Roundup: Norman Rockwell updated; snow-crystal photography; Good Samaritan icon; and more

Freedom of Worship by Hank Willis Thomas and Emily Shur
Hank Willis Thomas (American, 1976–) and Emily Shur (American), Freedom of Worship, 2018. While Norman Rockwell’s illustration of the same name contains specific representations of Protestantism, Catholicism, and Judaism, this reinterpretation goes even further to include Islam, Native American spirituality, and Sikhism.

NEW PHOTOGRAPH SERIES: “The Four Freedoms” by Hank Willis Thomas and Emily Shur: In his 1941 State of the Union address, President Franklin D. Roosevelt insisted that people in all nations share Americans’ entitlement to four basic freedoms: freedom of speech, freedom of worship, freedom from want, and freedom from fear. This famous speech became the basis for Norman Rockwell’s set of four illustrations, originally published in the Saturday Evening Post in 1943, that have become some of history’s most iconic representations of the American idea.

Artist Hank Willis Thomas and photographer Emily Shur decided to reimagine these scenes with a cast that’s more representative of American diversity. One of the eighty-two final images they created is published on the cover of the current issue of Time magazine. It and others will form the backbone of a national billboard campaign by the nonpartisan organization For Freedoms to encourage civic engagement. “We believe that if artists’ voices replace advertising across the country, public discourse will become more nuanced,” their website says.

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IN CONCERT: Eric and I went to see brother-sister folk duo The Oh Hellos (Tyler Heath and Maggie Heath Chance) in Baltimore earlier this month and had a great time. My favorite song from their set list was “Soldier, Poet, King,” which describes Jesus’s coming in all three roles—perfectly appropriate for the upcoming Advent season! Jesus, the Word of God, comes to tear down Satan’s kingdom and establish his just rule in our lives and world (1 John 3:8bRev. 19:11–16). The final verse affirms Jesus’s status as Messiah, the waited-for “Anointed One,” and celebrates his power marked by humility, even unto death. The blood he wears into battle is his own.

 

There will come a soldier
Who carries a mighty sword
He will tear your city down
O lei o lai o lord

There will come a poet
Whose weapon is his word
He will slay you with his tongue
O lei o lai o lord

There will come a ruler
Whose brow is laid in thorn
Smeared with oil like David’s boy
O lei o lai o lord

The Oh Hellos’ nationwide tour continues through the end of the year, so visit their website to see if they’ll be stopping near you.

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NEW ALBUM: Crumbs by Liturgical Folk: Liturgical Folk (previously here and here) released its third album this month, which “build[s] on the themes of eucharist and the mission of the church to bring peace and reconciliation to the world.” The title comes from the track “Prayer of Humble Access,” a verbatim setting from the “Holy Eucharist Rite I” in the Book of Common Prayer that alludes to the story of the Syrophoenician woman.


Most of the song texts on the album come from that traditional Anglican prayer-book and were set to music by Ryan Flanigan, though a few texts are contemporary. “Lord, Lord, Lord,” for example, was written in the wake of the August 9, 2014, shooting of Michael Brown in Ferguson, Missouri, and amid the subsequent escalation of racial tensions in the country. “As a privileged, white, middle class, American man,” Flanigan wrote,

I felt for the first time in my life the systemic injustice against black males in our country. What I found most troubling, besides death itself, was the response of some white, privileged people to the shooting, particularly the response of some Christians on social media and the News. When we should have been mourning with those who mourn, confessing our fears and sins, and seeking reconciliation, many of us turned a blind eye or, worse, assumed a posture of defensiveness and denial. I wrote this song as a corporate confession of sin to God and our fellow men, a plea for God to forgive us and restore our broken trust with him and with those we’ve failed to love.

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WORLD’S FIRST SNOWFLAKE PHOTOS: “The Man Who Revealed the Hidden Structure of Falling Snowflakes”: Maryland saw its first snow of the season this week, as did most of the East Coast, which means Twitter saw a flurry of snowflake images! The Smithsonian posted about Wilson “Snowflake” Bentley (1865–1931), whose perfection of innovative photomicrographic equipment and techniques (which included chilled velvet and a turkey feather) enabled him to photograph thousands of individual snowflakes without their melting, providing valuable scientific records of snow crystals and their many types.

The first person to photograph a single snowflake, . . . Wilson A. Bentley used a microscope with his bellows camera—plus years of trial and error—to get a photo of one flake in 1885. But he didn’t stop there. Bentley went on to take thousands more, . . . which helped support the belief that no two snowflakes are alike. In 1903, he sent 500 prints of his snowflakes to the Smithsonian, hoping they might be of interest to our Secretary. The images are now part of the Smithsonian Archives.

