Now about eight days after these sayings he took with him Peter and John and James and went up on the mountain to pray. And as he was praying, the appearance of his face was altered, and his clothing became dazzling white. And behold, two men were talking with him, Moses and Elijah, who appeared in glory and spoke of his departure, which he was about to accomplish at Jerusalem.
Now Peter and those who were with him were heavy with sleep, but when they became fully awake they saw his glory and the two men who stood with him. And as the men were parting from him, Peter said to Jesus, “Master, it is good that we are here. Let us make three tents, one for you and one for Moses and one for Elijah”—not knowing what he said.
As he was saying these things, a cloud came and overshadowed them, and they were afraid as they entered the cloud. And a voice came out of the cloud, saying, “This is my Son, my Chosen One; listen to him!” And when the voice had spoken, Jesus was found alone.
And they kept silent and told no one in those days anything of what they had seen.
MUSIC: “Radiant,” third movement of the Concerto for Violoncello and Strings by Dobrinka Tabakova, 2008 | Performed by cellist Kristina Blaumane, violinist Maxim Rysanov, and the Lithuanian Chamber Orchestra, on Dobrinka Tabakova: String Paths (2013)
SALT Project (previously) is a production company that puts out a weekly e-newsletter filled with good, true, and beautiful things—one of which is commentary on the coming week’s lectionary readings. Here’s an excerpt from their commentary on Luke 9:28–43:
In the verses preceding this passage, Jesus has just articulated what is arguably his most disturbing, difficult teaching of all: that he must suffer, die, and rise again – and that anyone who wishes to follow him must “deny themselves and take up their cross daily and follow me” (Luke 9:23). The Transfiguration’s light, then, acts as a kind of reassurance for Peter, John, and James (and for the rest of us!). It’s as if Luke is saying: We’re now making the turn toward Golgotha, and that means descending into the valley of the shadow of death. But fear not! Keep this astonishing, mysterious mountaintop story in mind as we go. Carry it like a torch, for it can help show the way – not least because it gives us a glimpse of where all this is headed . . .
They work their way through the passage in bulleted format, discussing the significance of “eight days after” and the word departure, its harking back to Moses’s radiance at Sinai and forward to Jesus’s resurrection, Peter’s response to the event, and more. Then they bring it home:
Epiphany concludes today: Jesus has “shown forth” to be a healer and a liberator; a teacher and a shining prophet. Peter has just called him “the Messiah” (Luke 9:20). But most fundamentally and decisively, he is God’s chosen, God’s beloved child. His path of love will lead down into the valley, through the dry cinders of Ash Wednesday and the tears of the Via Dolorosa, the Way of Sorrow. But this week, from here on the mountaintop, we can survey the 40 days ahead, take a deep breath – and remember that the journey through ashes and sorrow is never for its own sake. It’s for the sake of what comes next. In a word, it’s for the sake of transfiguration: a radiant new life and a dazzling new world.
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This post belongs to the weekly series Artful Devotion. If you can’t view the music player in your email or RSS reader, try opening the post in your browser.
To view all the Revised Common Lectionary scripture readings for Transfiguration Sunday, cycle C, click here.
2 thoughts on “Radiant (Artful Devotion)”
[…] as Transfiguration Sunday. To view Artful Devotions from previous Transfiguration Sundays, see https://artandtheology.org/2019/02/26/radiant-artful-devotion/ and […]
[…] For another devotion featuring a song from this album, see “Now I’ve Seen It All,” centered on Simeon’s encounter with the Christ child. And for one featuring a different painting by Piriankov, see “Radiant.” […]