Come, Weak and Wounded (Artful Devotion)

Kershisnik, Brian_Wounded Saint
Brian Kershisnik (American, 1962–), Wounded Saint, 2002. Oil on panel, 40 × 30 in.

Blow the trumpet in Zion; sound the alarm on my holy mountain! Let all the inhabitants of the land tremble, for the day of the LORD is coming, it is near . . .

Yet even now, says the LORD, return to me with all your heart, with fasting, with weeping, and with mourning; rend your hearts and not your clothing. Return to the LORD, your God, for he is gracious and merciful, slow to anger, and abounding in steadfast love, and relents from punishing.

—Joel 2:1, 12–13

Let me hear joy and gladness; let the bones that you have crushed rejoice.

—Psalm 51:8

The sacrifice acceptable to God is a broken spirit; a broken and contrite heart, O God, you will not despise.

—Psalm 51:17

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SONG: “Come, Ye Sinners, Poor and Needy” | Words by Joseph Hart, 1759, with anonymous refrain, ca. 1811 | Music: American folk melody (RESTORATION), published in William Walker’s Southern Harmony, 1835 | Performed by Keith and Kristyn Getty, on The Greengrass Session: Six Hymns from the Old World and the New, 2014

Come, ye sinners, poor and needy,
Weak and wounded, sick and sore;
Jesus ready stands to save you,
Full of pity, love, and pow’r.

I will arise and go to Jesus,
He will embrace me in His arms;
In the arms of my dear Savior,
Oh, there are ten thousand charms.

Come, ye thirsty, come, and welcome,
God’s free bounty glorify;
True belief and true repentance,
Every grace that brings you nigh.

Come, ye weary, heavy-laden,
Lost and ruined by the fall;
If you tarry till you’re better,
You will never come at all.

Let not conscience make you linger,
Nor of fitness fondly dream;
All the fitness He requireth
Is to feel your need of Him.

The singing-songwriting duo Keith and Kristyn Getty [previously], who are married, are from Northern Ireland and split their time between there and Nashville, Tennessee, in the United States. In 2014 they recorded a medley of the (American) shape-note hymn “Come, Ye Sinners” with a traditional Irish reel tune known as MUSICAL PRIEST, blending the musics of their two homes. The song starts out at a slow, weary pace with spare violin accompaniment and then picks up with a brisk guitar and other strings, including a free-ranging fiddle. The dirge gives way to celebration—this is the movement of Lent.

“Come, Ye Sinners” appears in hymnals with slight variations in verses, sometimes with an additional two, but the text above is one of the most commonly used. The anonymous refrain (“I will arise . . .”), which makes an oblique reference to the parable of the prodigal son, was added to Hart’s text sometime in the nineteenth century; it is a “floating lyric” found in Southern hymnals as early as 1811.

Though I most associate the hymn with the tune RESTORATION (sometimes called ARISE), it has been set to several tunes over the years, both traditional and contemporary. These include BEACH SPRING, GREENVILLE (which uses a different refrain), and ones by Todd Agnew and Matthew S. Smith, to name a few.

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In his painting Wounded Saint, Brian Kershisnik [previously] shows us a young woman with downcast eyes and a bleeding gash in her right arm. This wound, a metaphor for the pain she carries inside, could be self-inflicted or inflicted by others or both, but either way, her child gently leads her forward toward healing, as two angels support her from behind. “Poor and needy, weak and wounded, sick and sore,” the woman returns to her God, whose light emanates faintly from her head. In his arms, as the hymn says, “there are ten thousand charms”—ten thousand graces, ten thousand traits that fascinate, allure, delight . . . and make whole.

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I’ve just published a piece on the Christians in the Visual Arts (CIVA) blog to mark Ash Wednesday tomorrow. It’s a short reflection on the interactive installation hash2ash by the Warsaw-based art collective panGenerator, which uses digital technology to turn selfies into a pile of ash. “Dust you are, and to dust you shall return,” as the liturgy goes. Visit https://civa.org/civablog/remember-you-are-dust/ to read more.


This post belongs to the weekly series Artful Devotion. If you can’t view the music player in your email or RSS reader, try opening the post in your browser.

To view all the Revised Common Lectionary scripture readings for Ash Wednesday, cycle A, click here.

Come, Energy Divine (Artful Devotion)

Descent of the Holy Spirit
Roman Barabakh (Ukrainian, 1990–), Descent of the Holy Spirit, 2017. Cyanotype print, 54 × 42.2 сm. Available for sale via Iconart.

“I will put my spirit within you, and you shall live . . .”—Ezekiel 37:14

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SONG: “Abbeville” (Come, Holy Spirit, Come) | Words by Benjamin Beddome (published posthumously in 1818) | American folk tune from The Sacred Harp, arr. Elisha J. King (1844) | Performed by Marsha Genensky of Anonymous 4, on American Angels: Songs of Hope, Redemption, and Glory (2005)

You can hear this song—and twelve others—on “Anonymous 4: The Sacred Harp,” a Saint Paul Sunday radio broadcast that aired on American Public Media in September 2006. The entire concert-interview is worth a listen, or you can skip to 7:49.

Anonymous 4’s a cappella version of “Abbeville” is my favorite, but another nice version is the Wilder Adkins–Gabrielle Jones duet with acoustic guitar accompaniment.

Come, Holy Spirit, come,
With energy divine,
And on this poor, benighted soul,
With beams of mercy shine.

From the celestial hills,
Light, life, and joy dispense;
And may I daily, hourly feel
Thy quick’ning influence.

Melt, melt this frozen heart;
This stubborn will subdue;
Each evil passion overcome,
And form me all anew.

Mine will the profit be,
But Thine shall be the praise;
And unto Thee will I devote
The remnant of my days.


This post belongs to the weekly series Artful Devotion. If you can’t view the music player in your email or RSS reader, try opening the post in your browser.

To view all the Revised Common Lectionary scripture readings for Pentecost Sunday, cycle B, click here.