Roundup: Lent devotionals, Joseph Shabalala, dancing with dust, kids’ songs and doodles

Lent begins next week, and as usual, I’ll be sharing visual art, music, poetry, and other media throughout the season that I hope will be a quiet support to your spiritual walk. If you are giving up social media for Lent but want to be kept aware of new Art & Theology posts, sign up to receive the posts by email by clicking the “Subscribe” button—on the right sidebar if you’re on a desktop, or at the bottom of this post if you’re on your phone. (Note that the sidebar/footer is not visible from the homepage; you have to click through into a post to see it.)

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Lent devotionals 2020

NEW LENT DEVOTIONALS: I’ve become aware of two new poetry devotionals for Lent published this year.

My Sour-Sweet Days: George Herbert and the Journey of the Soul by Mark Oakley: “George Herbert is one of the great 17th century poet-priests. His poems embrace every shade of the spiritual life, from love and closeness, to anger and despair, to reconciliation and hope. And his work is always rich with audacious playfulness: he seems to take God on, knowing God will win, as if he’s having an argument with a faithful friend he knows is not going to leave. In much of theology and spirituality, God is a critical spectator to human lives, but for Herbert, his sense of relationship with God is primarily of a friendship that can never be broken. These are some of the themes Mark Oakley explores in this book. He offers a poem for every day in Lent, with a two-page commentary on each of the forty included.”

Wendell Berry and the Sabbath Poetry of Lent by SALT Project: “In this Lenten devotional, biblical texts and simple, accessible practices walk hand-in-hand with Wendell Berry’s poetic vision of sabbath and the natural world. All you’ll need is your favorite Bible and Wendell Berry’s This Day: Collected and New Sabbath Poems. Week by week, we’ll walk through the woods together toward Easter morning, keeping sabbath as we go—with Wendell Berry as our guide.” Sold as a professionally designed, downloadable PDF with printing and folding instructions.
   I really enjoyed SALT Project’s Lent devotional from last year, built around the poetry of Mary Oliver, so I bought this new one and gave it a breeze-through so I could recommend it here prior to Lent; I look forward to spending more time with it throughout the season. Devotions are provided for Ash Wednesday; the first, second, third, fourth, and fifth Sundays of Lent; Palm Sunday, Maundy Thursday, Good Friday, and Easter Sunday. Each one includes an instruction to read a Bible passage and a Wendell Berry poem, a short meditation that draws the two together, an additional reading of two more related Berry poems, a candle lighting and one-sentence prayer (on the themes of silence, trust, delight, care, insight, resurrection, joy, love, sorrow), a few recommended practices for the week, and personal questions to ponder and discuss with a friend, if desired.
   I especially appreciate the “Practices” section, which includes ideas like: make a list of your favorite little delights (“the sunlight’s slant in the late afternoon, your dog’s ears, the steam rising from your coffee—no delight is too slight!”) and read it aloud with family or friends over a meal; take a neighborhood walk and count how many shades of green you see; ignore a household chore for an entire day each week.

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DANCE VIDEO: “Seas of Crimson”: In this music video for one of the pieces on Bethel Music’s album Without Words: Synesthesia, Jessica Lind of the Oregon Ballet Theatre dances with dust that by the composition’s end turns to vibrant color. A metaphor for the Lenten journey, perhaps? [HT: A Sacramental Life]

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OBITUARY: Joseph Shabalala, Ladysmith Black Mambazo Founder, Dies at 78: From the New York Times obituary by Jon Pareles:

Joseph Shabalala, the gentle-voiced South African songwriter whose choir, Ladysmith Black Mambazo, brought Zulu music to listeners worldwide, died on [February 11] in a hospital in Pretoria. He was 78. . . . Mr. Shabalala began leading choral groups at the end of the 1950s. By the early ’70s his Ladysmith Black Mambazo — in Zulu, “the black ax of Ladysmith,” a town in KwaZulu-Natal Province — had become one of South Africa’s most popular groups, singing about love, Zulu folklore, rural childhood memories, moral admonitions and Christian faith. Ladysmith Black Mambazo’s collaborations with Paul Simon on his 1986 album “Graceland,” on the tracks “Homeless” and “Diamonds on the Soles of Her Shoes,” introduced South African choral music to an international pop audience.

Joseph Shabalala

Shabalala was an ordained minister in the Pentecostal Church of God of Prophecy, having become a Christian in 1976. He said he hopes his music shows people “how to be good to God, how to praise God, how to respect, how to forgive each other . . .”

Below is a video of Shabalala with Ladysmith Black Mambazo singing one of his songs, “King of Kings,” live in Montreux, Switzerland, in 2000. Written during apartheid, it is a prayer for peace in South Africa and the rest of the world. It was first released on the 1987 album Shaka Zulu. [Listen on Spotify]

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KIDS’ SONGS: I’m not a mom, but I often enjoy listening to “children’s music,” as there’s so much of quality out there these days. Here are two songs released this year in that too-restrictively-titled genre (because hey, there’s much for grown-ups to love here too!), along with animated music videos.

