This week the Revised Common Lectionary assigns an additional set of readings, on top of Sunday’s, for the special celebration of All Saints’ Day (Hallowmas) on November 1. Among them is John’s vision of a multitude of angels and faithful departed surrounding the enthroned Christ in heaven, sounding forth his praise.
After this I looked, and behold, a great multitude that no one could number, from every nation, from all tribes and peoples and languages, standing before the throne and before the Lamb, clothed in white robes, with palm branches in their hands, and crying out with a loud voice, “Salvation belongs to our God who sits on the throne, and to the Lamb!” And all the angels were standing around the throne and around the elders and the four living creatures, and they fell on their faces before the throne and worshiped God, saying, “Amen! Blessing and glory and wisdom and thanksgiving and honor and power and might be to our God forever and ever! Amen.”
O quam gloriosum est regnum (“O how glorious is the kingdom”) — A cappella motet for four voices composed by Tomás Luis de Victoria, 1572 | Performed by the University of Utah Chamber Choir
O quam gloriosum est regnum
in quo cum Christo gaudent omnes sancti!
Amicti stolis albis,
sequuntur Agnum quocumque ierit.
O how glorious is the kingdom
in which all the saints rejoice with Christ!
Clad in robes of white,
they follow the Lamb wherever he goes.
Explore the individual panels from Fra Angelico’s “court of heaven” predella in greater detail on the National Gallery of London’s website, and rejoice this All Saints’ Day in the Christian witness of those who have gone before us!
This post belongs to the weekly series Artful Devotion. If you can’t view the music player in your email or RSS reader, try opening the post in your browser.
To view all the Revised Common Lectionary scripture readings for All Saints’ Day, cycle A, click here.
2 thoughts on “Around the Throne (Artful Devotion)”
[…] “Around the Throne,” featuring an early Renaissance altarpiece from Italy and a late Renaissance motet from Spain […]
[…] is the eighth responsory for Holy Saturday. Tomás Luis de Victoria [previously] of Spain, one of the principal composers of the late Renaissance, set it to music in 1585. It’s […]