Come, Weak and Wounded (Artful Devotion)

Kershisnik, Brian_Wounded Saint
Brian Kershisnik (American, 1962–), Wounded Saint, 2002. Oil on panel, 40 × 30 in.

Blow the trumpet in Zion; sound the alarm on my holy mountain! Let all the inhabitants of the land tremble, for the day of the LORD is coming, it is near . . .

Yet even now, says the LORD, return to me with all your heart, with fasting, with weeping, and with mourning; rend your hearts and not your clothing. Return to the LORD, your God, for he is gracious and merciful, slow to anger, and abounding in steadfast love, and relents from punishing.

—Joel 2:1, 12–13

Let me hear joy and gladness; let the bones that you have crushed rejoice.

—Psalm 51:8

The sacrifice acceptable to God is a broken spirit; a broken and contrite heart, O God, you will not despise.

—Psalm 51:17

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SONG: “Come, Ye Sinners, Poor and Needy” | Words by Joseph Hart, 1759, with anonymous refrain, ca. 1811 | Music: American folk melody (RESTORATION), published in William Walker’s Southern Harmony, 1835 | Performed by Keith and Kristyn Getty, on The Greengrass Session: Six Hymns from the Old World and the New, 2014

Come, ye sinners, poor and needy,
Weak and wounded, sick and sore;
Jesus ready stands to save you,
Full of pity, love, and pow’r.

I will arise and go to Jesus,
He will embrace me in His arms;
In the arms of my dear Savior,
Oh, there are ten thousand charms.

Come, ye thirsty, come, and welcome,
God’s free bounty glorify;
True belief and true repentance,
Every grace that brings you nigh.

Come, ye weary, heavy-laden,
Lost and ruined by the fall;
If you tarry till you’re better,
You will never come at all.

Let not conscience make you linger,
Nor of fitness fondly dream;
All the fitness He requireth
Is to feel your need of Him.

The singing-songwriting duo Keith and Kristyn Getty [previously], who are married, are from Northern Ireland and split their time between there and Nashville, Tennessee, in the United States. In 2014 they recorded a medley of the (American) shape-note hymn “Come, Ye Sinners” with a traditional Irish reel tune known as MUSICAL PRIEST, blending the musics of their two homes. The song starts out at a slow, weary pace with spare violin accompaniment and then picks up with a brisk guitar and other strings, including a free-ranging fiddle. The dirge gives way to celebration—this is the movement of Lent.

“Come, Ye Sinners” appears in hymnals with slight variations in verses, sometimes with an additional two, but the text above is one of the most commonly used. The anonymous refrain (“I will arise . . .”), which makes an oblique reference to the parable of the prodigal son, was added to Hart’s text sometime in the nineteenth century; it is a “floating lyric” found in Southern hymnals as early as 1811.

Though I most associate the hymn with the tune RESTORATION (sometimes called ARISE), it has been set to several tunes over the years, both traditional and contemporary. These include BEACH SPRING, GREENVILLE (which uses a different refrain), and ones by Todd Agnew and Matthew S. Smith, to name a few.

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In his painting Wounded Saint, Brian Kershisnik [previously] shows us a young woman with downcast eyes and a bleeding gash in her right arm. This wound, a metaphor for the pain she carries inside, could be self-inflicted or inflicted by others or both, but either way, her child gently leads her forward toward healing, as two angels support her from behind. “Poor and needy, weak and wounded, sick and sore,” the woman returns to her God, whose light emanates faintly from her head. In his arms, as the hymn says, “there are ten thousand charms”—ten thousand graces, ten thousand traits that fascinate, allure, delight . . . and make whole.

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I’ve just published a piece on the Christians in the Visual Arts (CIVA) blog to mark Ash Wednesday tomorrow. It’s a short reflection on the interactive installation hash2ash by the Warsaw-based art collective panGenerator, which uses digital technology to turn selfies into a pile of ash. “Dust you are, and to dust you shall return,” as the liturgy goes. Visit https://civa.org/civablog/remember-you-are-dust/ to read more.


