Andrew Wyeth (American, 1917–2009), Airborne, 1996. Tempera on hardboard panel. Crystal Bridges Museum of American Art, Bentonville, Arkansas.
For this is the love of God, that we keep his commandments. And his commandments are not burdensome. For everyone who has been born of God overcomes the world.
—1 John 5:3–4a
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SONG: “How Gentle God’s Commands” | Words by Philip Doddridge (1702–1751) | Music by Hans Georg Nägeli (1773–1836) | Performed by Ordinary Time, on At the Table (2009)
How gentle God’s commands!
How kind his precepts are!
Come, cast your burdens on the Lord
And trust his constant care.
Beneath his watchful eye,
His saints securely dwell;
That hand which bears all nature up
Shall guard his children well.
Why should this anxious load
Press down your weary mind?
Haste to your heav’nly Father’s throne
And sweet refreshment find.
His goodness stands approved,
Unchanged from day to day;
I’ll drop my burden at his feet
And bear a song away.
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I cannot see, my God, a reason why
From morn to night I go not gladsome, free;
For, if thou art what my soul thinketh thee,
There is no burden but should lightly lie,
No duty but a joy at heart must be:
Love’s perfect will can be nor sore nor small,
For God is light—in him no darkness is at all.
This post belongs to the weekly series Artful Devotion. If you can’t view the music player in your email or RSS reader, try opening the post in your browser.
To view all the Revised Common Lectionary scripture readings for the Sixth Sunday of Easter, cycle B, click here.
On the heels of Jesus’s birth came his frantic flight, with parents Mary and Joseph, from the sword of an egomaniacal politician who swore death to all the male children of Bethlehem under the age of two. To secure his own power and advantage, Herod had to squash all potential threats.
Thus the birthday festivities were cut short as the Holy Family packed up what little they had and hit the road running, seeking asylum in another country.
Jean-François Millet (French, 1814–1875), The Flight into Egypt, ca. 1864. Conté crayon, pen, ink, and pastel over gray washes on paper, 31.1 × 39.4 cm. Art Institute of Chicago.
Many families are still making this difficult journey today: fleeing home in order to escape persecution and/or death.
Even though the Flight to Egypt is a part of the Christmas story, it’s often omitted from present-day nativity pageants and carol services because we prefer to bask in that which is quaint and cozy and cute and joyful, and we want that happy ending. We don’t want the darkness to rain on all the Christmas light. This is a real shame. By leaving out this event from our retellings of Jesus’s birth narrative, not only do we do a disservice to his memory, we neglect an opportunity to see Christ in our refugee neighbors.
To help remedy this omission, I’ve compiled a list of songs based on the Flight to Egypt so that churches can consider using them (or be inspired to write their own!) as part of their Christmas observances. I’ve purposely excluded “The Cherry-Tree Carol,” a centuries-old ballad derived from an apocryphal story about the Flight to Egypt from the Gospel of Pseudo-Matthew (chapter 20); I did so not only because the anonymous lyricist reset the episode during the Journey to Bethlehem, when Jesus was still in the womb, but because, though charming, there’s nothing historic, spiritually valuable, or socially conscious about it, and it perpetuates a popular stereotype of Joseph as stubborn and unkind that I believe scripture itself does not bear.
Also excluded are the several carols about the Massacre of the Innocents—the episode that prompted the Flight to Egypt. The two episodes are obviously related, but I want to focus here on the Flight.
CONGREGATIONAL HYMNS
I could find only one song on the topic that was written with congregational singing in mind, and that is “Flight into Egypt” by the Rev. Vincent William Uher III (1963–). It’s made up of four verses and the refrain “Kyrie eleison” (Lord, have mercy), a common prayer in Christian liturgies. Because the hymn uses a plainchant tune, it has an irregular meter and may therefore be a little tricky for congregations to pick up right away. But the words are so beautifully crafted and set, and Rev. Uher gives his permission for noncommercial use, as long as credit is given. I put together a printable hymn sheet, reproduced below the lyrics. (Click on the image to open up the sheet as a PDF in a new tab.)
“Flight into Egypt” (1997) –Words: Vincent Uher | Music: Plainchant mode V, 13th century
Lonely travelers from the stable
Out beneath the hard blue sky
Journeying, wandering, hoping, praying
For the safety of their child
While our mother Rachel’s weeping
Fills the streets of Bethlehem.
Kyrie eleison.
Warned by angels moved to save him Who was born our kind to save Joseph leads his holy family Far from Herod and harm’s way Mary shielding and consoling Jesus Christ the Son of God. Kyrie eleison.
Fleeing from the land of promise They in Egypt find a home Strange the workings of God’s mercy House of bondage now God’s throne But for sons who all were murdered Sorrow breaks the House of Bread. Kyrie eleison.
True the tale of flight and exile Out of Egypt comes God’s Son Angels tell of Herod’s dying All is ended, all begun Jesus will grow up in Nazareth And the world will all be stunned. Kyrie eleison.
Because of the scarcity of carols referencing the Flight to Egypt, I took to writing some verses of my own, using already-popular hymn tunes. Each of these verses is intended not as an additional stanza to the carol whose tune it shares (that would render the narrative structure incoherent) but as a standalone reprise of sorts. I envisioned any one of them being sung as part of a Christmas Eve service following the reading, as part of the total Christmas story, of Matthew 2:13–14. Continue reading “Songs about the Flight to Egypt”→
