
Therefore, since we are surrounded by so great a cloud of witnesses, let us also lay aside every weight and the sin that clings so closely, and let us run with perseverance the race that is set before us, looking to Jesus the pioneer and perfecter of our faith, who for the sake of the joy that was set before him endured the cross, disregarding its shame, and has taken his seat at the right hand of the throne of God.
—Hebrews 12:1–2
+++
SONG: “A Cloud of Witnesses Around Us (A Thousand Alleluias)” | Words by Brian Wren, 1996 | Music by Gary Rand, 2015 | Performed by Gary Rand, Cindy Stacey, and Dorian Gehring
A cloud of witnesses around us,
a thousand echoes from the past,
proclaim the One who freed and found us,
and leads us on, from first to last.
For such a gift, let all uplift
a thousand alleluias.A carnival of faiths and cultures
parading through our settled praise,
with jangled rhythms, songs and dances,
expresses Love’s expansive ways.
Christ is our song. To God belong
a thousand alleluias.A crowd, that clamors pain and anger,
prevents us from nostalgic pride;
the cries of poverty and hunger
recall us to our Savior’s side.
There we entrust, to God most just,
a thousand alleluias.A throng of future shapes and shadows,
a world that may, or may not be,
names us the servants and the stewards
of all the Spirit longs to see.
In awe we bend, and onward send
a thousand alleluias.A rainbow-host of milling children,
God’s varied image, from all lands,
awakes again our founding vision,
that onward, urgently expands.
Give all, give more. Let love outpour
a thousand alleluias.
+++


In de’ Menabuoi’s stunning fresco, we glimpse a rendering of the glory of Christ’s church. We see a myriad of saints surrounding Jesus in a circle, which itself, suggests fullness and unending eternity. This grand scene was painted on the ceiling of a baptistery, a chapel set aside for the purpose of uniting new believers to the Lord and His church. So when the newly illumined ones came up out of the waters of baptism, they would see a representation of what and who they were just joined to: Jesus Christ as the Lord of Hosts, arrayed in the midst of His mother and the various ranks of saints, an image of God’s kingdom.
The image of Christ in the center of the cupola is of the type known as Christ Pantocrator, meaning “Christ Almighty” or “Ruler of All.” The book he holds open reads, EGO SUM Α ω (“I am Alpha and Omega”).

To view more frescoes from the Padua Baptistery, visit https://www.wga.hu/html_m/g/giusto/padua/index.html.
This post belongs to the weekly series Artful Devotion. If you can’t view the music player in your email or RSS reader, try opening the post in your browser.
To view all the Revised Common Lectionary scripture readings for Proper 15, cycle C, click here.
[…] “Cloud of Witnesses,” featuring a Paduan dome fresco of heaven and a hymn by Brian Wren and Gary Rand […]
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[…] featured baptistery dome art two other times on the blog: a painting of Paradise from the Padua Baptistery and a Last Judgment mosaic from the Florence Baptistery. Also related are the compilation of […]
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The song is lovely.
How could I obtain the musIc to this song.
Thanks very much
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The songwriter Gary Rand’s email address is garyerand [at] gmail [dot] com.
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[…] IMAGE: Illustration with “Cloud of Witnesses (Artful Devotion)” feature at ArtAndTheology.org (Giusto de’ Menabuoi — Italian, ca. 1320–1391 — Paradise, ca. 1378. […]
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[…] IMAGE: Illustration with “Cloud of Witnesses (Artful Devotion)” feature at ArtAndTheology.org (Giusto de’ Menabuoi — Italian, ca. 1320–1391 — Paradise, ca. 1378. […]
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[…] IMAGE: Illustration with “Cloud of Witnesses (Artful Devotion)” feature at ArtAndTheology.org (Giusto de’ Menabuoi — Italian, ca. 1320–1391 — Paradise, ca. 1378. […]
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