SONG: “Put out into the deep” by David Bednall (2008), performed by The Gesualdo Six (2020): A verbatim setting of Luke 5:1–11 (RSV), the calling of the disciples, which is the Revised Common Lectionary reading for February 6.
>> “Ghosts in Los Angeles” by Arthur Aghajanian, Ekstasis: The author of this essay reflects on Andres Serrano’s Nomads (1990), a humanizing series of portrait photographs of men and women experiencing homelessness in New York City. “Serrano titled each photograph with its subject’s first name, suggesting a familiarity with those portrayed while retaining their anonymity. . . . The images mimic the visual style of fashion and advertising, while also referencing historical portraits of the wealthy and powerful. The work restores the visibility along with the dignity of its subjects. . . . His diverse group reflects the vulnerabilities we all share, and the grace that sustains us in adversity.”
>> “The Cleft in the Rock: A Theology of Negative Spaces” by Daniel Drage, Image: This Image journal essay explores profound negative spaces in scripture—the first Sabbath, exile, the passage opened up by the parting of the Red Sea, empty wombs, tombs, nail wounds, the cleft of a rock, the space between the gold cherubim’s wings above the mercy seat—bringing them into conversation with works by contemporary British sculptors David Nash, Rachel Whiteread, and Andy Goldsworthy. Emptinesses that are full and presence via absence are key ideas.
ANIMATED SHORT FILMS:
>> Migrants, dir. Hugo Caby, Antoine Dupriez, Aubin Kubiak, Lucas Lermytte, and Zoé Devise: The graduation project of five film students from the Pôle 3D school in France, this short follows a mother polar bear and her cub who are displaced from their Arctic home. When their ice float runs aground a new habitat and they’re forced to learn a new way of life, the native brown bears treat them with hostility. The filmmakers said the project was initially inspired by the story of the Aquarius, a watercraft filled with refugees that grabbed global headlines when it was refused entry at Italian ports in 2018. [HT: Colossal]
>> Tokri (The Basket), dir. Suresh Eriyat: A father-daughter story set in Mumbai, this stop-motion animated short from Studio Eeksaurus is about mistakes and forgiveness, and how meaningful a kind extended hand from a stranger can be . . . or not. [HT: Colossal]