Snowflake photo by Wilson Bentley

Snowflake photo by Wilson Bentley

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BALKAN ICON: “Transforming a Parable: The Good Samaritan”: Run by David Coomler, a museum researcher, Icons and Their Interpretations discusses aspects of traditional Russian, Greek, and Balkan iconography, inviting people to submit photos of icons for identification of subject or meaning, and translation of inscriptions. Recently he wrote about a fourteenth-century Serbian Orthodox fresco that, like many of the church fathers, promotes an allegorical reading of the parable of the good Samaritan. In this interpretation, the man en route to Jerusalem is Adam, or Everyman, who is beaten by demons; the priest and the Levite represent the law of Moses and the priesthood of Aaron, which cannot help the wounded man. But the “good Samaritan,” Jesus, stoops down to save, carrying the man not on a beast of burden but on his own back, to an “inn,” the church. He hands two “coins,” the Bible and tradition, to the innkeeper, and promises to return. See further image details and commentary at the web link above.

Good Samaritan fresco (Balkans)
Parable of the Good Samaritan (see bottom register), 14th century. Fresco in the narthex of the Patriarchal of Pech, a Serbian Orthodox monastery in Kosovo.

Good Samaritan fresco (Balkans) (detail)

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OBITUARY: Christian composer Kurt Kaiser dies at 83: On November 12, Kaiser passed away at his home in Waco, Texas, after a six-decade-long career in composing, playing, arranging, and producing Christian music. A Gospel Music Hall of Famer and a progenitor of CCM, he’s best known for his song “Pass It On,” but I know him for “Oh How He Loves You and Me,” two renditions of which are posted below; the first is a solo performance by Vanessa Williams with gospel piano accompaniment by Richard Smallwood, and the second is performed a capella in four-part harmony by Kaoma Chende with the use of overdubbing.

Thorn in the Flesh (Artful Devotion)

Transcendence by Brandon Maldonado
Brandon Maldonado (American, 1980–), Transcendence, before 2010. Oil on panel.

. . . a thorn was given me in the flesh, a messenger of Satan to harass me, to keep me from becoming conceited. Three times I pleaded with the Lord about this, that it should leave me. But he said to me, “My grace is sufficient for you, for my power is made perfect in weakness.” Therefore I will boast all the more gladly of my weaknesses, so that the power of Christ may rest upon me. For the sake of Christ, then, I am content with weaknesses, insults, hardships, persecutions, and calamities. For when I am weak, then I am strong.

—2 Corinthians 12:7b–10

For a collection of commentaries on this scripture passage, visit Textweek.com.

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SONG: “Cold Is the Night” by the Oh Hellos, on The Oh Hellos (2011)

 


This post belongs to the weekly series Artful Devotion. If you can’t view the music player in your email or RSS reader, try opening the post in your browser.

To view all the Revised Common Lectionary scripture readings for Proper 9, cycle B, click here.

 

Roundup: Advent as a season of pregnancy, an Oh Hellos Christmas, jumbo cathedral tapestry, new film column, music education ministry

“ART OF ADVENT” SERMON: In his chapel address last December at Wheaton College, assistant professor of art history Matthew Milliner opened with a marriage analogy: If you love your spouse, you’ve got to love their parents. Do we love Mary and Joseph? Have we even met them? “Before the swaddled baby comes the swollen belly,” Milliner reminds us. He helps us dwell in those nine months before Christ’s birth, showing examples of the Virgin of the Sign icon (“ultrasound Jesus”) and Marc Chagall’s modern interpretation of it; these images are good for “target practice,” he says: for focusing our primary affections on Christ. He also shares how Mariko Mori’s video piece Miko No Inori (The Shaman-Girl’s Prayer) reminds him of a Visitation sculpture group by a fourteenth-century German artist, who inset Mary and Elizabeth’s bellies with a gem. Advent is a season of pregnancy, in which we are called to bear Christ within us. Not only that, it’s about “the pregnancy of a groaning planet,” waiting for deliverance from suffering. This address was given a few weeks after the death of Wheaton English professor Brett Foster, and Milliner notes how putting Brett’s body in the ground was an Advent act, in that we wait for it to rise. To watch the full twenty-five minutes, see the video below or click here.

The Pregnant Woman by Marc Chagall
Marc Chagall (Russian/French, 1887–1985), The Pregnant Woman, 1913. Oil on canvas. Stedelijk Museum Amsterdam.

