>> (Virtual) Christian Fellowship of Art Music Composers, October 23, 2021: The CFAMC is soliciting videos of live musical performances (or works designed with videography), original hymns, and papers. Twelve art music pieces will be chosen to be shown at the conference, followed by conversations about each, as will three hymns, to be sung during a time of worship.
>> (In Person) Transcend, CIVA Biennale, November 4–6, 2021, Austin, Texas: I’ll be attending! “Beauty is compelling. It binds itself to the Truth and the Good in such a way that, as Dante said, ‘Beauty awakens the soul to act.’ It moves us from the rooted realities of canvas, clay, notes, or language into the transcendental nature of God Himself, our Beautiful, True, and Good Creator. Join CIVA [Christians in the Visual Arts] as artists, pastors, curators, and cultural leaders explore the divine spark of the image of God in each of us that initiates and propels our journey to perceiving anew an intuitive, expressive, and fulfilling reality.” The conference will include a juried art show, plenary talks, paper presentations, times of worship, workshops, portfolio reviews and mentoring sessions, author signings, “explore groups” around the city (I signed up for the Blanton Museum of Art and Ellsworth Kelly’s “Austin”), and artists’ show and tell.
It can be so illuminating to hear an artist discuss their work—their influences, their process, how particular artworks came about. Below are two virtual talks I attended last month and really enjoyed, both by artists who are Catholic.
>> Jyoti Sahi, June 19, 2021: In this virtual talk organized by the UK-based organization Christians Aware, my friend Jyoti Sahi [previously] shares several of the paintings he has produced during the past year in quarantine in and around his home in Silvepura Village in Karnataka, South India, inspired by the local landscapes and vegetation. Over the years Jyoti has developed a Christian spirituality that is very earthy, one that sees the natural world as reflective of, and even participating in, the divine mysteries. His Jesus is in and of the land. Images start at 11:20.
In his recent body of work, Jyoti shows, among other things:
- Jesus being born in a makeshift encampment beside a kere (manmade lake), among the brick kilns, a child of migrant laborers.
- Jesus giving a sermon in a sacred grove underneath a yellow bodhi tree, where herdsmen graze their flocks. The snake-stones, erected by the Adivasi (tribal peoples of India), allude to healing and to Jesus’s being lifted up on the cross like the serpent on Moses’s staff (John 3:14–15; cf. Num. 21:4–9).
- Jesus entering Jerusalem, his face gloriously framed by palm fronds. He’s reminiscent of the leafy-headed Green Man present in the mythologies of many ancient cultures but found particularly in medieval English church carvings.
- Christ crucified in the palash tree, the “flame of the forest.” (Jyoti notes that in the Sanskrit epic poem the Mahabharata, the hero’s wounds are compared to the flowers of the palash tree.)
- Jesus in the garden of the resurrection, standing in front of a flowering datura tree, which is poisonous but also medicinal. (“Poison can be a way of discovering healing,” Jyoti says—a truth that has implications for a theology of the cross.)
- The journey to Emmaus, showing two of Jesus’s disciples entering the garden, a metaphor for wholeness or home.
>> “Gift Paintings: The Invitation to See Anew” with Patty Wickman, June 24, 2021: As part of its Art & Faith series, Holy Family Church in South Pasadena, California, hosted a virtual talk by one of its members, Patty Wickman [previously], a nationally exhibited artist and longtime professor in UCLA’s art department. Her paintings are figural, and she describes several of them as “gifts,” sparked by things like the discovery one of her mother’s unusual rest rituals, encounters with unhoused persons in San Jose, a cut-paper environment inside a Disney World ride, flea market finds, a plate of dirt her young daughter served her, and a little boy’s eating apples stark naked on a hot summer day in her backyard.
Among her influences are Shaker gift drawings and worship spaces; Victorian hair wreaths; the illuminations of Hildegard of Bingen; performance art pieces by Joseph Beuys, Chris Burden, and Ana Mendieta; Cindy Sherman’s photographic self-portraits; and historical religious paintings by Fra Angelico, Piero della Francesca, Georges de La Tour, Geertgen tot Sint Jans, Caravaggio, and others.
At twenty-four minutes in she starts discussing her own work, with reference to specific artworks that informed her. Compare her Entheos, for example, to Caravaggio’s Crucifixion of Saint Peter; her Struggle Garden to frescoes by Giotto of Anne and Joachim at the golden gate, and Judas betraying Jesus in Gethsemane; and her A Thief in the Night to Peter Menzel’s Material World project. When her early days of motherhood prevented her from having the time to plan and execute large-scale paintings like these, she painted smaller, quicker works—daily during Lent—with subjects including dust bunnies, daddy longlegs, a stick of incense, and a birdbath with the first blooms from her camellia tree having fallen inside. Her work has a sacramental quality to it that’s really compelling.
The last half-hour of the video is Q&A.
ARTICLE: “Artful Discipleship: The Role of the Arts in Spiritual Formation” by Carolyn Arends: Singer-songwriter Carolyn Arends discusses four ways the arts are important in our training to follow Jesus: (1) the arts help us train to pay attention; (2) the arts help us train in longing; (3) the arts help us train for the renewing of our minds; and (4) the arts help us train to appreciate things (and especially people) for more than their “usefulness.” She closes with a list of suggestions for practicing intentional engagement with the arts.
(See also a recent interview with Arends, “Art and Spiritual Formation,” on the Art & Faith Conversations podcast.)