“Glad You’re Here” by Justin Roberts: This new single by “the Judy Blume of kiddie rock” (New York Times) is for a new- or soon-to-be-born baby. So fun, warm, and adorable! (Note: The video was produced by the same company that brought you the Wendell Berry devotional mentioned above.)

“Dinosaurs in Love” by Fenn Rosenthal, feat. Tom Rosenthal: This sad-sweet song about two dinosaurs eating cucumbers and having parties and then, well, you’ll have to listen . . . was written by three-year-old Fenn Rosenthal from London (with some help on the tune from her dad, Tom). At the end of January Tom Rosenthal, who is himself a singer-songwriter, posted a recording of Fenn singing this one-minute creation of hers on Twitter, and it went viral. Now the song is streaming on Spotify and is up on iTunes, Amazon, and other e-tailer websites, with all proceeds benefitting wildlife charities. It was also picked up by directorial team Hannah Jacobs, Katy Wang, and Anna Ginsburg, who created a music video using 2D frame-by-frame animation. [HT: Colossal]

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DRAWING CONTEST: “Doodle for Google,” for K–12 artists: Google Doodles are those special drawings, sometimes animated, that embellish Google’s logo on the website’s homepage from time to time. For the twelfth consecutive year, that highly visible space is up for grabs to one young artist in the US through the tech company’s “Doodle for Google” competition, open to ages K–12. This year the theme is “How do you show kindness?” In addition to having their work featured on Google’s landing page for an entire day, the winner will receive a $30,000 college scholarship, and the winner’s school will be awarded a $50,000 technology package. The deadline for submissions is March 13, 2020, at 11 p.m. ET. [HT: Hyperallergic]

“I Leave You My Peace” (Artful Devotion)

Osborne, Mary Ann_Paths of Peace
Sister Mary Ann Osborne, SSND, Paths of Peace, 2005. Linden wood, glass, brass wire, gold leaf, and paint, 36 × 27 × 1 in.

Jesus answered him, “If anyone loves me, he will keep my word, and my Father will love him, and we will come to him and make our home with him. Whoever does not love me does not keep my words. And the word that you hear is not mine but the Father’s who sent me.

“These things I have spoken to you while I am still with you. But the Helper, the Holy Spirit, whom the Father will send in my name, he will teach you all things and bring to your remembrance all that I have said to you. Peace I leave with you; my peace I give to you. Not as the world gives do I give to you. Let not your hearts be troubled, neither let them be afraid. You heard me say to you, ‘I am going away, and I will come to you.’ If you loved me, you would have rejoiced, because I am going to the Father, for the Father is greater than I. And now I have told you before it takes place, so that when it does take place you may believe.”

—John 14:23–29

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SONG: “I Leave You My Peace” | Music by Maxime Kovalevsky, French Orthodox Church, Paris, 1940s–50s | Arranged by Josef Gulka, Holy Cross Orthodox Church, Medford, NJ | Performed by the St. Symeon Orthodox Church Choir, Birmingham, AL, on Fire and Light (2010)

You can download free sheet music for this song from the Liturgical Music PDF Library of the Antiochian Orthodox Christian Archdiocese of North America.

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The mixed-media artwork above is by Sister Mary Ann Osborne, a Minnesota nun in the order of the School Sisters of Notre Dame. The Good Shepherd figure references a Christian fresco from the third-century catacomb of St. Callixtus in Rome, where the shepherd carries a sheep over his shoulders, securing it with one hand while carrying a milk pail in the other; it’s an image of care and protection derived from scripture. Sister Mary Ann has added two open-palmed hands rising up behind, or perhaps emerging from, the shepherd, a posture of prayer (orans) but also of benediction (see, e.g., Lev. 9:22; Luke 24:50).

Christ is pronouncing a blessing—it could be the words of peace and promise from his farewell discourse, excerpted in Sunday’s lectionary reading. We, his people, receive it. He has forged “paths of peace” for us to follow, as Sister Mary Ann’s work suggests, with road markings at the bottom left inviting us to set off where Christ has trod. And he goes with us in the Spirit.

He has called the world to a new order, signified by the shofar at the right, which announces Jubilee. As one of seven, the trump also carries connotations of the day of the Lord.

See more of Sister Mary Ann’s wood carvings at http://sistermaryannosborne.com/.


This post belongs to the weekly series Artful Devotion. If you can’t view the music player in your email or RSS reader, try opening the post in your browser.

To view all the Revised Common Lectionary scripture readings for the Sixth Sunday of Easter, cycle C, click here.

