Summer and fall conferences/retreats

Here is a list of upcoming arts conferences and retreats. I will be attending the CIVA conference next month as well as the DITA conference in September—if you’ll be at either, please let me know; I’d love to meet you!

All Things New (International Arts Festival)
Date: June 15, 2019
Location: Waterras Common Hall 3F, Tokyo, Japan
Cost: ¥2500 (about $22)
Presenters: Joshua Messick, Gerda Liebmann, Christopher Elmerick, Roger Lowther, and more
Organizer: Community Arts Tokyo (with additional sponsorship by Grace City Church Tokyo)
Description: “How can people in a city experience personal, social, and economic flourishing? What is the role of artists in making this world a better place? How can faith, work, and the arts come together for a holistic view of peace for the good of mankind? At this conference, we will hear from artists in the business world, the media world, and the plight of refugees from other countries. Their stories will give us a vision for how the arts point a way to new beginnings and bring goodness and hope into a broken world. Join us as we enter this world through speaker presentations, music performances, a short film, gallery exhibits, small group discussions, and more!” (Note: Presentations in Japanese will have simultaneous English translation over the wireless earphone system.)

Liebmann, Gerda_Salt of the Earth
At the “All Things New” festival next month, Thai artist Gerda Liebmann will be installing one of her “salt art” pieces.

The festival will include presentations/workshops/performances by

  • hammered dulcimer player Joshua Messick, who contributed to the soundtrack of the Japanese animated fantasy film Mary and the Witch’s Flower
  • visual artist Gerda Liebmann, on how art can foster relationship and connection
  • Christopher Elmerick, who founded and runs a cultural center in Berlin that promotes the free exchange of ideas through shared work- and performance spaces and more
  • Megumi Project, a group of women artisans who upcycle vintage kimonos into shawls, scarves, bags, journals, and other accessories
  • the Charis Chamber Players
  • organist Roger Lowther, on the physics of music

Roger Lowther is, with his wife Abi, the founder and director of Community Arts Tokyo, “a team of artists, professionals, and Japanese nationals assisting church planting through outreach, discipleship, worship, and disaster relief.” Their work is supported through Mission to the World, the international missions arm of the Presbyterian Church in America (PCA).

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Are We There Yet?
Date: June 13–16, 2019
Location: Bethel University, St. Paul, Minnesota, USA
Cost: $350 for nonmembers; $300 for members
Presenters: Sedrick Huckaby, Letitia Huckaby, Hawona Sullivan Janzen, Chris Larson, Rico Gatson, Nate Young, Linnéa Spransy, Cara Megan Lewis, Rev. Babette Chatman, Jamie Bennett, Joanna Taft, Kelly Chatman, Joyce Lee, Caroline Kent, Lyz Wendland, Betsy Carpenter, Amanda Hamilton, Catherine Prescott, Vito Aiuto, and others
Organizer: Christians in the Visual Arts (CIVA)
Description: “If you’re anything like us, working in an age of high anxiety and disruption has been trying. At the same time, the art world has never seen more diversity, wealth, interconnection, and popular appreciation. Some experience our current creative conditions as a ‘joyful noise,’ others a ‘resounding gong.’ This makes art difficult yet at the same time crucial. With our hope rooted in the Lord, we can rejoice in the unfinished state of our work. There is still so much to be made!

Are We There Yet invites us to inhabit questions together: What are our shared pursuits? What practices and commitments can guide us in our work and collaboration? What would radical generosity do to the global art market? And how might we be participants in making ‘impossible things possible,’ as described by curator Hans Ulrich Obrist? With a commitment to hospitality, we will ask these questions and many more.”

Sedrick Huckaby
At Valley House Gallery in Dallas, Sedrick Huckaby stands in front of portraits he painted of his children, his wife Letitia, and himself. Sedrick and Letitia are two of the keynote speakers for CIVA’s 2019 Biennial Conference. Photo: Dane Walters/Kera News.

The conference will consist of plenary talks, panel discussions, and breakout sessions and will include a juried art show, late-night artist show & tells, optional day-ahead tours (art museums, city architecture, or sculpture garden) or workshops (printmaking or photography), a Liz Vice concert, and an ecumenical worship service.

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Visual Arts Retreat
Date: June 21–23, 2019
Location: Apple Hill Lodge, Moravian Falls, North Carolina, USA
Cost: $450 (includes lodging, food, and class materials)
Presenters: Allison Luce, Corey Frey, Ty Nathan Clark (via satellite), Stephen Roach, Thomas Torrey, Lauren Olinger
Organizer: The Breath & the Clay
Description: “Come get away for a weekend designed to inspire and deepen your understanding of visual art both as a spiritual practice and as an art form.”

