Online events

Organized by Mount Tabor Ecumenical Centre for Art and Spirituality:

>> April 10, 11 a.m.–12:30 p.m. EDT: “The Victory of Life (Easter in Renaissance Art)”: “The most important event of New Testament belief, Christ’s Resurrection, is not described in the Scriptures. That has not prevented artists however from imagining it. As we celebrate Eastertide, we invite you to join Monsignor Timothy Verdon as he reflects on a number of works focused on this theme.”

View more events at https://mounttabor.it/mount-tabor-talks-topics/.

Organized by HeartEdge:

>> April 15, 11:30 a.m.–1 p.m. EDT: “In the Shadow of Your Wings: Musical Bible Study on the Psalms”: Deus Ex Musica presents this interactive event in which participants watch prerecorded live performances of three brand-new vocal settings of Psalm 57, each set to music by a composer representing a different Christian tradition. After viewing the performances, participants will engage in moderated small-group discussions. No musical expertise is required.

Deus Ex Musica is an ecumenical organization of musicians, educators, pastors, and scholars that promotes the use of sacred music as a resource for learning and spiritual growth.

>> April 26, 3–4 p.m. EDT: “Art and the Liturgical Year: Bringing the Church Calendar to Life”: Organized in partnership with the CEEP Network. “This workshop explores ways of engaging artists with churches/congregations using the church calendar. What might inspire artists in engaging with the patterns that underpin the life of many churches, and how might engaging with artists open up understandings of faith in new ways for congregations? Examples of the kind of projects we will explore include initiatives using the visual arts in dialogue with scripture or exhibitions/installations in particular seasons such as Advent or Lent. Fundamentally, though, this workshop seeks explore a range of ideas and approaches and to hear about the benefits both for artists and congregations.”

Panelists:

  • Janet Broderick, Beverly Hills, California: Rector, All Saints Beverly Hills
  • Paul-Gordon Chandler, Casper, Wyoming: Bishop, Diocese of Wyoming; and Founding President of CARAVAN Arts (moderator)
  • Catriona Laing, Brussels: Chaplain, St. Martha & St. Mary’s Anglican Church Leuven; Associate Chaplain, Holy Trinity Brussels
  • Ben Quash, London: Professor, Christianity and the Arts & Director, Center for Arts and the Sacred, King’s College London; Director, Visual Commentary on Scripture Project
  • Aaron Rosen, Washington, DC: Professor, Religion and Visual Culture; Director, Henry Luce III Center for the Arts and Religion, Wesley Theological Seminary; Cofounder, Stations of the Cross Public Art Project

>> June 4, 11, 18, 25, 11:30 a.m.–1 p.m. EDT: “Jesus Is Just Alright: What Pop Songs About Jesus Can Teach Christians Today”: Led by composer, musician, and educator Delvyn Case of Deus Ex Musica. “For over fifty years, pop musicians in all genres have explored the meaning and significance of Jesus in their music. The result is a rich collection of songs that consider important spiritual questions like faith, doubt, and prayer in unique and often provocative ways. Through a combination of listening and discussion, this four-part series invites participants to explore a different spiritual topic each week. Join us to listen to great music that asks tough questions about our faith and our lives as Christians.”

View more events at https://www.heartedge.org/.

Organized by Art + Christianity:

>> April 21, 1–2 p.m. EDT: “Exhibiting Faith in the Museum and Beyond”: World-leading experts Ittai Weinryb, Neil MacGregor, and Jennifer Sliwka will discuss the joys and difficulties of introducing to the general public art that builds on a faith tradition. “They will discuss what has become a major concern for teachers, lecturers and museum curators in many countries. How do you encourage a largely secular audience to step inside a work of art, in such a way that its religious meaning is felt and understood, and the artistic experience can become immersive? . . . Among the topics to be explored are:

  • The opening up of museums and galleries to enhanced audiences during the pandemic.
  • How certain objects are altered by their move from a sacred space into a museum, yet how they also ‘live on’ beyond the museum plinth or computer screen.
  • The need to understand secular inhibitions and the loss of interest in Christianity and to find ways in which works of art can readdress this situation.”

>> April 29, 2–3:30 p.m. EDT: “Coventry Cathedral: Icon and Inspiration”: “Join Alexandra Epps [an Accredited Lecturer for The Arts Society and Guide and Lecturer at Tate Modern, Tate Britain and the Guildhall Art Gallery] for the extraordinary story of the rebuilding of Coventry Cathedral as a symbol of peace and reconciliation and its inspiring commitment to the modern. Experience the artistic journey that is the Cathedral discovering the work of many of the world-class artists associated with its many treasures including Jacob Epstein, Elisabeth Frink, John Piper, Graham Sutherland and more.”

