Namaste Sate (Artful Devotion)

Puccio, Pietro di_God Holding the Universe
Pietro di Puccio da Orvieto (Italian, active 14th century), “Universe Supported by God with the Signs of the Planets,” 1389–91. Fresco, north gallery, Camposanto Monumentale, Pisa, Italy.

He is the image of the invisible God, the firstborn of all creation. For by him all things were created, in heaven and on earth, visible and invisible, whether thrones or dominions or rulers or authorities—all things were created through him and for him. And he is before all things, and in him all things hold together. And he is the head of the body, the church. He is the beginning, the firstborn from the dead, that in everything he might be preeminent. For in him all the fullness of God was pleased to dwell, and through him to reconcile to himself all things, whether on earth or in heaven, making peace by the blood of his cross.

—Colossians 1:15–20

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SONG: “Namasté Saté” by Aradhna, on Namasté Saté (2011)

Namasté saté sarvalok-ashrayaya
Namasté chité vishwarup-atmakaya
Namo adwait tatwaya muktipradaya
Namo brahmane vyapiné shashwataya

Ultimate Reality, we greet You
In you the whole Universe is held together
Your life fills every nucleus that has ever been created
You dwell in our flesh and bones
Your Great Liberation is to bring us into loving oneness with you,
so full, that we can no longer feel any separation between us
We greet you, O Supreme One, all-pervading, and eternal

Founded in 2000 by Chris Hale and Pete Hicks, Aradhna (Hindi for adoration) is a band that writes and performs Christ-centered bhajans, Indian devotional songs. (Bhajans, says Hale, have been welcomed by Indian Christians for centuries; every Indian hymnal has a section devoted to the genre.) Both men are American but have roots in South Asia—Hicks was born in India, and Hale was raised in Nepal, where his parents served as medical missionaries. He developed fluency in Hindi and Nepali and, while attending boarding school in India, began training in sitar. After graduating from Berklee College of Music in the US, he returned to Lucknow, India, for further training in sitar and voice. He now lives in Toronto’s Little India with his wife, Miranda Stone, with whom he leads a monthly gathering of Christ-followers called Yeshu Satsang Toronto.

Many of the lyrics of Aradhna’s songs are derived from the writings of Yeshu bhaktas, Hindu devotees of Jesus.

To learn more about Hale and his ministry through contextualized music, read this Comment interview or listen to his lecture from Southern Baptist Theological Seminary—both from 2009.

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The Campo Santo, or Camposanto Monumentale (“monumental cemetery”), is an oblong Gothic cloister that, alongside Pisa’s cathedral, baptistry, and leaning tower, forms one of the finest architectural complexes in the world.

Camposanto Monumentale aerial view
Aerial view of the Piazza dei Miracoli (Square of Miracles) in Pisa. The Campo Santo is the rectangular edifice with the open courtyard at the bottom.

Camposanto Monumentale interior courtyard

Completed in 1464, it is filled with funerary monuments, many of which reuse ancient Roman sarcophagi, as well as a classical art collection. In addition, its long walls are covered with frescoes painted during the transitional period between the Middle Ages and the Renaissance. These were badly damaged during World War II, but some have been restored.

Puccio, Pietro di_God Holding the Universe

The fresco that shows Christ holding the universe, sometimes referred to by the title Theological Cosmography, was painted by a minor artist named Pietro di Puccio. In the second volume of his History of Mediaeval Christianity and Sacred Art in Italy, published in 1872 (well before the Allied bombing), Charles Isidore Hemans writes that the fresco

mystically sets forth the origin of the universe and its dependence upon the Almighty Creator. A colossal figure of Deity, with the aspect proper to the Second Person, supports an immense disk containing numerous concentric circles, with figures, emblems, inscriptions: first in order, the nine Angelic Hierarchies; next, the three Heavens—the first (empyreal) without sign or symbol, the second (crystalline) with the signs of the Zodiac, the third (the firmament) with the starry host; internal to these, a succession of other circles enclosing at the centre a miniature view of the three known continents. At the angles below are the two illustrious Doctors, severally representatives of the theological mind of ages, S. Augustine and S. Thomas Aquinas.

This geocentric model of the universe, with several earthly and (further out) heavenly spheres circling around a motionless earth, was conceived by Ptolemy, who based it on Aristotle. It was the dominant model during the classical, medieval, and Renaissance eras and can be found in the work of other visual artists.

During an extensive restoration process, this and other frescoes were detached from the walls and placed on panels. This led to the discovery of sinopie, or preparatory drawings, underneath, which were also detached and are now kept on display in the Museo delle Sinopie, of special interest to art historians.

Theological Cosmography sinopia
Sinopia (red underdrawing in plaster) of the Theological Cosmography fresco from the Campo Santo, relocated to the Sinopia Museum, also in the cathedral square.

Puccio’s Theological Cosmography has since been returned to its original location in the north gallery of the Campo Santo—at the end of the left hallway in the panoramic shot below. The neoclassicist architect and painter Leon van Kleunze, on a visit to Italy in the mid-nineteenth century, painted a view of the Campo Santo’s north gallery in all its prewar glory.

Camposanto Monumentale

Camposanto, north gallery
Leo von Klenze (German, 1784–1864), The Camposanto in Pisa, 1858. Oil on canvas, 38 1/10 × 57 4/5 in. (97 × 147 cm). Neue Pinakothek, Munich.

This post belongs to the weekly series Artful Devotion. If you can’t view the music player in your email or RSS reader, try opening the post in your browser.

To view all the Revised Common Lectionary scripture readings for Proper 11, cycle C, click here.

3 thoughts on “Namaste Sate (Artful Devotion)

  1. hello. I enjoy your writings and submissions. I listened to the Chris Hale lecture and passed on the site to friends. I cannot re open it to listen again, nor can others open it. The site is listed as unsafe. Too bad…great piece.

    Like

    1. That’s strange, since the audio was working just yesterday. I’m encountering a similar issue with the player not working and the “Download Audio” link broken. I wrote to the SBTS webmaster to see if the issue can be resolved–hopefully he/she will get the file back up soon. Thanks for notifying me.

      Like

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