Roundup: New books and conferences; refugee memorial removed; icon against animal cruelty

PUBLIC ART CONTROVERSY: Olu Oguibe’s Monument to Strangers and Refugees, commissioned for last year’s major quinquennial art exhibition Documenta, was removed on October 3 by order of the Kassel City Council after, it is presumed, mounting pressure from Germany’s anti-immigrant Alternative for Germany (AfD) party. Designed as a site-specific work for Königsplatz (King’s Square), a pedestrian zone in the city center, where it had stood since June 2017, the fifty-three-foot concrete obelisk prominently features an excerpt of Jesus’s words from Matthew 25:35—“I was a stranger and you took me in”—inscribed in gold letters in German, English, Arabic, and Turkish. This quote reflects Jesus’s revolutionary ethic of love at the expense of personal comfort, of disadvantaging the self for others, so it’s no surprise that even today, it still offends. (Later in the passage, Jesus issues a sobering warning for those who fail to heed his command to welcome strangers.)

Monument to Strangers and Refugees by Olu Oguibe
Olu Oguibe (Nigerian American, 1964–), Monument to Strangers and Refugees, 2017. Concrete, about 53 ft. tall (3 × 3 × 16.3 m). Installation in King’s Square, Kassel, Germany.
Immigrant memorial removed
Olu Oguibe’s Monument to Strangers and Refugees was dismantled early on October 3 following orders by the city of Kassel. Photo: Regina Oesterling.

Germany has become increasingly polarized since 2015, when Chancellor Angela Merkel initiated an open-door immigration policy, leading to an influx of over one million refugees and asylum seekers at the height of the European refugee crisis. The city council had raised funds to purchase Oguibe’s monument for permanent display, and negotiations with the artist were in motion, but on September 24 they changed course, voting to remove the monument instead. According to Councilman Thomas Materner, a member of the AfD party, the obelisk is “ideologically polarizing, disfigured art.”

[Update, 10/12/18: The city and the artist have agreed on a new public location for the monument: Treppenstrasse, a nearby pedestrian area (via). 4/18/19: The monument was installed today at its new location (via).]

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CONFERENCES

“The Saddleback Visual Arts / CreativeChurch Arts Conference is a unique, full three-day conference and retreat October 18–20, 2018 at the beautiful Saddleback Rancho Capistrano Retreat Center. Creative leaders, arts ministry practitioners, and renowned artists will share visionary ideas and practical applications during sessions, workshops, creative and interactive performances and experiences. Attendees will explore applications for the arts and creativity in the local church, discover creative inspiration, experience refreshing and empowering ministry, connect with their creative tribe, and have the opportunity for personal or team retreat time in a beautiful setting. . . . For more information, and to register, please visit the CreativeChurch Arts website, here.”

[Update, 10/26/18: Below is a short video debrief of the conference.]

Another conference taking place that same weekend, October 19–20, 2018, is “Visual Theology I: Transformative Looking Between the Visual Arts and Christian Doctrine (1850–Now).” The inaugural conference of the Visual Theology Symposia, it’s being held in Chichester, England, and it may sound familiar to you, since I publicized the call for papers back in April. One of my favorite writers and thinkers in the field, Jonathan A. Anderson, will be speaking there, along with others. The focus will be scholarly, whereas Saddleback’s conference will be more practical, hands-on, and ministry-focused.

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LECTURE: “Cathedrals from the Outside: Questions of Art, Engagement, Commemoration and Celebration” by Sandy Nairne: At the National Cathedrals Conference in Manchester last month, Nairne, who served as director of London’s National Portrait Gallery from 2002 to 2015, spoke on the spiritual in art—in public spaces, galleries, and cathedrals. His starting questions: “How does contemporary art function in museums in ways that are of interest to cathedrals? And are there new ways in which art is playing a part in cathedrals that is important to the cultural world as a whole?” Click on the link to read the transcript.

The White Doves by Michael Pendry
Michael Pendry (German, 1974–), Les Colombes – The White Doves, 2017. 2,000 white paper doves, 49 ft. (15 m). Pentecost installation at St. Martin-in-the-Fields, London. (Shirazeh Houshiary’s East Window is in the background.) Photo: Marc Gascoigne.