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Vocation, Motherhood, and Artmaking
Date: July 25–28, 2019
Location: Laity Lodge, Leakey, Texas, USA
Cost: $495 (scholarships available)
Presenters: Andi Ashworth, W. David O. Taylor, Letitia Huckaby, Phaedra Taylor, Sandra McCracken, Ashley Cleveland
Organizer: Laity Lodge
Description: “This retreat is an invitation to explore the opportunities and challenges that are involved in the twin calling to motherhood and artmaking. It is open to mothers in all stations and circumstances of life, whether at the beginning of motherhood or in the fullest years of grandmothering, and to artists of all media, disciplines and contexts.” (Read more from David Taylor.)

Taylor, Phaedra_The Book of Games
Phaedra Taylor (American), The Book of Games: Oranges & Lemons, 2018. Encaustic on wood panel, 20 × 30 in.

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Kingdom Creatives Con
Date: August 3, 2019
Location: National Union Building, Washington, DC
Cost: $99
Presenters: Noah Elias, Othello Banaci, Rachel Petrillo, Anifa Mvuemba, John David Harris, Ryan Han, Andrew Hochradel
Organizer: Bemnet Yemesgen
Description: A conference “aimed at igniting inspiration, learning, and networking in the Christian creative community. . . . Attendees will enjoy workshops and talks by creatives from diverse backgrounds and industries. The conference is specifically tailored towards creatives who love Jesus Christ . . . graphic designers, illustrators, photographers, filmmakers, developers, animators, copywriters,” etc.

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New York City Arts Weekend
Date: August 9–10, 2019
Location: Various venues, New York, USA
Cost: $295 CAN
Presenters: Makoto Fujimura, Iwan Russell-Jones
Organizer: Regent College (host: Jeff Greenman)
Description: “Makoto Fujimura and Iwan Russell-Jones lead this exploration of Christian faith and the visual arts in New York City. Enjoy a fascinating tour of the Metropolitan Museum of Art and participate in shared meals, stimulating presentations, and challenging conversations. Develop a deeper understanding of how creativity finds its place in the new creation.”

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Creation and New Creation: Discerning the Future of Theology and the Arts
Date: September 5–8, 2019
Location: Duke University, Durham, North Carolina, USA
Cost: $175 (student discounts available)
Presenters: Jeremy Begbie, Malcolm Guite, Christian Wiman, N. T. Wright, Natalie Carnes, Jennifer Craft, Carlos Colón, Steve Prince, Bruce Herman, Judith Wolfe, and others
Organizer: Duke Initiatives in Theology and the Arts (DITA)
Description: “At DITA10, we will celebrate past scholarship, reflect on today’s landscape, and imagine with tomorrow’s leaders.” The colloquium will include keynote lectures; workshops for church leaders and artists addressing the challenges of theology and the arts in the church and in our daily lives; panel discussions with artists and theologians; a concert by the New Caritas Orchestra; and a corporate worship service.

Herman, Bruce_Riven Tree
Bruce Herman (American, 1953–), Riven Tree, 2016. Oil on wood panels with gold, silver, and platinum leaf, 96 × 47 in. York Chapel, Duke Divinity School, Durham, North Carolina. [see “making of” video] [see in situ photo]

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The Future of the Catholic Literary Tradition (Catholic Imagination Conference)
Date: September 19–21, 2019
Location: Loyola University Chicago, USA
Cost: $150
Presenters: Tobias Wolff, Alice McDermott, Paul Schrader, Dana Gioia, Paul Mariani, Richard Rodriguez, Angela Alaimo O’Donnell, and others
Organizer: Hank Center for the Catholic Intellectual Heritage
Description: “This international biennial conference, sponsored by Loyola’s Hank Center, features over 60 writers, poets, filmmakers, playwrights, journalists, editors, publishers, students, and critics who will explore a variety of questions surrounding the Catholic imagination in literature and the arts. What is the future of the Catholic literary tradition? What is the state of discourses in faith and Christian humanism in a world increasingly described as ‘Post’—postmodern, post-human, post-Christian, post-religious? How is Catholic thought and practice (or the absence of it) represented in literature, poetry, and cinema? If, as David Tracy observes, religion’s ‘closest cousin is not rigid logic, but art,’ what might literary art be trying to communicate to its ‘cousin’—and to us all—as we travel along the first decades of the 21st century?”