View more events at https://www.artandchristianity.org/upcoming-events.

Organized by Image journal:

>> May 5, 56 p.m. EDT: “The Art of Criticism: The People’s Madonna”: “Filmmaker Lucia Senesi grew up in Arezzo, Italy, within walking distance of several Old Master Madonnas. But it wasn’t until she was older—and viewing films by Andrei Tarkovsky and Valerio Zurlini, who were both captivated by the Madonna del Parto in Monterchi—that she saw these paintings with fresh eyes. Her essay in the spring issue of Image describes the fascinating history of a Madonna commissioned by peasants, executed by a Renaissance master, condemned by popes, and preserved through wars and social upheaval. She’ll talk with culture editor Nick Ripatrazone about film, the populism of sacred art, and the scandal of a woman pregnant with God.”

>> May 26, 56 p.m. EDT: “The Art of Imagery: You Are What You Contemplate”: “Artist Scott Erickson wanted to design a series of Stations of the Cross that people in his Portland neighborhood could encounter without the barrier of having to enter a church building—and he wanted to make them accessible to all. The result is a series of downloadable, printable images that have appeared all over the globe. His most recent book is Honest Advent: Awakening to the Wonder of God-with-Us Then, Here, and Now. He’ll speak with Image editor in chief James K.A. Smith about church, art, and ‘spiritual formation through image contemplation.’”

Roundup: Anger, lament, and racial oppression

INTERVIEW: “Singing the Songs of Injustice” with David M. Bailey and W. David O. Taylor: David Bailey is the director of the reconciliation ministry Arrabon and founder of its music-making and liturgical resource arm, Urban Doxology, and David Taylor is an assistant professor of theology and culture at Fuller Theological Seminary. In this conversation the two men discuss how “biblical, angry, congregational worship can help transform our hearts and churches.” “God has given us the psalms to be an ‘anger school’ for us and I’ve discovered that when we skip class, we aren’t emotionally equipped to deal with difficult stuff we’re experiencing now,” Taylor says. “The extraordinary gift of the psalms is that they show us how to pray angry prayers without being overcome by our anger, how to hate without sinning (to borrow from Saint Paul’s language), or, as Eugene Peterson once put it, how to ‘cuss without cussing.’”

Bailey and Taylor talk about the constant simmer of race relations in America, faithful versus unfaithful expressions of anger, the language of “enemy” in the Psalms, the importance of lament in Sunday gatherings and the need for language that expresses the horizontal aspects of what it means to be a Christian, and leading without moderation during turbulent times.

Anger prayer card
The Psalms of Anger: Prayer Card (illustration by Phaedra Taylor)

Taylor’s latest book, Open and Unafraid: The Psalms as a Guide to Life, contains a chapter on “The Psalms of Anger.” Read an excerpt here, or view this video talk. To coincide with the release in March, he and his wife Phaedra created a set of fifteen prayer cards. His prayer on the “Anger” card reads, “To the God whose holy anger heals, to the Messiah whose righteous anger overcomes evil, and to the Spirit who keeps our angers from turning violent and destructive: receive our wounded hearts, take our burning words, protect us from the desire for revenge. May our faithful angers become fuel for justice in our fractured world and for the mending of broken relations in our communities. For God’s sake—and ours. Amen.”

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LITURGIES

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LAMENT SONGS

The first two are new.

“I Just Wanna Live” by Johnnetta Bryant, performed by Keedron Bryant: Twelve-year-old gospel singer Keedron Bryant posted a video on Instagram last week of himself singing a song his mom wrote in response to the killing of George Floyd. “God gave me those lyrics” for Keedron, she said in a joint interview on Today. Keedron said he prayed the song, meditated with it, then hit record. It’s a heart-baring, heartbreaking lament, a plea for divine protection in a world that is especially dangerous for young black males.

