Candlemas, celebrated every year on February 2, commemorates the presentation of Jesus at the temple forty days after his birth, according to Jewish custom (Luke 2:22–40). While there, the Holy Family encountered Simeon, an elderly man, “righteous and devout,” who was “waiting for the consolation of Israel.” Though weak and tired with age, he was told by the Holy Spirit that he would not die before laying eyes on the messiah of his people, and he banked on that promise. When the Spirit led him to the temple that day, he beheld the baby Jesus and knew instantly that this was the One he had been waiting for—and not only him, but the whole world. He took the child in his arms and sang this canticle, known in church tradition as the “Nunc dimittis” (“Now you dismiss . . .”):
Lord, now you are letting your servant depart in peace,
according to your word;
for my eyes have seen your salvation
that you have prepared in the presence of all peoples,
a light for revelation to the Gentiles,
and for glory to your people Israel. (vv. 28–32)
SONG: “Until My Dying Day Has Come” by Carl-Eric Tangen, from Incarnation Hymns (2008)
Probably Rembrandt’s last painting, Simeon in the Temple was found unfinished on an easel in his studio when he died. It depicts this enlightening moment from Luke 2, in which Simeon recognizes the Christ and exults—quietly, gratefully—in his salvation. The woman in the shadows, thought to be a later addition by another’s hand, is probably the prophetess Anna, though some suppose her to be Mary.
This post belongs to the weekly series Artful Devotion. If you can’t view the music player in your email or RSS reader, try opening the post in your browser.
To view all the Revised Common Lectionary scripture readings for the feast of the Presentation of the Lord, cycle B, click here.