The call for papers is still open, until June 15. Also check out some of the special events being offered, which will include a theatrical performance of Flannery O’Connor’s Everything That Rises Must Converge and an evening of poetry readings, live music, and a Chicago blues panel.

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Writer’s Retreat
Date: October 25–27, 2019
Location: Apple Hill Lodge, Moravian Falls, North Carolina, USA
Cost: $450 (includes lodging and food)
Presenters: TBA
Organizer: The Breath & the Clay
Description: “Come get away for a weekend designed to develop your writing both as a spiritual practice and as an art form.”

Apple Hill Lodge

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The Art of the Lost: Destruction, Reconstruction, and Change
Date: November 27–29, 2019
Location: Canterbury Cathedral, England
Cost: £175 for full conference (single-day tickets also available)
Presenters: Sandy Nairne, Simon Cane, James Clark, Ascensión Hernández Martínez, Emma J. Wells, and others
Organizer: Canterbury Cathedral
Description: “This conference will explore and appraise current and developing studies of how art changes, is reused or repurposed, disappears or is rediscovered. It will look at how and why art is defaced, destroyed or is lost within architectural settings, with a particular focus on art within the context of cathedrals, churches or other places of worship. It will consider changing ideologies, iconoclasm, war, fashion and symbolism. It will cover art from the 6th century to the modern day.”

Art of the Lost (Canterbury Cathedral)

Malcolm Guite on the imagination and God-with-us

I love listening to Malcolm Guite talk about spirituality, poetry, and the imagination; he’s a phenomenal teacher. In a December 2 podcast episode titled “Keeping Advent: Hope for a Dark World,” host Sally Clarkson interviews Guite on these topics as they relate to Advent. Before he launches into the meat of the talk, he describes the importance of the imagination in getting at truth:

God has given us all kinds of capacities with which to come to the truth, just like he’s given us different sense organs. When a bird is singing, your ears are telling you one part of what’s happening, and your eyes are telling you another. You’ve got both to get that whole experience. If you just had a silent film of the bird, you would be seeing something real, but you’d be missing something as well.

So I sometimes think that reason, the reason that makes for great science—analytic, helps us to think things through logically—that’s a very, very important test for truth, that’s a very important faculty, but it doesn’t get to everything. . . .

Imagination is the thing that shapes and puts things together. Shakespeare put this very beautifully. He said that imagination “apprehend[s] / more than cool reason ever comprehends” [A Midsummer Night’s Dream, 5.1.5–6]. He said we need to apprehend some joy before we can comprehend the bringer of the joy.

Samuel Taylor Coleridge believed that the imagination was part of our capacity to pay attention, and that the imagination would help us to remove, for a minute, the dull film of familiarity that we put over everything, and see it with freshness again. He also used a very beautiful analogy. He uses the example of a little insect, the horned fly, and how, when it’s still in the squashy pupa phase and it’s going to metamorphose, it makes a cocoon—a kind of carapace. He says that when that little fly does that, it leaves room in its involucrum, he calls it—what a wonderful word—for antennae yet to come [Biographia Literaria, vol. 1, chap. 12]. He says that’s what the imagination does.

Sometimes the artistic imagination, the poetic imagination, comes to us with something marvelous. And what that marvelous thing is doing is it’s holding open a shape that the rest of our mind is going to grow into, so that the antennae, the real reasoning and figuring it all out, can come a bit later, but the story [or poem or image] gives us something.

Igor Paneyko
Painting by Igor Paneyko (Ukrainian, 1957–)

In this interview Guite also reads one of his Advent sonnets, the last in a series of seven he wrote that were inspired by the traditional liturgical chants known as the O Antiphons. Titled “O Emmanuel,” the poem is a prayer for God to come among us again, in all his myriad attributes, and to rebirth not only the hearts of humanity but the whole earth.

“O Emmanuel” by Malcolm Guite

O come, O come, and be our God-with-us
O long-sought With-ness for a world without,
O secret seed, O hidden spring of light.
Come to us Wisdom, come unspoken Name
Come Root, and Key, and King, and holy Flame,
O quickened little wick so tightly curled,
Be folded with us into time and place,
Unfold for us the mystery of grace
And make a womb of all this wounded world.
O heart of heaven beating in the earth
O tiny hope within our hopelessness,
Come to be born, to bear us to our birth,
To touch a dying world with new-made hands
And make these rags of time our swaddling bands.