“It Is Enough!” by R. DeAndre Johnson: R. DeAndre Johnson is the pastor of music and worship life at Christ Church Sugar Land outside Houston. He wrote the lyrics for “It Is Enough!” in July 2016 following the deaths of Alton Sterling and Philando Castile but hadn’t set them to music until now. The nine verses bear the refrain “Kyrie eleison” (Lord, have mercy!), or “Christe eleison” (Christ, have mercy!), a common cry of lament. “There are no words that can contain / The depth of sorrow, grief, and pain / That mothers, sons, and all exclaim: / Kyrie eleison!” Johnson sang the song for his church’s livestreamed service on May 31. A lead sheet is available on his Facebook page. [HT: Global Christian Worship]

“I Want Jesus to Walk with Me”: Sharon Irving is a singer-songwriter, spoken-word artist, and worship leader from Chicago who was also a semifinalist on season 10 of America’s Got Talent. In this video from 2015 she sings a spiritual that expresses deep sorrow—“When my strength is failing,” “When my heart is aching,” “When my life feels like a burden”—but also trust in the companionship of Christ, who walks with us through valleys of death. Having likely originated as an improvisation, the song has several lyrical variations and can be easily adapted to voice a range of feelings: “In my rage,” “In my frustration,” “In my exhaustion,” “In my confusion,” etc.

“O This Night Is Dark” by Tom Wuest: Last Sunday my congregation sang Isaac’s Wardell’s setting of Psalm 126 [previously], whose refrain is “Although we are weeping, Lord, help us keep sowing the seeds of your kingdom . . .” Seeds of love, truth, justice, hope. I just learned that Wardell’s song was inspired by Tom Wuest’s “O This Night Is Dark,” released in 2008 on Rain Down Heaven. In addition to Psalm 126, Wuest’s song also references 1 Corinthians 15, Isaiah 2, Amos 9, and Isaiah 65.

 

And this week as I was listening to the song, the following image by Scott Erickson showed up on my Instagram feed, with the caption “If one part suffers, all the parts suffer with it” (1 Cor. 12:26).

Erickson, Scott_Sorrowful Saint
Scott Erickson (American, 1977–), The Sorrowful Saint, 2016

Erickson painted the image in July 2016 in response to the fatal shootings of Sterling and Castile. It suggests that tears of grief can be generative, that new life can rise out of death. That’s not at all to say that death is good because it catalyzes a movement of change, but that our mourning the evils of racism and murder, our publicly crying out “Enough!,” is not fruitless, though it often seems so. Growth will come.

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VIDEO ART: Weight by André Daughtry:Weight is an attempt to visualize societal projections on the black male body,” writes André Daughtry, a Brooklyn-based interdisciplinary photography and media artist, writer, and performer. The piece is from 2014, and last year PBS’s AllArts station commissioned Daughtry to restage it in New York City as part of a larger video work. [HT: ImageUpdate]

Daughtry has a master’s degree in theology and the arts from Union Theological Seminary and serves as community minister of the arts at Judson Memorial Church, which has a long history of nurturing artists. “We believe that artists have the potential to serve as our modern-day prophets,” the church website reads. “They show us where we’ve been, who we are, and what we can become.”

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PODCAST EPISODE: “The SPU Conversation About Spike Lee Films,” North by Pacific Northwest: In this Seattle Pacific University conversation released April 11, 2019, two cinephiles, Jeffrey Overstreet and Josh Hornbeck, discuss some of the films of writer-director Spike Lee, “the boldest and brashest auteur in American film” (Guardian). The first several minutes, though, are spent decrying the then recent Oscar win of Green Book, which popular audiences loved but critics were generally sour on because it perpetuates the simplistic and ultimately false notion that to solve racism, white people just need to realize that “we’re all the same” and find a black friend.

Best known for Do the Right Thing (1989), Lee is one of several filmmakers they cite who deals with race in more complex ways, and while some people dismiss him as an “angry black man,” many celebrate him for forcing audiences to reckon with the problem of racism. “I think there should be rage inside of every conscious human being in the world, because there’s stuff that’s just not right,” he said in a 2000 interview. “Anger can be constructive.” Lee’s films are heavy-handed, in-your-face; they shout and unsettle. Heavy-handedness usually makes for bad art, but Overstreet and Hornbeck show how the approach works for Lee.

Spike Lee Films-01

Starting at 16:44, they focus on the satirical comedy-drama Bamboozled (2000), which joined the prestigious Criterion Collection just this March. (It’s also been the subject of much scholarly study across fields, one instance I’ve come across being an essay by art theorist W. J. T. Mitchell, titled “Living Color: Race, Stereotype, and Animation in Spike Lee’s Bamboozled,” in What Do Pictures Want? The Lives and Loves of Images.) “Under pressure to help revive his network’s low rating, television writer Pierre Delacroix (Damon Wayans) hits on an explosively offensive idea: bringing back blackface with The New Millennium Minstrel Show. The white network executives love it, and so do audiences, forcing Pierre and his collaborators to confront their public’s insatiable appetite for dehumanizing stereotypes.”

