Let Jesus Lead You (Artful Devotion)

Promised Land by Maximino Cerezo Barredo
Mural by Maximino Cerezo Barredo (Spanish, 1932–)

“Follow me.” (Mark 1:17)

+++

SONG: “He’s a Mighty Good Leader” (Let Jesus Lead You) | Traditional, performed by Skip James, 1931

“Let Jesus Lead You” was recorded by numerous gospel quartets and bluesmen in the late 1920s and 1930s, the most influential rendition being Nehemiah “Skip” James’s, a pioneering slide guitarist and sometime preacher from Mississippi. Other versions I like, from later, include the Detroiters (1951), Marion Williams & the Stars of Faith (1962), the Morning Star Gospel Singers (1963), and Josh Harmony (2011).

+++

“There” by Robert B. Shaw

There where the lion dines on straw
and walks at ease with dogs and men,
and a boy’s idling fingers draw
the unfanged adder out of his den;
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
there is our home. Then lead us there.

(Read the full poem at poetryfoundation.org.)


This post belongs to the weekly series Artful Devotion. If you can’t view the music player in your email or RSS reader, try opening the post in your browser.

To view all the Revised Common Lectionary scripture readings for the Third Sunday after Epiphany, cycle B, click here.

The Unnamed Emmaus Disciple: Mary, wife of Cleopas?

Centuries of preaching and art have led us to assume without a thought that the two disciples who traveled from Jerusalem to Emmaus the Sunday after the Crucifixion, and dined there with the resurrected Christ, were men. Surely one of them was: the Bible tells us his name was Cleopas (Luke 24:18). But it leaves his companion unnamed.

Some Bible scholars have suggested that Cleopas’s fellow traveler was his wife, Mary. (N. T. WrightJames Montgomery Boice, and Jim Cole-Rous, to name just three, believe this to be the most reasonable interpretation, and many others, such as Wayne Grudem, consider it a possibility.)

Emmaus by Rowan and Irene LeCompte
Rowan LeCompte (American, 1925–2014) and Irene Matz LeCompte (American, 1926–1970), Third Station of the Resurrection: The Walk to Emmaus (detail), 1970. Mosaic, Resurrection Chapel, National Cathedral, Washington, DC. Photo: Victoria Emily Jones

Their case is built by conflating the identities of “Mary, mother of James” (Matt. 27:56; Mark 15:40, 16:1; Luke 24:10), present at the Crucifixion and a witness of the empty tomb, and “Mary, wife of Clopas” (John 19:25), also present at the Crucifixion, and then recognizing “Clopas” as a variant spelling of “Cleopas.” Alphaeus—identified in Matthew 10:3, Mark 3:18, Luke 6:15, and Acts 1:13 as the father of James—is thought to be the Aramaic form of the name. These connections are well supported by church tradition, dating as far back as the second century.

If Cleopas’s wife, Mary, was in Jerusalem for Passover, it makes sense that she would have traveled back home to Emmaus (or stopped overnight in Emmaus en route to home) with her husband afterward. It wouldn’t have been unusual for a married couple, in this relatively private context, to converse with each other along the way about what they had experienced—the rabbi they had been following, dead, and rumored to have risen—and what it might mean.

Mary had seen the empty tomb with her own eyes and even encountered an angel who affirmed, “Christ is not here! He is risen!” But when she told the other disciples, they dismissed her account as too fantastic, perhaps instilling in her a new skepticism; she hadn’t, after all, seen the body. Or maybe her faith remained fortified, and her trip home was spent trying to convince her husband that Jesus was indeed alive.

Whatever the precise content of their discussion, a “stranger” sidled up alongside them, giving his own interpretation of the weekend’s events. They did not notice it was Jesus because “their eyes were kept from recognizing him.” It wasn’t until they arrived home with their newly invited guest in tow, put dinner on the table, and saw him bless the meal that “their eyes were opened.”

Although artistic portrayals of the Emmaus episode overwhelmingly cast a male as the second disciple, there are a few I’ve found that turn that presupposition on its head by casting a female, presumably Mary.   Continue reading “The Unnamed Emmaus Disciple: Mary, wife of Cleopas?”