Roundup: Cracked lanterns; Incarnation songs; Christmas gallery talks; pregnancy poem

COMMUNITY ART PROJECT + INSTALLATION: Light the Well by Anna Sikorska: Last month artist Anna Sikorska led the congregation of St. Martin-in-the-Fields in creating a constellation of cracked, translucent porcelain globes, lit from within like lanterns and linked together—a visualization of Paul’s words in 2 Corinthians 4:6–12, about our hearts being clay jars whose fragility and brokenness enable the light of Christ to shine through all the more. Light the Well was installed at St. Martin’s on November 11, and since November 19 the individual lanterns have been selling for £10 a piece to benefit New Art Studio and Art Refuge UK, charities working with art therapy in the context of migration and displacement. Associate vicar Jonathan Evens delivered a beautiful reflection on this artwork and the scripture that inspired it, as well as a prayer and benediction, which you can read in full here.

Light the Well installation

I love it when churches use art not merely to decorate or prettify the building but to further the congregation’s engagement with scripture and to foster shared doing and seeing.

SONGS:

“City of David” by the Gray Havens: The Gray Havens, a “narrative pop folk duo” from Nashville made up of married couple David and Licia Radford, released a new Christmas single on November 17—recorded on an iPhone! Listen to the song and watch some of their “making of” process in the video below. God the Father often gets overlooked during this season, so I like that the refrain reminds us that “the Father sent him [the Son] down.” [Purchase here]

“Human for Me” by Katy Kinard: Released last year on the album God of Fireflies, this song praises God for assuming full humanity—for not circumventing any frustrating or painful aspect of it. [Purchase here]

GALLERY TALKS:

“The Christmas Story in Art” at the National Gallery, Washington, DC: Gallery lecturer David Gariff will lead a 75-minute discussion about paintings in the collection that depict the birth of Jesus, including one of my favorites, Duccio’s Nativity with the Prophets Isaiah and Ezekiel. (Click on the link to see a full list of works.) The event is free and geared to an adult audience. To participate, meet in the West Building Rotunda at 1 p.m. on December 9 or 10, or 2 p.m. on December 14, 18, 20, 21, or 22.

Nativity with Isaiah and Ezekiel by Duccio
Duccio (Italian, ca. 1255–60–ca. 1318/19), The Nativity with the Prophets Isaiah and Ezekiel, 1308/1311. Tempera on single poplar panel, 48 × 86.8 × 7.9 cm (18 7/8 × 34 3/16 × 3 1/8 in.). National Gallery of Art, Washington, DC.

“Adoration of the Kings” Facebook Live tour at the National Gallery, London: Friday, December 15 at 9 a.m. GMT, director Gabriele Finaldi will be exploring Jan Gossaert and Pieter Bruegel the Elder’s paintings of the Adoration of the Magi. This “tour,” offered exclusively online, will be broadcast live on the Gallery’s Facebook page, and a replay version will be available on the channel afterward.

Adoration of the Kings by Jan Gossaert
Jan Gossaert (Flemish, d. 1532), The Adoration of the Kings, 1510–15. Oil on oak, 179.8 × 163.2 cm. National Gallery, London.
Adoration of the Kings by Pieter Bruegel
Pieter Bruegel the Elder (Flemish, d. 1569), The Adoration of the Kings, 1564. Oil on oak, 112.1 × 83.9 cm. National Gallery, London.

POEM: “Scale” by Chelsea Wagenaar: Chelsea and I went to the same small North Carolina church as kids, back when she was a Henderson and I a Hartz, so we share a heritage of learning Bible lessons from Butch the Dragon and competing annually in the Bean Bag Relay at the AWANA Olympics. Now she is an award-winning poet, a Lilly Fellow, a lecturer in Valparaiso University’s English department, and a mom!

Inspired by her pregnancy, the poem “Scale” is full of metaphors that revel in the wonders of prenatal life—the womb is a “winterplum sky,” the cluster of baby cells “untufted cotton,” the belly a “Lenten moon.” The central theme, which Chelsea cleverly plays around, is Psalm 139:16, a praise verse by King David: “Your eyes saw my unformed substance; in your book were written, every one of them, the days that were formed for me, when as yet there was none of them.”

Chelsea’s poem is especially appropriate for Advent, a season of pregnancy in which we position ourselves retrospectively with Mary, letting our hearts expand as we wait expectantly for that marvelous deliverance, the coming of the Christ child.

Advent art slideshow and devotional

Advent is just around the corner, commencing Sunday, November 27. To support Christians in their seasonal journey toward Christmas, I’ve developed two companion resources: a slideshow of art images for congregational use, and a devotional booklet for individuals or small groups that offers written reflections on these images.

The structural backbone is a liturgical text written by Jonathan Evens, which has as its refrain the plea “Come, Lord Jesus, come.” It looks forward to Christ’s second advent but also, necessarily, back to his first, in all its various aspects. Along with themes of peace, love, and sacrifice, you are invited to consider

  • what it meant for Jesus to be born of woman—coming as seed and fetus and birthed son;
  • the poverty Jesus shared with children around the world;
  • culturally specific bodies of Christ, like a dancing body and a yogic body;
  • how we are called to bear God into the world today;
  • and more.