Roundup: Short films on love and loss, Ashmolean Advent calendar, and more

ALBUM REVIEW: Hebrews by Psallos: My first published article for The Gospel Coalition! Psallos is a music collective led by Cody Curtis, and they’re doing amazing work—adapting entire New Testament epistles for folk rock band and chamber orchestra. (I reviewed the group’s first major album, Romans, two and a half years ago.) The track “Ex Paradiso” interprets John Piper’s favorite Advent text and implements a clever twist on Fauré’s Requiem. You’ll also hear a few other famous musical quotations, including, in track 3, “Angels We Have Heard on High”—again, with a lyrical twist—and a jarring rendition of “Nothing but the Blood.” Curtis is a wonderfully talented and versatile composer, writing in styles from bluegrass and Irish dance to slow hip-hop and hot jazz, all united under one overarching structure. The “Before the Throne” theme that’s developed throughout is truly sublime.

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ANNOTATED BOOK LIST: “Art and theology” books published in 2018: I put together this compilation for ArtWay, so the emphasis is on visual art. I’ve already featured a few of the books on the blog, like Wounded in Spirit and The Annunciation: A Pilgrim’s Quest, but there are over a dozen more, a mix of academic and nonacademic. These include, among others, a large reference work on early Christian art; books on individual artists William Blake and Keith New; two books by Jeremy Begbie, which emphasize the need for biblically grounded creedal orthodoxy in discussions on the arts; and two books on the modern illuminated Saint John’s Bible—one of which (Illuminating Justice by Jonathan Homrighausen) was just named among the top twelve theology books of the year by the Englewood Review of Books. Like Homrighausen, art historian Heidi J. Hornik also links art and ethics, in her book The Art of Christian Reflection. Created: Bridging the Gap between Your Art and Your Creator is probably the most unique offering; published by Likable Art design studio, it features sixty-two responses to the question “What are your first five words to the world of artists?,” and edgy graphic designs.

Art and Theology books 2018

Let me know if I’m missing any titles. For book lists from previous years, see 2014–16 and 2017.

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ANIMATED SHORTS

Lost & Found (2018): Widely lauded at film festivals since its debut earlier this year, Lost & Found is an endearing stop-motion film that chronicles a dramatic turning point in the relationship between two crocheted animal toys, a fox and a dinosaur. Since finding each other in the lost-and-found bin of a Japanese restaurant, it was love. But when the fox topples into a fountain, the dinosaur must sacrifice himself, yarn by yarn, to save her. Directed by Andrew Goldsmith and Bradley Slabe.

Bao (2018): This computer-animated short film, written and directed by Domee Shi and produced by Pixar, premiered on June 15 with Incredibles 2. It’s about a lonely, aging Chinese Canadian mother, suffering from empty-nest syndrome, who receives an unexpected second chance at motherhood when she makes a dumpling that comes to life as a boy. “I was that overprotected little dumpling,” Shi said in an interview; this project, she said, was her attempt to try to better understand her mother. One of the strongest powers of film, I’ve always thought, is its ability to incite empathy. (Update, 12/25: It appears that this film was being offered for free online viewing for only a very limited time, as it is now behind a paywall: https://www.youtube.com/watch?v=ypEuSSwB1Rk.)

Bao (2018)

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DAILY ART: 2018 Advent Calendar by the Ashmolean Museum: I know the season’s almost over, but it’s still worth checking out this free online calendar published by the Ashmolean, an art and archaeology museum in Oxford. Each day of December, they’ve been revealing a different winter- or Christmas-themed object from their collection. Entries thus far have included a bronze “reindeer” brooch from second-century Amiens, a decorated star tile from thirteenth-century Iran, a winter kimono with a design of snowy pines, an ivory netsuke in the form of a boy rolling a yuki-daruma (snowman), and a Delftware tile depicting three ships a-sailing. I dig this creative idea for public engagement! I’ve seen art museums do Pinterest boards, but this is the first time I’ve seen an Advent calendar.

Below I’ve reproduced the etching from Day 2, Epiphany, which F. L. Griggs made to celebrate the end of World War I one hundred years ago. A tall memorial crucifix stands atop a triple bridge, towering over roofless homes and illuminated by bright starlight. The Latin inscription translates as “The King of Peace whom the whole world desireth to see, hath shown His greatness. The King of Peace hath shown His greatness above all kings of the whole Earth.” Griggs’s son would die in World War II.

Epiphany by Frederick Landseer Maur Griggs
Frederick Landseer Maur Griggs (British, 1876–1938), Epiphany, 1918–19. Etching, 17.3 × 12.5 cm. Ashmolean Museum of Art and Archaeology, Oxford, England.

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WALTZING MARBLES: Kinetic artist Mark Robbins of DoodleChaos made a series of Rube Goldberg-like contraptions with blocks and magnets and set a marble rolling along it to Tchaikovsky’s “Waltz of the Flowers” from The Nutcracker, with other marbles later joining the dance. The synchronization is perfect! I got such a kick out of this.