From 25:54 onward, Overstreet and Hornbeck discuss more generally their passion for cinema and the importance of revisiting films.

Here are some things they reference:

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People have been expressing frustration that The Help, a civil rights era drama that sidelines the perspectives of its black characters, is the number one most-streamed movie on Netflix right now. Film critic Alissa Wilkinson gives a list of fifteen movies to watch instead on racial injustice and being black in America. A mix of dramas and documentaries by such filmmakers as Barry Jenkins, Ava DuVernay, Spike Lee, and others, these are black-centered stories that help illuminate where we’re at right now. All are available for online streaming, and Wilkinson provides links to her reviews.

Roundup: Advent art, songs, poems

So much to share today! Be sure not to miss “Psalm 126” by Drew Miller (a new favorite Advent song) and Matthew Milliner’s excellent presentation on the Virgin Mary in art, which opened an exhibition that’s running in Southern California—both below. (If you only have time to take in a few items from this post, those are the ones I’d recommend.)

PODCAST EPISODE: “A Time for Wanting and Waiting: An Advent Conversation with W. David O. Taylor”: In this recent episode of The Road to Now, hosts Bob Crawford and Chris Breslin interview liturgical theologian David Taylor [previously] about the season of Advent: what it is, its history and how it fits into the wider church year (see especially 43:29ff.), the canon of Advent and Christmas songs, and the gift the Psalms offers us during this season. Referencing his 2015 Washington Post article, Taylor says our picture of Christ’s coming, especially as expressed through our hymnody, tends to be unidimensional and far too sanitized:

We should permit the Nativity stories to remain as strange and bizarre and fantastical and difficult as they in fact are, rather than taming and distilling them down to this one nugget or theme of effusive joy. There is effusive joy in that—it’s simply that that’s not the only thing that characterizes these stories. Unfortunately, most of our canon of Christmas carols or hymns tends to focus on what I would argue is only 50 percent of the Nativity stories. Everything that begins with Elizabeth and Zechariah and goes all the way to, say, Anna and Simeon and the visit of the Magi and the flight to Egypt . . . it really is one whole story that is being told with these subplots.

I would love to see us create . . . new music that either retells portions that we are already telling but not the whole of it, or we need to tell parts that have not yet been told. . . . Let’s ask ourselves how God is at work in all the minor-key or difficult or dissonant parts of the Nativity stories, not absent from—those are not extraneous to God incarnating himself in Jesus Christ. Those are essential parts of it. And so how can our hymns become ways of praying ourselves into these stories so they can sink deeply into the fibers of our hearts and minds and bodies, and for us to say, “Oh, all the weird and difficult and dissonant parts of our lives are part and parcel of God’s good work,” not, again, on the margins of it, or things we should eschew.

To help deepen and expand the church’s repertoire of Christmas music, Taylor founded, along with a few others, the Christmas Songwriters Project. The Psalms are an inspiration in this task, as they express a joy that is at times quiet and at others raucous, as in the Nativity narratives, and that exists as part of a dynamic constellation of emotions and postures that praise can encompass. Most of us don’t recognize the pure, undistilled happiness that is marketed to us throughout December, Taylor says, and we shouldn’t force ourselves to try to feel it but rather should take a cue from the Psalms and also see the same emotional complexity at work at the beginning of the Gospels:

The Psalms, and I think Christian faith at its heart, can make space for joy and sorrow to exist alongside each other in a way that happiness, as we commonly understand it, cannot, or only with great difficulty. . . . What the psalms of praise do . . . is that in one movement, there’s this effusive joy or a shouting joy or a convivial joy, and then it segues to a quieter joy or a contemplative joy or a yearning, painful kind of joy. . . .

So in the season of Advent, when we look at the characters in scripture—you know, Mary and Joseph and Zechariah and Elizabeth and the shepherds and Anna and Simeon—every one of them has this moment, perhaps, of which we could say, “That sounds like joy.” . . . But immediately before or immediately after, it transitions to something else. So does that mean that joy is negated? Is joy squashed? Is joy extinguished? Or is joy able to continue to exist side by side, to subsist, with a continued experience of longing or a sudden moment of sadness?