Art is a great way to open yourself up to the mysteries of God, to sit in the pocket of them as you gaze and ponder. “Blessed are your eyes because they see,” Jesus said. Theologians in their own right, artists are committed to helping us see what was and what is and what could be. Here I’ve taken special care to select images by artists from around the world, not just the West, and ones that go beyond the familiar fare. You’ll see, for example, the Holy Spirit depositing the divine seed into Mary’s womb; Mary with a baby bump, and then with midwives; an outback birth with kangaroos, emus, and lizards in attendance; Jesus as a Filipino slum dweller; and Quaker history married to Isaiah’s vision of the Peaceable Kingdom.

My vision is for the two-minute slideshow to be shown in church on the first day of Advent during the main service. Two minutes is not nearly enough time to take in twenty-four images, so the slideshow is really just an invitation to deeper, one-on-one engagement with the images throughout the week, and that’s where the booklet comes in—as an aid to contemplation. To reinforce the practice and to make it more communal, pastors might consider drawing one image per week into his or her sermon, or discussion could be built into the Sunday school hour. There are twenty-eight days in Advent this year but only twenty-three reflections, so I’ll leave it up to you how to parse them out.

A humongous thanks to the artists and institutions who have granted permission for use of their work. Copyright of the images is retained by them, except where “Public Domain” is indicated, and reproduction outside the context of this slideshow and booklet is prohibited without their express permission. You of course are encouraged to show the slides publicly, and to distribute the booklet, but you must not charge a fee.

I hope these images fill you with wonder and holy desire—to know Christ more and to live into the kingdom he inaugurated two thousand-plus years ago from a Bethlehem manger.

Download the slideshow as a PowerPoint file.

Download the devotional booklet as a PDF. (Note: This version is slightly edited from the original.)

Want to have the booklet print and bound? Use this print-ready version. (I recommend a coil bind with a clear plastic front cover and a vinyl back cover. This will run you about $20 each at most commercial print centers, or less for larger quantities. Be sure to print double-sided, head-to-head.)

I realize that Sara Star’s The Crowning might be too graphic for some churches. Although I personally am compelled by it and obviously endorse it through its inclusion (what better complement to the line “Coming down the birth canal”?), I offer the following as alternative image suggestions for those who might want to substitute it with something more abstract or sanitized: Through the Needle’s Eye by Grace Carol Bomer; the Dieu parmi nous (God Among Us) panel from La Nativité du Seigneur (The Nativity of the Lord) by Sophie Hacker; Motherhood by Matthew Gill; or Nativity by Paula Rego. Please note that I have NOT received copyright clearance for any of these alternates, which means that if you were to use one, you would be responsible for securing the proper permission.

If you have any questions about how to use these resources, or if you’d like to share any feedback with me—either on how the images or format were received in your congregation, or suggestions for future improvement—feel free to contact me at victoria.emily.jones@gmail.com, or use the comment field below. This is really my first attempt to bring the principles of this blog out into the local church, so I’m eager to see what kind of fruit it bears.

Roundup: Church engagement with the arts

“Inspired to Follow: Art and the Bible Story,” St.-Martin-in-the-Fields, London: This program comprises a series of weekly noontime gatherings that use famous local paintings as a springboard into discussion of the biblical narrative and its implications for us today. I’ve enjoyed reading the few presentations given by associate vicar Jonathan Evens, posted on his blog: first, on J. M. W. Turner’s two paintings of Noah’s flood, and more recently, on El Greco’s Christ Driving the Money Changers from the Temple.

El Greco_Christ Driving the Money Changers from the Temple
El Greco (Greek, active Spain, 1541–1614), Christ Driving the Money Changers from the Temple, 1600. Oil on canvas, 106 × 130 cm (42 × 51 in.). National Gallery, London.

 

VIBRANT music and arts festival, Cahaba Park Church, Birmingham, Alabama: On November 1, 2015, Cahaba Park Church held a Psalms-inspired music and arts festival. Eight visual artists from the church were selected to display their paintings, which were auctioned off to raise money for four nonprofits. The Corner Room performed songs from their new album, Psalm Songs, Volume 1; “Psalm 23” (music by Adam Wright) is the soundtrack for the recap video above. This next VIBRANT festival will be held on July 22.

 

“Art and Spirit” exhibition, First Congregational Church, Los Angeles: Through April 24, the works of over fifty artists will be on display in the Neo-Gothic Shatto Chapel of the First Congregational Church of Los Angeles. Most of the works are by emerging LA artists from Art Division, an organization that provides art training to young adults who lack the resources to attend university but who want to pursue a career in the visual arts; they were asked to respond to the theme “art and spirit.” A few of the works in the exhibition are by well-known artists such as Rembrandt, Albrecht Dürer, Corita Kent, and Ed Ruscha.

 

Portraits of Resurrection, 2015 Easter initiative, Saddleback Church, Lake Forest, California: Ex Creatis, the arts ministry at Saddleback, is always coming up with unique ways to incorporate art into the life of its church. Last Easter twenty-three volunteer artists sketched portraits of church attendees onto one of three floral prints (of the sitter’s choosing) made by three different artists in the church. These personalized works of art were meant to remind those who took them home of the new life they have in Christ.