The mission of the Calvin Institute of Christian Worship is to “promote the scholarly study of the theology, history, and practice of Christian worship and the renewal of worship in worshiping communities across North America and beyond.” Their programming centers on resources, grants, and events—the biggest of which is the annual Calvin Symposium on Worship, held in January at Calvin University. This year this enormous gathering of pastors, worship leaders and planners, artists, musicians, scholars, students, and others has moved online—and it’s all free! Click here to register and to gain access to a bevy of wonderful content.
Online Calvin Symposium on Worship 2021 opened January 6 and is running through January 26, and much of the content will be archived for future on-demand viewing. With more than ninety contributors, it comprises twenty livestreamed worship services from around the world, twenty livestreamed sessions (some interactive), audio and video talks and interviews, panel discussions, chapter downloads, a compilation of Psalms-based music and art, and expert-guided discussion boards on technology for worshipping communities, Christian history, and pastoral and self-care lessons from 2020.
I’ve only just dipped my toes in so far, and have a lot more to explore. A few items I’m looking at are Catherine Gunsalus González, Justo González, and David Rylaarsdam on “Learning about Worship from the Ancient Church”; Katharine Hayhoe on how worship practices can help heal our broken relationship with the more-than-human creation; and Mary Hulst, Glenn Packiam, and Joni Sancken on preaching and singing the resurrection (Jesus’s and our own) with care, including at funerals.
I’m also looking at the symposium’s many offerings on multiculturalism and racial justice, such as “Leadership for a Multicultural Age” with Juana Bordas, “Celebrating Christianity’s Global Identity” with Vince Bantu, “Faithful Anti-Racism and the Christian Life” with Christina Edmondson, “What Is the Color of Compromise?” with Jemar Tisby, racial justice and reconciliation work in Richmond, Virginia (documentary and Q&A), Justo González on how Saint Augustine’s mestizo identity (his mother was African, his father Roman) influenced his life and theology, and minister and youth advocate Khristi Lauren Adams on her new book, Parable of the Brown Girl: The Sacred Lives of Girls of Color.
I’ve really been enjoying the worship services, which are hosted by churches and institutions not just throughout the US but also in Buenos Aires, Dublin, Beirut, Cairo, Hong Kong, Singapore, and several cities in Brazil.
A bilingual service led by Constanza Bongarrá and Marcelo Villanueva, Worship with Seminario Internacional Teológico Bautista in Buenos Aires [previously] premiered January 11. The six songs, performed by a small group of supertalented musicians, represent different styles/genres originating in or developed in Argentina—tango, cueca, huayno. A full list of participants and music credits is available at the link.
- 4:56: “Veni, Emanuel” (O Come, O Come, Emmanuel)
- 8:06: “Hemos venido” (We’ve Come)
- 17:58: “Este es el día” (This Is the Day)
- 21:01: “Tenemos esperanza” (We Have Hope) [previously]
- 26:56: “Vencerá el amor” (Love Shall Overcome)
- 29:33: “El cielo canta alegría” (Heaven Is Singing for Joy)
The Rev. Rob Jones from Ireland preaches on Romans 12 in Worship at Holy Trinity Rathmines Church, Dublin, and Discovery Gospel Choir performs three songs.
- 5:32: “O Nzambi” (O Lord) (from the Democratic Republic of Congo, in Kongo)
- 36:00: “Uthando Luka Baba” (The Love of the Father) (from Zimbabwe/South Africa, in Ndebele/Xhosa)
- 48:18: “Alleluia” (from Mauritius, in Creole)
What a joy to be introduced to Ireland’s leading multicultural choir! Discovery Gospel Choir was formed in 2004 by the Church of Ireland to reflect the country’s (and the church’s) ethnic and linguistic diversity. Its motto is taken from Romans 12:17b (MSG): “Discover beauty in everyone.” The songs here, and more, can be found on the choir’s 2015 album, Look Up. I especially loved “Uthando Luka Baba” (that solo!).
There’s also a lot of music (and some visual art and dance) in the “Global Psalm Gallery,” made up of submissions from the public.
Josh Rodriguez [previously] submitted an original cello composition that’s just gorgeous. It’s movement 1 (“Oh Lord, Our Lord”) from his “Meditations on Psalm VIII,” based on a tune by Louis Bourgeois from the Genevan Psalter (1542) and performed here by Robert Nicholson. The boldface link includes a score, a reflection by Rodriguez on how the piece interprets Psalm 8, and liturgical suggestions.
Another standout in the gallery is “Psalm 150” for unaccompanied flute, by Delvyn Case, which “explores the mystical connection between breath, life, music, and praise as described in the psalm.” Wow!
Not all the submissions are instrumental art music; there’s also congregational songs, choral pieces, etc.
Again, here’s the sign-up link to the symposium: https://worship.calvin.edu/symposium/. And in addition to this year’s new content, the CICW has an enormous archive of resources from past years that is definitely worth checking out, especially if you are a church leader, of worship or otherwise.
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Thank you for another great blog lifting up the Lord in beauty! Please note there is also visual art in the Psalm gallery. I am honored to have my visual artwork on Psalm 8 & 22 (“Whale Song”) and Psalm 9 and others (“God’s Grand Story and the Communion Cross”) as the third and fourth listings. Both include a responsive reading and themes relating to multiculturalism and God’s tender care for all of Creation. Both are also found on my website at: BarbaraBjelland.com