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CHRISTMAS EXTRAVAGANZA TOUR + MUSIC DOWNLOAD: The Oh Hellos—folk rock sibling duo Maggie and Tyler Heath (and my husband Eric’s favorite band)—are hitting up eight US cities on their Christmas Extravaganza Tour this month, each show “an evening of Christmas music, carols, originals, bad jokes, sing-alongs, dancing, revelry, and all the holiday cheer you can squeeze into one room!” Sure to be featured are the four “movements” from their Family Christmas Album, which blend carol excerpts: “O Come, O Come, Emmanuel” with “The Coventry Carol”; “While Shepherds Watched Their Flocks by Night” with “O Come, All Ye Faithful”; “Silent Night”; and “Joy to the World” with “I Saw Three Ships.” I’ve embedded the first one in the player below. They’re offering this Christmas album for free download at NoiseTrade (tips appreciated), or if you want a physical disc, you can purchase it from Bandcamp.

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VISUAL MEDITATION: My latest visual meditation for ArtWay is on the gigantic Christ in Glory tapestry by Graham Sutherland that hangs behind the altar of Coventry Cathedral—one of many modern church art commissions in England necessitated by World War II bomb damage. Visiting the cathedral in 2013 was one of the most spiritually rich experiences I’ve ever had, and I plan to share it on this blog sometime in the future. Such a variety of artists were involved in the interior decoration program, and somehow it all comes together, collectively testifying to the power of resurrection. Sutherland wrote of his aspirations for the Christ figure: “The figure must look real—in the sense that it is not a rehash of the past. It must look vital; non sentimental, non-ecclesiastical; of the moment: yet for all time.” I’m taken by the final result, but an elderly gentleman who observed me staring at it for a while approached me and told me how much he hates it, how he thinks the eyes look unkind. (The man has lived in Coventry his whole life and remembers worshiping in the original cathedral before the war.) What do you think?

Christ in Glory by Graham Sutherland
Christ in Glory in the Tetramorph. Tapestry designed by Graham Sutherland (British, 1903–1980) and woven by Pinton Frères in France, 1962. Dimensions: 75 × 38 ft. Location: Coventry Cathedral, Coventry, UK.

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FILM COLUMN: This fall I’ve really been enjoying film critic Jeffrey Overstreet’s new Christianity Today column, “Viewer Discussion Advised,” designed to help Christians discuss and explore a broad range of films. His kickoff article on the foreign drama Timbuktu, which is about the city’s occupation by Muslim extremists, highlights how it “bears artistic witness to the sufferings of our neighbors.” (Quoting Frederick Buechner: “If we are to love our neighbors, before doing anything else we must see our neighbors.”) “Christians can choose to dwell on—and invest in—movies that show us what we already like, tell us what we already know, assure us of our own salvation, and make us feel happily entertained. That isn’t wrong. But might we make better use of our time? Might we exercise courage and conscience, step outside of our comfort zones, attend to our neighbors, and learn from their experiences?”

Through a Screen Darkly

In addition to Timbuktu, Overstreet has covered the comedy The Station Agent; the US criminal justice system documentary 13th; the Hitchcock thriller Vertigo; the biographical drama A Man for All Seasons; the Marvel superhero flick Doctor Strange; the Coen brothers’ comedies; and the sci-fi feature Arrival, ending each article with group discussion questions. Overstreet has been writing about art, film, and faith for more than a decade at LookingCloser.org and is the author of Through a Screen Darkly: Looking Closer at Beauty, Truth, and Evil in the Movies. He is currently teaching an online film course for Houston Baptist University and creative writing at Seattle Pacific University. To receive weekly installments of “Viewer Discussion Advised” to your email inbox, sign up for the CT Entertainment Newsletter.

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MUSIC VIDEO: My friend Nabil Ince is a third-year music major at Covenant College who writes and produces music under the rap name Seaux Chill. After an internship this summer he became assistant program director for the New City Fellowship–based nonprofit East Lake Expression Engine in Chattanooga, Tennessee, whose mission is to provide children in the East Lake neighborhood with a free music education in a gospel-centered environment. Inspired by the El Sistema movement, the organization believes that music is an effective avenue for developing children’s creativity and problem-solving skills and for building up a strong community. They provide year-round classes on music history, theory, composition, and performance, including choir, bucket band, and orchestra. Below is the music video for “It Always Rains on Tuesdays,” a song Nabil wrote for the kids. The refrain is “Feed the plants / Clean all the cars / Fill the potholes / Tears from the stars.”