This and other poems, by Guite and others, can be found in the book Waiting on the Word: A Poem a Day for Advent, Christmas, and Epiphany. You can read more about “O Emmanuel” on Guite’s blog, which contains a wealth of writings. For additional books by Guite, see his Amazon page.

By the Mark (Artful Devotion)

You and I by Solomon Raj
P. Solomon Raj (Indian, 1921–), You and I, before 1993. Batik. Source: Living Flame and Springing Fountain (Indian Society for Promoting Christian Knowledge, 1993)

Then [Jesus] said to Thomas, “Put your finger here, and see my hands; and put out your hand, and place it in my side. Do not disbelieve, but believe.”

Thomas answered him, “My Lord and my God!”

—John 20:27–28

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SONG: “By the Mark” by Gillian Welch and David Rawlings, on Revival (1996)

(Related post: “Thomas in the dark”)

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“St. Thomas the Apostle” by Malcolm Guite, from Sounding the Seasons: Seventy Sonnets for the Christian Year

“We do not know . . . how can we know the way?”
Courageous master of the awkward question,
You spoke the words the others dared not say
And cut through their evasion and abstraction.
O doubting Thomas, father of my faith,
You put your finger on the nub of things:
We cannot love some disembodied wraith,
But flesh and blood must be our king of kings.
Your teaching is to touch, embrace, anoint,
Feel after him and find him in the flesh.
Because he loved your awkward counter-point,
The Word has heard and granted you your wish.
O place my hands with yours, help me divine
The wounded God whose wounds are healing mine.

[Click here to listen to a short sermon Guite preached on St. Thomas back in 2012, which opens with his reading of this poem.]


This post belongs to the weekly series Artful Devotion. If you can’t view the music player in your email or RSS reader, try opening the post in your browser.

To view all the Revised Common Lectionary scripture readings for the Second Sunday of Easter, cycle B, click here.

Lent devotionals with arts component

Next Wednesday, February 14, is the first day of Lent—a season of focused prayer and simple living. During this time I will continue publishing weekly “Artful Devotion” posts based on scripture readings from the Revised Common Lectionary, plus I have a few other posts planned. I’m especially excited about what I’ll be publishing this Sunday—the fruits of many months of labor; I hope you’ll check back!

If you are looking for daily devotional content during Lent that incorporates the arts, check out some of these resources. See also last year’s list: https://artandtheology.org/2017/03/07/art-resources-for-lent/.

“The Lent Project V” by Biola University: From Ash Wednesday through the first week of Easter, Biola University’s Center for Christianity, Culture, and the Arts will be publishing daily “aesthetic meditations” on Christ’s life, death, and resurrection. The scripture texts, art images, music, and poetry are curated by a CCCA team, and staff are invited to contribute written reflections that respond to them. “The mood of Lent can be beautifully captured through the arts, which are often cathartic expressions of longing, suffering, loneliness, love, death and rebirth,” says university president Barry H. Corey. “Art is a great chronicler both of the drama of human history and the aches of the human heart.” Here are some artworks Biola has featured in previous years; click on each to experience the full devotion:

The Bread by Michael Borremans
Michaël Borremans (Belgian, 1963–), The Bread, 2012. Oil on canvas, 29 × 23 cm.
Lamb of God by Arcabas
Arcabas (French, 1926–), Lamb of God. Stained glass, Notre-Dame des Neiges Church, Alpe d’Huez, France.
Deposition and Christ Falling on the Way to Calvary (Palestinian Museum)
The Deposition & Christ Falling on the Way to Calvary, 2014. Collage, from “The Presence of the Holy See” project at the Palestinian Museum. Photographs by Alexandra Boulat (French, 1962–2007); paintings by Raphael.
Jesus on the Shore by Maja Lisa Engelhardt
Maja Lisa Engelhardt (Danish, 1956–), Jesus on the Shore. Altarpiece, Turup Church, Assens, Denmark.

Lenten Readings 2018 by Kevin Greene: For the seventh year in a row, Kevin Greene, a teaching elder at West End Presbyterian Church in Richmond, Virginia, is publishing short daily devotions, each one containing an art image and a piece of music. (Last year I learned of lots of new artists through him!) For the prayer component he has used various resources in the past—the Revised Common Lectionary, sermons on the cross of Christ across the centuries, Wesley’s Scripture Hymns, and excerpts from the early church fathers—but this year he will be using collects (pronounced COL-lects) from the Book of Common Prayer. Unfamiliar with the term? Click here to read how a collect works.   Continue reading “Lent devotionals with arts component”