old Guitarist while working in Barcelona. In the paintings of his Blue Period (1901–04), the artist restricted himself to a cold, monochromatic blue palette, flattened forms, and emotional, psychological themes of human misery and alienation related to the work of such artists as Edvard Munch and Paul Gauguin. The elongated, angular figure of the blind musician also relates to Picasso’s interest in Spanish art and, in particular, the great 16th-century artist El Greco. The image reﬂects the twenty-two-year-old Picasso’s personal struggle and sympathy for the plight of the downtrodden; he knew what it was like to be poor, having been nearly penniless during all of 1902.
This post belongs to the weekly series Artful Devotion. If you can’t view the music player in your email or RSS reader, try opening the post in your browser.
To view all the Revised Common Lectionary scripture readings for Proper 23, cycle A, click here.
“Art for Advent 2017” (Dr. James Romaine): For the third year in a row, my friend James Romaine, an art historian, is releasing four videos in which he discusses historically significant artworks keyed to the season of Advent. Last year he looked at works from the Met Cloisters; this year he’s focusing on paintings by the African American artist Henry Ossawa Tanner (1859–1937). If you want to learn more about Tanner, see Romaine’s essay on him in the recently published book Beholding Christ and Christianity in African American Art, which Romaine coedited; I own a copy and look forward to reviewing it on the blog in the new year! (Update: Here’s the book review.)
Romaine’s first “Art for Advent 2017” video covers Tanner’s Annunciation, which has been the header image of this website for the last two months. I saw the painting in person for the first time this summer at the Philadelphia Museum of Art, and it transfixed me. (Along with Rogier van der Weyden’s Crucifixion, it was my favorite piece on display.) It was the first major painting of a biblical subject that Tanner completed following his six-week trip to the Holy Land, undertaken as part of his search for historically authentic imagery.
To view “Art for Advent” videos from previous years, visit Romaine’s Seeing Art History YouTube channel.
“The Joyous Mysteries” (The Liturgists): Meditating on the five “Joyous Mysteries” of Christ’s childhood—the Annunciation, the Visitation, the Nativity, the Presentation in the Temple, and the Finding of Christ in the Temple—is a Catholic devotional practice, part of “praying the rosary,” that some Protestants have found spiritually helpful and have adapted to their own quiet times with God.
To draw us into the movements of the Christmas story, The Liturgistsinvited four visual artists to create a work based on one of the first four Joyous Mysteries. They then shot two videos for each artwork—one an “Artist Narrative,” where the artist talks about his or her work and process, and the other an “imago divina” meditation led by Mike McHargue (“Science Mike”), which guides us through looking at and responding to the artwork. The videos are backed by original instrumental compositions by Tim Coons of Giants & Pilgrims and one by Jon Leverkuhn, which you can download for free on Bandcamp. You can also purchase signed, limited edition art prints for $35 each, or $95 for a full set.
Here is the list of videos; I’ve embedded my two favorites (I’m partial to figurative art):