This post belongs to the weekly series Artful Devotion. If you can’t view the music player in your email or RSS reader, try opening the post in your browser.

To view all the Revised Common Lectionary scripture readings for Ash Wednesday, cycle A, click here.

Stomp (Artful Devotion)

Treading the Basilisk by Brian Kershisnik
Brian Kershisnik (American, 1962–), Treading the Basilisk, 2003. Oil on panel, 85 × 32 in.

Because you have made the Lord your dwelling place—
the Most High, who is my refuge—
no evil shall be allowed to befall you,
no plague come near your tent.

. . .

You will tread on the lion and the adder;
the young lion and the serpent you will trample underfoot.

“Because he holds fast to me in love, I will deliver him;
I will protect him, because he knows my name . . .”

—Psalm 91:9–10, 13–14

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SONG: “Anyataka” (Victory), a Congolese folk song | Performed by New City Fellowship, July 21, 2013

This video is from a Sunday worship service at New City Fellowship (previously here and here), a multicultural church in St. Louis, Missouri. The church contains a fair number of immigrants from the Democratic Republic of Congo, including on its leadership team, which has led it to partner with churches in the DRC, a relationship of mutual encouragement. “Anyataka” was introduced to the congregation by Athoms Mbuma, a visiting pastor and musician from Kinshasa and a member of the popular Congolese worship band Le Groupe Adorons L’Éternel (GAEL).

Anyati Satana lelo! (“We stomp on Satan!”), sing the worshippers, miming the action with gusto. “Victory! We have victory in Jesus.” And the refrain: “Yahweh, you reign.”

Click here for a leadsheet, as well as music for trumpet, alto sax, flute, and trombone.

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Many Christians read Psalm 91 as a messianic psalm, prophesying Christ’s victory over Satan. (Visual theologians included: check out the fascinating super aspidem motif, aka “Christ treading on the beasts.”) But it can also be applied more broadly, as the psalmist no doubt intended, to the people of God.

An adder, or viper, is a venomous snake; the word is sometimes alternately translated as “asp,” “cobra,” or even “basilisk,” a mythical reptile. According to the ESV Study Bible commentary, “The lion and the adder are probably images for people bent on harming the faithful (cf. Ps. 58:3–6; Deut. 32:33), or perhaps the demonic agents that inspire the harm.” I’m reminded of Luke 10:19 (cf. 9:1), where Jesus delegates his power over demons to his disciples: “Behold, I have given you authority to tread on serpents and scorpions, and over all the power of the enemy, and nothing shall hurt you.”

The Christian’s power over evil is rooted in the very power of Christ, who by his death and resurrection has vanquished the Enemy. Now we, too, can put evil under our feet.

Both works of art in this post—the painting by Kershisnik and the Congolese worship song—are inspired by Psalm 91 (the song a little less directly), but they approach it with different tones. The song is very exultant, heightened by a demonstrative performance in which the singers enact the victory of which they sing. By contrast, the figure in the painting is very matter-of-fact about her crushing of the snake; by the power of the word (signified doubly by the book in one hand and the sword in the other), she quietly and assuredly renders it powerless. She appears completely undisturbed by the incident; it barely registers!

Both responses to the text are, I think, appropriate. Christ’s victory, which he grants to us, ought to elicit our loud and happy praise, befitting the context of a worship gathering. But what Kershisnik gives us in this private devotional painting is a calm assurance that in our day-to-day, when the Enemy rears its head, we need not fear one bit; we can carry on unfazed because the battle has already been won—we merely need to claim the victory.


This post belongs to the weekly series Artful Devotion. If you can’t view the music player in your email or RSS reader, try opening the post in your browser.

To view all the Revised Common Lectionary scripture readings for the First Sunday in Lent, cycle C, click here.