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ART BY SCOTT ERICKSON: This month Portland-based artist Scott Erickson has been posting on Instagram Advent-themed images he has made, along with thoughtful meditations. Some emphasize the bodiliness of the Incarnation, which often gets overlooked, presumably out of a sense of propriety. But “grace comes to us floating in embryonic fluid . . . embedded in the uterine wall of a Middle Eastern teenage woman,” Erickson writes about With Us – With Child, to which one Instagrammer responded, “This is trajectory changing. Thank you for this. Nipples, vaginas, and Jesus CAN coexist!” Another mentioned how she had never seen Mary with a belly button and a linea nigra before. The image reminds us that Jesus was indeed “born of woman” (Gal. 4:4).

Erickson, Scott_With Us, With Child
Scott Erickson (American, 1977–), With Us – With Child, 2016 [purchase as poster]
Another imaginative image suggests that Christ came to set the world on fire, so to speak. God, who is of old, gives himself to earth as a Jewish babe (“Love has always been FOR GIVENESS,” Erickson writes), sparking a revolution.

Erickson, Scott_Advent
Art by Scott Erickson

View more art by Scott Erickson @scottthepainter.

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LECTIONARY POEMS FOR ADVENT: This year Englewood Review of Books launched a new feature on their website: a weekly post of four to six poems that resonate with the Revised Common Lectionary readings for that week. “We will offer here a broad selection of classic and contemporary poems from diverse poets that stir our imaginations with thoughts of how the biblical text speaks to us in the twenty-first century. We hope that these poems will be fruitful not only for preachers who will be preaching these texts on the coming Sunday, but also for church members in the pews, as a way to prime our minds for encountering the biblical texts.” I’m really enjoying these stellar selections, several of which are new to me.

Continue reading “Roundup: Advent art, songs, poems”

ESSAY: “A Plan of a Peace-Office for the United States” by Benjamin Rush

Blogger’s Note: One of the first three departments created in 1789 in the new executive branch of the United States government was the War Department—now called the Department of Defense. Having witnessed the evils of war firsthand while serving as surgeon general of the Middle Department of the Continental Army, founding father Benjamin Rush published an essay in Banneker’s Almanac in 1793 advocating for the formation of a cabinet-level Department of Peace to promote a counterethic. Among other things, his proposed Secretary of Peace would be responsible for abolishing capital punishment; dissolving state militias, including getting rid of military uniforms and titles; and providing every family with a Bible by which to become educated in Christ’s law.

His plan even provides for the interior decoration of the Peace Office—which must include lamb, dove, and olive branch imagery; biblical inscriptions; and a collection of plowshares and pruning hooks cast from swords and spears—as well as its sonic environment: the daily singing of peace hymns. The War Office, by contrast, should display images of death and destruction and bear cautionary inscriptions.

Literary satire, maybe. Then again, maybe not. Rush was an uncompromising champion of many causes throughout his lifetime, including, besides nonviolence, public education, prison and mental health reform, the abolition of slavery, mass distribution of Bibles, and temperance. While his proposal for a U.S. Department of Peace may sound airy-fairy and ridiculous, he very much believed in its practicality, and his confidence has been matched by twentieth- and twenty-first-century politicians: since the publication of Rush’s “Plan of a Peace-Office,” almost a hundred bills have been introduced in Congress proposing the creation of such a department, most recently in 2015.

The following essay is rekeyed in its entirety from Benjamin Rush’s Essays, Literary, Moral, and Philosophical (Philadelphia: Thomas & Samuel F. Bradford, 1798).

Swords into Plowshares by Scott Erickson
Swords into Plowshares by Scott Erickson

“A Plan of a Peace-Office for the United States”

Benjamin Rush

Among the defects which have been pointed out in the Federal Constitution by its antifederal enemies, it is much to be lamented that no person has taken notice of its total silence upon the subject of an office of the utmost importance to the welfare of the United States, that is, an office for promoting and preserving perpetual peace in our country.

It is to be hoped that no objection will be made to the establishment of such an office, while we are engaged in a war with the Indians, for as the War-Office of the United States was established in time of peace, it is equally reasonable that a Peace-Office should be established in the time of war.

The plan of this office is as follows:

I. Let a Secretary of the Peace be appointed to preside in this office, who shall be perfectly free from all the present absurd and vulgar European prejudices upon the subject of government. Let him be a genuine republican and a sincere Christian, for the principles of republicanism and Christianity are no less friendly to universal and perpetual peace than they are to universal and equal liberty.   Continue reading “ESSAY: “A Plan of a Peace-Office for the United States” by Benjamin Rush”