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NEW ICON: Christ Breaking the Bonds of Animal Suffering: Iconographer Aidan Hart writes, “Sometimes I am commissioned to paint an icon of a saint for whom nothing yet exists, or at least no satisfactory icon. This is usually a pre-schism Western saint. But more rarely, the subject is a new theme, a new emphasis or combination. This was the case when Dr Christine Nellist approached me to create an icon that embodied some of the Orthodox Church’s teaching about our relationship with animals. The icon was to be used as flagship for her newly founded organisation Pan-Orthodox Concern for Animals and to illustrate her pending book on the subject. This article tells the story of its genesis and explains its design.” Fascinating!

Breaking the Bonds of Animal Suffering by Aidan Hart
Aidan Hart (British, 1957–), Breaking the Bonds of Animal Suffering, 2018. Tempera on wood.

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BOOK REVIEWS

The Hymnal: A Reading History by Christopher N. Phillips, reviewed by Leland Ryken: Who knew hymnals didn’t take the form of a songbook until the 1870s! Before then, says Phillips, they were essentially volumes of poetry, used in family and private devotions. “The focus [of this book] . . . is an exploration of the hymnbooks that preceded our familiar hymnal. These were books containing the texts of the hymns without accompanying music. . . . [The author] doesn’t deal with the history of hymn-singing in church services but with the private reading of hymns as poems. I can’t imagine a more original approach to hymns for our generation.” Definitely adding this one to my to-read list.

The Hymnal: A Reading History

Everything Tells Us about God by Katherine Bolger Hyde, with illustrations by Livia Coloji, reviewed by Amanda McGill: This children’s book from Ancient Faith Publishing begins, “The world is like a giant puzzle God made to tell us about Himself—the Father, the Son, and the Holy Spirit. Every piece whispers one of His secrets—all we need to do is listen.” “I love the message of the book,” writes McGill: “finding God in the ordinary elements of creation. I think it affirms what children already suspect: that the world is meaningful, personal and infused with specialness. One of the first things I was thankful for was the inclusion of baptism and the Eucharist at the beginning of the book. It situates the sacraments within the normal experiences of life.”

Everything Tells Us about God

Roundup: Church engagement with the arts

“Inspired to Follow: Art and the Bible Story,” St.-Martin-in-the-Fields, London: This program comprises a series of weekly noontime gatherings that use famous local paintings as a springboard into discussion of the biblical narrative and its implications for us today. I’ve enjoyed reading the few presentations given by associate vicar Jonathan Evens, posted on his blog: first, on J. M. W. Turner’s two paintings of Noah’s flood, and more recently, on El Greco’s Christ Driving the Money Changers from the Temple.

El Greco_Christ Driving the Money Changers from the Temple
El Greco (Greek, active Spain, 1541–1614), Christ Driving the Money Changers from the Temple, 1600. Oil on canvas, 106 × 130 cm (42 × 51 in.). National Gallery, London.

 

VIBRANT music and arts festival, Cahaba Park Church, Birmingham, Alabama: On November 1, 2015, Cahaba Park Church held a Psalms-inspired music and arts festival. Eight visual artists from the church were selected to display their paintings, which were auctioned off to raise money for four nonprofits. The Corner Room performed songs from their new album, Psalm Songs, Volume 1; “Psalm 23” (music by Adam Wright) is the soundtrack for the recap video above. This next VIBRANT festival will be held on July 22.

 

“Art and Spirit” exhibition, First Congregational Church, Los Angeles: Through April 24, the works of over fifty artists will be on display in the Neo-Gothic Shatto Chapel of the First Congregational Church of Los Angeles. Most of the works are by emerging LA artists from Art Division, an organization that provides art training to young adults who lack the resources to attend university but who want to pursue a career in the visual arts; they were asked to respond to the theme “art and spirit.” A few of the works in the exhibition are by well-known artists such as Rembrandt, Albrecht Dürer, Corita Kent, and Ed Ruscha.

 

Portraits of Resurrection, 2015 Easter initiative, Saddleback Church, Lake Forest, California: Ex Creatis, the arts ministry at Saddleback, is always coming up with unique ways to incorporate art into the life of its church. Last Easter twenty-three volunteer artists sketched portraits of church attendees onto one of three floral prints (of the sitter’s choosing) made by three different artists in the church. These personalized works of art were meant to remind those who took them home of the new life they have in Christ.