“Psalms in Dialogue: Psalms 22, 23, and 24,” presented by Duke University Chapel: This multidisciplinary video presentation brings together dancers, musicians, a theologian, a painter, and (other) members of the Duke community to draw out the meaning of, or respond to, these three sequential psalms through art, prayer, and conversation. The livestreamed event aired October 17 and will be available for viewing for a limited time. Several of the segments, which I’ve time-stamped below, are intercut with photos from the streets in 2020 (showing the impact of the pandemic and racial unrest), of artist Makoto Fujimura in his studio and of his three finished paintings, and of Ekklesia Contemporary Ballet dancers in training. I wish more university chapels and well-resourced churches would offer experiences like this! Thank you to my friend Peggy for telling me about it. Read more about Duke Chapel’s multiyear Psalms project here.
1:51: “How do we name the impossible mystery?,” a theological reflection by Morley Van Yperen
10:58: Psalm 22 by Makoto Fujimura, 2020, oyster shell on Belgium canvas, 48 × 48 in.
15:40: Lament, ballet solo danced by Paiter van Yperen (music by Max Richter, choreo by Elisa Schroth)
18:10: Psalm 22:22–32 chant by Zebulon Highben
21:09: Conversation on the Psalms with Makoto Fujimura and Ellen F. Davis, moderated by Amanda Millay Hughes
29:32: Organ: “Christus, der uns selig macht,” BWV 620, by Johann Sebastian Bach, performed by Christopher Jacobson
32:00: Prayer by Nathan Liang
34:11: Recitation of Psalm 23 by Julia Hendrickson
35:22: 6IX, a tap dance by Andrew Nemr
37:10: “The 23rd Psalm,” text adaptation and music by Bobby McFerrin, performed by the Duke Chapel Staff Singers (*this was my favorite!)
40:42: Prayer by Jonathan Avendano
42:39: “The Lord Is My Shepherd,” music by Howard Goodall, performed by the Royal School of Church Music in America Choristers
46:13: Psalm 24 remix produced by Andrew Nemr
48:21: Prayer by Jordyn Blake
49:45: Recitation of Psalm 24 by Julia Hendrickson
51:32: Conversation continued
1:11:49: “He’s Got the Whole World in His Hands,” African American spiritual arranged by Mark A. Miller, performed by the Duke Chapel Choir
POEMS: This week’s edition of ImageUpdate includes two poems that I really appreciated. The first, which was new to me, is “America” by Claude McKay, a key figure in the Harlem Renaissance. Originally published in The Liberator in 1921, it expresses the pain of living in a country where you’re hated for your race and yet remains optimistic, beginning, “Although she feeds me bread of bitterness, / And sinks into my throat her tiger’s tooth, / Stealing my breath of life, I will confess / I love this cultured hell . . .” The second poem is “Making Peace” by Denise Levertov, one of the best-known Christian poets of the twentieth century. “The poets must give us / imagination of peace, to oust the intense, familiar / imagination of disaster,” she writes. Poets can help us feel our way toward shalom—give us a vision of its permeating the world that inspires us to live out its rhythms, its metaphors, its structure, its grammar, our lives like poems.
MUSIC VIDEO: “We Americans” by the Avett Brothers: I’m so moved by this song from the Avett Brothers’ 2019 album Closer Than Together—its grappling with the historical legacy of the US, its greatness and its guilt, with a mixture of heartache, empathy, and hope. It’s one of the healthiest expressions of patriotism I’ve ever come across in a song. We need to see America as the complex entity that she is, which means in part not ignoring her flaws but with love exposing them so that they can be remediated and we can move forward together more faithful to her celebrated ideals. “We Americans” is both confession and supplication, an “I’m sorry, God” and “God, help us to do better.” The final chorus:
I am a son of God and man
And I may never understand
The good and evil
But I dearly love this land
Because of and in spite of We the People
We are more than the sum of our parts
All these broken bones and broken hearts
God, will you keep us wherever we go?
Can you forgive us for where we’ve been?
I was reminded of this song in the September 17 episode of the RTN Theology podcast, “You Shall Know the Truth and the Truth Shall Unsettle You.” Chris Breslin interviews Mark Charles, a Native American activist, public speaker, Christian leader, and independent candidate in this year’s US presidential election. He is the coauthor, with Soong-Chan Rah, of Unsettling Truths: The Ongoing, Dehumanizing Legacy of the Doctrine of Discovery. Charles enters at 12:40 with a discussion of the lack of common memory.
“Whatever Comes Next” by Drew Miller: This song came out of “Hutchmoot: Homebound,” a virtual arts gathering organized by the Rabbit Room that took place earlier this month. In writing the song, Drew Miller [previously] was inspired in part by Shigé Clark’s new poem “Grateful” (see her perform the poem here).
“Bring Your Peace” by the Walking Roots Band: This song was written this year by Seth Thomas Crissman and Greg J. Yoder of the Walking Roots Band as part of a collection of fifteen songs for Shine, a children’s Sunday school curriculum published by MennoMedia and Brethren Press. It appears on Everybody Sing: Worship Songs for Children, released in June as a double album with Everybody Sing: Songs for the Seasons (which comprises ten original songs by The Many). The song asks God to bring his peace into our fears and into the storms we face, and to make us instruments of that peace to others.
“Rest Assured,” sung by the Walking Roots Band: TWRB learned this song from a bandmate’s parent (original authorship unknown) and recorded it a cappella in their separate locations at the start of quarantine in March. The chorus goes,
Rest assured, He’s not forgotten
Rest assured, He’ll take care of you
Look at the times He’s been there before
He’ll be there again, rest assured
“Let Justice Roll Like a River,” sung by Eric Lige: Bobby Gilles and Rebecca Elliott of Sojourn Music wrote this song in 2017, inspired by Amos 5. In this lyric video from July 5, it’s performed by Eric Lige and Paul Lee of Ethnos Community Church. The singing starts at 1:33. [HT: Global Christian Worship]